SKU: CA.3115649
ISBN 9790007208820. Language: German/English.
Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.
SKU: FG.55011-110-3
ISBN 979-0-55011-110-3.
Nesciens mater is an exquisite setting of an antiphon for the Octave of the Nativity, with a tenor voice based on Gregorian melody. It is an undulating tapestry of sonority created, remarkably, by means of a four-voice imitative texture in canon with itself a fifth higher and one bar later. Fazer Editions of Early Music is a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.
SKU: BA.BA05570-01
ISBN 9790006497386. 33 x 26 cm inches. Language: German. Preface: Christine Martin. Text: Helmina von Chezy.
On 20 December 1823 Helmina von Chezy'sRosamundereceived its premiere performance at Vienna's Theater an der Wien. Unfortunately the Viennese version of this drama with ghosts, pirates, attempted poisonings and other horrifying ingredients has not survived - unlike Schubert's popular incidental music which also includes choruses and dances. This music was already highly praised by contemporary critics, with special acknowledgment given tothe genius of this much-loved master. As evidence of its popularity, the overture and theHunters' Chorushad to be encored at the premiere. Now Barenreiter is issuing one of Schubert's best-known compositions in a complete vocal score with piano reduction.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: GI.G-7864FS
UPC: 785147786498. English, Latin, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass
Commissioned by the Maryknoll Community to celebrate its centenary of papal approval in 2011, Missa ad Gentes was composed with a particular vision – to create a Mass setting with the 2010 revised English texts representing both Maryknoll’s United States heritage as well as the diverse cultures in which Maryknoll missioners serve in Central and South America, Africa, Asia, and Oceania.  With each piece of the Mass, Fr. Joncas honors the musical heritage of a different culture, creating a truly unique setting celebrating the Church’s diversity. The title, meaning “Mass ‘to the peoples’†draws on the text of the Second Vatican Council’s document on missionary activities. “It is my hope that the Missa ad Gentes will assist English-speaking Roman Rite Catholics to worship with new liturgical texts, faithful to their heritage but enriched by the great diversity of languages and cultures that make up the Church Catholic.†-Michael Joncas Keyboard accompaniment and guitar chords are printed in the edition.
SKU: BA.BA03668
ISBN 9790006438310. 27.4 x 19.5 cm inches.
SKU: BA.BA02937
ISBN 9790006427765. 27.6 x 19.8 cm inches.
24 Kompositionen. Urtext der Lechner-Gesamtausgabe.
SKU: BT.WH31482
ISBN 9788759824412.
For blandet kor a cappellabaseret på Paulus’ Første Brev til KorintherneKapitel 13 om KærlighedenOm jeg så taler med menneskers og engles tunger s. 3Kærligheden er tålmodig s. 8Størst er kærligheden s. 11Når én mann kan forårsake så mye ondt tenk hvor mye kjærlighet vi kan skape sammen.Helle Gannestad, Oslo på Twitter den 23. juli 2011 For mixed chorus a cappella. Based on Paul's First Letter to the Corinthians, Chapter 13 on Charity. Though I speak with the tongues of men and of angels Love is patient The greatest is love.
SKU: CA.3115600
ISBN 9790007186777. Language: German/English.
Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale.
SKU: BA.BA05474
ISBN 9790006471706. 27 x 19 cm inches.
22 Motets of the 16th and 17th century for Choir (SATB, some SSATB), partly with Basso continuo (keyboard instrument).
SKU: BA.BA05624-05
ISBN 9790006472291. 30 x 23 cm inches. Key: F major.
The period over which the Mass in F major was written can be followed step by step by virtue of Schubert himself having written dates in the autograph score (Schubert wrote the work with a few interruptions between May and July 1814), and what prompted him to compose it is only too well known - the centenary of the Lichtental parish church -, but the day it was first performed was not clear for quite some time.
SKU: BT.DHP-1012653-050
Jacob de Haan hat vier Weihnachtslieder bearbeitet und zu der Suite Vier weihnachtliche Hirtenlieder zusammengefasst. Das Medley, das Renso Propstra für Akkordeonorchester anpasste, enthält folgende Lieder: Als ich bei meinen Schafen wacht‘ , Inmitten der Nacht, Kommet, ihr Hirten und Ihr Hirten, erwacht. Vier weihnachtliche Hirtenlieder (“Quatre noëls des bergersâ€) est une suite de quatre noëls traditionnels allemands : Als ich bei meinen Schafen wacht, Inmitten der Nacht, Kommet Ihr Hirten et Ihr Hirten, erwacht. Cette pièce peut également être interprétée avec un ChÅ“ur mixte (texte en allemand).
SKU: GI.G-7864
UPC: 785147786405. English, Latin, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass
Commissioned by the Maryknoll Community to celebrate its centenary of papal approval in 2011, Missa ad Gentes was composed with a particular vision – to create a Mass setting with the 2010 revised English texts representing both Maryknoll’s United States heritage as well as the diverse cultures in which Maryknoll missioners serve in Central and South America, Africa, Asia, and Oceania.  With each piece of the Mass, Fr. Joncas honors the musical heritage of a different culture, creating a truly unique setting celebrating the Church’s diversity. The title, meaning “Mass ‘to the peoples’†draws on the text of the Second Vatican Council’s document on missionary activities. “It is my hope that the Missa ad Gentes will assist English-speaking Roman Rite Catholics to worship with new liturgical texts, faithful to their heritage but enriched by the great diversity of languages and cultures that make up the Church Catholic.†-Michael Joncas.
SKU: CA.7020019
ISBN 9790007228781. Key: F major. Language: German. Text: Weyermuller, Friedrich. Text: Friedrich Weyermuller.
With alternative text O Lamm Gottes unschuldig (text: Nikolaus Decius). Score available separately - see item CA.7020000.
SKU: NR.78412
Language: Italian. Text: Francesco Petrarca.
SKU: CA.4005305
ISBN 9790007059224. Key: F major. Language: Latin/English.
Score available separately - see item CA.4005300.
SKU: CA.4005311
ISBN 9790007059231. Key: F major. Language: Latin/English.
SKU: CA.4005314
ISBN 9790007059262. Key: F major. Language: Latin/English.
SKU: CA.4005349
ISBN 9790007217235. Key: F major. Language: Latin/English.
SKU: CA.4005303
ISBN 9790007086374. Key: F major. Language: Latin/English.
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