(from Liebeslieder Polkas [S. 2/4]), S.A.T.B., with Piano, Five Hands. Text: Christopher Marlowe. Choir (SATB, keyboard). For SATB Voices, Piano I, Piano II. Choral. Piano/Vocal Score. S 2/4. 16 pages. Duration 2:45. Published by Theodore Presser Company.

Composed by R. Christopher Teichler. Choral. Sacred Anthem, Holy Week, Lent. Octavo. Lorenz Publishing Company #10/5408L. Published by Lorenz Publishing Company

SATB a cappella Choral; Mixed Choir (SATB a cappella)

SKU: HL.50490228

By Melinda Berlasz. By Veress Sándor. EMB. Classical. Softcover. 147 pages. Editio Musica Budapest #Z14553. Published by Editio Musica Budapest (HL.50490228).

ISBN 9790080145531. UPC: 884088531638. 7.5x10.75x0.365 inches. Hungarian, English, German. Sandor Veress; Melinda Berlasz.

Volume II of the collected edition of the choral works of Veress contains seven Hungarian folksong cycles or cantatas, a choral poem in Hungarian and a choral cycle in English. In his first creative period (1929-1939), which he spent in Hungary, Sandor Veress's direct involvement in Hungarian folk music research played a decisive part: his folksong experience gained through personal collecting work found expression in his first period of composition for mixed choir. In the course of the 1960s, after his emigration, he returned on two occasions to the a cappella mixed choir genre: in 1962 he wrote a piece for mixed choir to mark the 60th birthday of the great Hungarian poet Gyula Illyes (Oda Europahoz - Ode to Europe, based on the poem by Illyes), and in 1967, at the request of the Australian Radio Company, he composed for the 'Adelaide Singers' chamber choir Songs of the Seasons, a seven-movement madrigal cycle making exceptional demands on the performers, to verses by the Australian poet Christopher Brennan (1870-1932).

SATB choir, recorder, mesoamerican flute or winds, percussion

SKU: GI.G-012713

Thus It Comes. Composed by Tomas Pascual. Arranged by Christopher Moroney. Advent, Christmastide, Advent 4 B. Sacred. Octavo. 32 pages. GIA Publications #012713. Published by GIA Publications (GI.G-012713).

UPC: 641151127132.

We offer this intriguing Christmas piece from the Renaissance period, arranged and edited by Christopher Moroney. This setting attempts to simulate how a musical performance may have sounded during the colonial epoch in Mesoamerica during the fifteenth and sixteenth centuries. Extensive historical notes are found in the octavo regarding text, composer, transcription, and instrumentation. The choral parts are not difficult and a phonetic rendering makes the pronunciation quite easy to learn. Instrumental parts are provided for recorders, flutes, and sundry percussion instruments. Listen to this unique track and consider adding a new sound to your Christmas celebrations!

SATB choir with optional brass

SKU: HP.C5082B

Composed by Charles Hubert Hastings Parry and Christopher Idle. Arranged by Jack Schrader. Piano with Optional brass. General Worship, Creed, Adoration & Praise, Sacred. Brass Parts. Hope Publishing Company #C5082B. Published by Hope Publishing Company (HP.C5082B).

UPC: 763628144500. Christopher Idle. 1 Corinthians 2:28, Acts 2:34, Acts 7:55, Ephesians 1:20, Hebrews 1:3, Mark 14:62, Psalms 19:1, Psalms 24:7-10, Psalms 9:1, Revelation 1:1-11, Revelation 5:11-14, Revelation 7:11-17, Romans 3:24, Romans 5:1, Titus 3:7.

Hymn tune by C. Hubert H. Parry Based on a strong hymn tune and a paraphrase of the historic Te Deum, this choir, brass and organ arrangement by Jack Schrader is both climactic and poignantly worshipful. Based on a strong hymn tune and a paraphrase of the historic Te Deum, this choir, brass and organ arrangement by Jack Schrader is both climactic and poignantly worshipful.

SATB choir - Level 1

SKU: CA.301310

Composed by Henry Smart. Halleluja! Erhebt Herz und Stimme zum Himmel. Sacred vocal music, Easter and Eastertide, Praise and thanks. Full score. Duration 5 minutes. Carus Verlag #CV 03.013/10. Published by Carus Verlag (CA.301310).

ISBN 9790007146399. Key: E flat major. Text language: English/German. Text: Wordsworth, Christopher. Text: Christopher Wordsworth.

By Hal H. Hopson. For SATB choir and Organ, with opt. Oboe, Flute, or Violin. Lent. Level: Moderately Easy. Octavo. Published by MorningStar Music Publishers.

By Malcolm Archer. Arranged by Malcolm Archer. Text: Christopher Wordsworth. For SATB Choir. (Accompaniment: Organ). Malcolm Archer Choral Series. Christmas and Sacred. Level: Medium Adult. 12 pages. Duration 3 min, 59 sec. Published by Hinshaw Music Inc.

By East, Various. For SATB Choir, Organ. Classical, Choral. Sheet Music. 248 pages. Published by Novello and Co Ltd.

SATB Chorus

SKU: SU.29130490

For SATB Chorus. Composed by Christopher Fulkerson. Vocal/Choral, Secular Choral. Choral Octavo. Subito Music Corporation #29130490. Published by Subito Music Corporation (SU.29130490).

CF30, Ein Blümlein (Brubacher), The White Stag (Pound)SATB Chorus Duration: 3’30 Composed: 1982-2014 Published by: Christopher Fulkerson Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at.

From (Sid Meier's Civilization IV). By Soweto Gospel Choir. By Christopher Tin. Edited by Matt Conaway. Choral. African, Choral, Concert, Contest, Festival, Video Games, World Music. Octavo. 16 pages. Published by Hal Leonard

Choral (SSATBB)

SKU: HL.48022628

SSATBB and Piano. Composed by Christopher Norton. Boosey & Hawkes Sacred Choral. Christmas, General Worship, Holiday, Sacred. Octavo. Hal Leonard #M060123047. Published by Hal Leonard (HL.48022628).

A peaceful carol telling the Christmas story of the angels' visit to the shepherds. The simple but still jazz-inspired harmonies, unison sections and attractive melodies make this a very approachable but effective carol.

SATB chorus divisi, piano - Grade 4

SKU: CA.5293903

Composed by Max Reger. Edited by Christopher Grafschmidt, Claudia Seidl. Gattungen vokal: Sacred vocal music. Vocal score. Op. 106. Duration 30 minutes. Carus Verlag #5293903. Published by Carus Verlag (CA.5293903).

ISBN 9790007300272. German.

Max Reger’s setting of Psalm 100 is one of the “grand style” choral-symphonic works of the classical modern repertoire. Contrapuntal skill in the tradition of Bach combines with overwhelmingly powerful expressiveness, rich in contrasts. The full harmonic and stylistic breadth of the early 20th century sings out, not only in frenetic song, but also in the search for awareness in quieter passages. Reger’s opulence, tonal and contrapuntal almost throughout, finally culminates in a double fugue with an off-stage orchestra similar to the trumpets of Jericho over “Ein feste Burg ist unser Gott”. The composer’s declared aim was: “The psalm must go so brilliantly, that all will be simply ’bowled over‘.”.