ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117412

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violin solo 2. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Violin Solo 2. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/12. Published by Carus Verlag (CA.3117412).

ISBN 9790007209650. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117413

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violin solo 2. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Violin solo 3. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/13. Published by Carus Verlag (CA.3117413).

ISBN 9790007209667. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

SATB choir, cantor, assembly/congregation, organ, optional brass quintet, optional timpani

SKU: MN.80-695

Composed by Philip W. J. Stopford. 21st Century. Choral score. MorningStar Music Publishers #80-695. Published by MorningStar Music Publishers (MN.80-695).

UPC: 688670806957. Latin.

Philip Stopford's new Mass setting for assembly, cantor, SATB voices and organ was commissioned for St. Luke the Evangelist Church in Richmond Heights, Missouri, to commemorate the parish's Centennial. It is a complete setting: Penitential Act (four options), Gloria (through composed), Sprinkling Rite, Gospel Acclamations (Alleluia and Lenten acclamations), Universal Prayer, Eucharistic Acclamations and Lamb of God. Latin settings of the Gloria, Sanctus, and Agnus Dei are also included. While Mr. Stopford's compositional style has the broad sweep of English church music, his flair for melody keeps it accessible for assembly. Movements such as the Holy, Holy are set creatively and will remain fresh after years of singing. Parts for brass quintet and timpani on the major movements add to a festive rendition.

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80-695C: This edition may be reproduced if covered and reported under your CCLI or OneLicense.net license.

SATB Choir, organ

SKU: CA.3135100

Composed by Johann Sebastian Bach. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ausgaben mit mehreren Luther-Liedern; Carus sheet music series: Choir & Organ. Sacred vocal music, Cantatas, Reformation day. Full score. 40 pages. Carus Verlag #CV 31.351/00. Published by Carus Verlag (CA.3135100).

ISBN 9790007181598.

In good time for the Reformation anniversary year 2017, this edition offers four distinctive movements from Johann Sebastian Bach's Reformation cantatas in arrangements for choir and organ. From the cantata Ein feste Burg ist unser Gott BWV 80 the ornate opening chorus, the fifth movement Und wenn die Welt voll Teufel war, with its impressive musical depiction of the battle between heavenly and evil powers, and the final chorale Das Wort sie sollen lassen stahn are included. These are joined by the festive chorale Nun danket alle Gott from the Reformation cantata Gott der Herr ist Sonn und Schild BWV 79. The transcription of Bach's orchestral writing for organ offers performers plenty of opportunity for artistic interpretation, and enables the movements to be performed in an attractive way even with limited resources.

Soprano voice solo, SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.3949211

Kantate zum 2. Weihnachtstag. Composed by Georg Philipp Telemann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: O Jesu Christ, dein Kripplein ist. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 1. TVWV 1:1200. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.492/11. Published by Carus Verlag (CA.3949211).

ISBN 9790007056315. Language: German/English.

Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. Score and part available separately - see item CA.3949200.

Soprano voice solo, SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.3949219

Kantate zum 2. Weihnachtstag. Composed by Georg Philipp Telemann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Complete orchestral parts. Sacred vocal music, Cantatas, Advent, Christmas. Set of Orchestra Parts. TVWV 1:1200. Duration 15 minutes. Carus Verlag #CV 39.492/19. Published by Carus Verlag (CA.3949219).

ISBN 9790007144227. Text language: German/English.

Two straightforward four-part choral movements frame three solo movements. The tonal language of this easily performable work, taken from a cantata publication of 1748, combines baroque pictorial quality and playfulness with rococo grace and sensitivity. Score and parts available separately - see item CA.3949200.

Orchestra Soli SATB Voices, SATB Choir, Obda, Ctto, 3 Trb, 2 Vl, Va, Bc

SKU: CA.3112107

Cantata for the 2nd day of Christmas. Composed by Johann Sebastian Bach and Martin Luther. Edited by Frieder Rempp. Sacred vocal music, Cantatas; use during church year: Christmas; Hymns by Martin Luther: Christum wir sollen loben schon; Stuttgart Editions (Urtext): Stuttgart Bach Edition - Bach vocal. Hymns by Martin Luther: Christum wir sollen loben schon; Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Christmas. Study score. Composed 1724. BWV 121. 32 pages. Duration 21 minutes. Carus Verlag #CV 31.121/07. Published by Carus Verlag (CA.3112107).

ISBN 9790007241544. Language: German/English.

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame two arias for tenor and bass, and two secco recitatives for alto and soprano. The first and sixth movements are in old-fashioned style, with four-part vocal writing and colla parte instruments. In the aria (movement 2) the tenor is accompanied by an obbligato oboe d'amore, and in the 4th and most striking movement, the three string parts accompany the bass. The demands on the singers, instrumentalists, and chorus are typical of a Bach cantata. Score available separately - see item CA.3112100.

SSATB vocal soli, SSATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3124305

Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Magnificat In D (Leisinger). Innovative practice aids, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Choral Score. BWV 243. Duration 27 minutes. Carus Verlag #CV 31.243/05. Published by Carus Verlag (CA.3124305).

ISBN 9790007108724. Key: D major. Language: Latin.

Johann Sebastian Bach's Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach's period in Leipzig, for the Visitation of Mary on 2.7.1723; for a further performance on the 1st day of Christmas, Bach added four extra Christmas movements following a Leipzig tradition. Only in the 1730s did Bach arrange the Magnificat in the well-known version in D; the orchestration was slightly altered, particularly improving the considerable practical performance problems encountered in the E flat major version. Our critical new edition contains the version of the Magnificat in D, based on Bach's autograph score. For Christmas performances the extra movements are available separately, transposed for performance with the D major version of the Magnificat (Carus 31.243/50). Score available separately - see item CA.3124300.

Composed by Randol Alan Bass. 21st Century. Choral score. Randol Bass Music #RBM-122. Published by Randol Bass Music

SSATB Voices, SSATB Choir, 2 Fl, 2 Ob, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3124393

Composed by Johann Sebastian Bach. Arranged by Paul Horn. Carus CD series: Carus Choir Coach; Sacred vocal music, Magnificats. Carus Choir Coach. Mp3, Practice-CD, tenore. Sacred vocal music, Magnificats. Compact Disc. BWV 243. Duration 27 minutes. Carus Verlag #CV 31.243/93. Published by Carus Verlag (CA.3124393).

Key: D major. Language: Latin.

Johann Sebastian Bach's Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach's period in Leipzig, for the Visitation of Mary on 2.7.1723; for a further performance on the 1st day of Christmas, Bach added four extra Christmas movements following a Leipzig tradition. Only in the 1730s did Bach arrange the Magnificat in the well-known version in D; the orchestration was slightly altered, particularly improving the considerable practical performance problems encountered in the E flat major version. Our critical new edition contains the version of the Magnificat in D, based on Bach's autograph score. For Christmas performances the extra movements are available separately, transposed for performance with the D major version of the Magnificat (Carus 31.243/50). Score available separately - see item CA.3124300.

SSATB vocal soli, SSATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.4033130

Composed by Johann Sebastian Bach. Arranged by Paul Horn. Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: Faksimile Magnificat Bwv 243. Post card. Composed 1749. BWV 243. 100 pages. Duration 27 minutes. Carus Verlag #CV 40.331/30. Published by Carus Verlag (CA.4033130).

ISBN 9790007104818. Key: D major. Language: Latin.

Johann Sebastian Bach's Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach's period in Leipzig, for the Visitation of Mary on 2.7.1723; for a further performance on the 1st day of Christmas, Bach added four extra Christmas movements following a Leipzig tradition. Only in the 1730s did Bach arrange the Magnificat in the well-known version in D; the orchestration was slightly altered, particularly improving the considerable practical performance problems encountered in the E flat major version. Our critical new edition contains the version of the Magnificat in D, based on Bach's autograph score. For Christmas performances the extra movements are available separately, transposed for performance with the D major version of the Magnificat (Carus 31.243/50). Score available separately - see item CA.4033100.