SKU: MN.56-0009
UPC: 688670220098. English.
This seven-minute SATB setting of a section of the 1640 text from the Bay Psalm Book takes wing like the birds it first mentions. What would normally be a somber litany of affliction is set to music that hints at eternal things and the saving power of God. The middle section “I said, ‘In the middle of my days, O my God, do not take away me†is set, amazingly, in Latin, which gives a wonderful contrast to the more lyrical beginning. The beginning material returns as the Latin text is now sung in English, concluding “Thy years throughout all ages are.†This music is sublime and transcendent.
SKU: HL.35001896
UPC: 747510057581. 6.75x10.5 inches.
A familiar melody and a powerful text join to make this Tom Fettke arrangement a new favorite. Behold the Risen Lamb is a wonderful anthem of prayer and praise, reflecting the awesome wonder at Christ's sacrifice and resurrection and expressing gratitude for the gift of life everlasting. “One with my Lord, I cannot die. My soul is purchased by His blood; my life is safe with Christ on high...” Very moving for Lent, Easter, or communion services.
SKU: GI.G-10666
ISBN 9781622776511. English.
Ms. Foster’s deep faith and musicology are amplified in one another to a profound degree. Her gifts and skills in performance, choir direction and congregational singing are exceptional. The goal of her work, however, is worship, and the songs in this collection easily invite us there. —The Reverend Msgr. Eddie Tolentino, Saint Michael the Archangel Catholic Church, Silver Spring, Maryland As You Go, Tell the World • Go Tell it on the Mountain • God Is a Wonder to My Soul • He Arose / They Crucified My Savior • I Know the Lord Has Laid His Hands on Me • I Will Bless the Lord • Is There Any Room in Your Heart for Jesus? • Jesus • Oh, Freedom • Take Me to the Water • We Are One • What a Friend We Have in Jesus.
SKU: BT.MUSM570368679
Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP.
SKU: HL.49033080
ISBN 9790001131483. 8.25x11.75x0.389 inches. English - German.
'I. Frosche wunschen sich einen Konig. Sie missverstehen die Warnung Jupiters vor diesem dummen Wunsch, darauf schickt er ihnen einen Kranich, der sie frisst. II. Fruher konnten die Krahen wunderschon singen. Doch als sie versuchen, das modische Gewiehere von Pferden nachzuahmen, verlieren sie diese Fahigkeit. III. Eine Schiffsgesellschaft gerat in einen Seesturm und fleht zu den Gottern um Hilfe. Nach dem schadlos uberstandenen Seegang lachen sie in der wiedergewonnenen Lebensfreude alle Autoritaten aus und feiern ein ausgelassenes Fest.' (Einfuhrungstext im Programmheft des Jugendmusikfestes Deutschlandsberg 1991) 'Dies sind drei Lehrstucke oder Schulopern, komponiert Anfang 1967 fur das Musikfest in Cincinnati, wo sie im Mai 1968 uraufgefuhrt wurden. Ich stelle mir vor, dass sie in Musikschulen, Opernstudios und Colleges aufgefuhrt werden konnen, konzertant oder szenisch. [...] Das erste Lehrstuck handelt von der Schwierigkeit, die Vorzuge anarchistischer Lebensweise zu erkennen, das zweite vom Modernismus und das dritte vom schnellen Vergessen einer Gesellschaft, die glaubt, noch einmal davongekommen zu sein. Jedes der drei Operchen ist in Nummern aufgeteilt, es sind Kurzformen, kleine Arien, Rezitative, Chorensembles.' (Hans Werner Henze)1 (auch Picc. ad lib.) * 1 * 1 * 1 - 1 * 1 * 1 * 0 - P. S. (hg. Beck * 3 Tomt. * Tamb. * Mil. Tr. * gr. Tr. * 3 Woodbl. * Glsp. * Bassxyl. * Xyl. [ad lib.]) (5 Spieler) - Klav. - Str.Reduzierte Fassung fur Schulauffuhrungen mit Orff-Instrumentarium: 2 Klav. (o. 2 Klav. u. Cemb.) - P. S. (3 hg. Beck * 3 Tomt. * Schellentr. * Mil. Tr. * gr. Tr. * 3 Holztr. * Glsp. * Bassxyl. [auch Xyl. ad lib.]) (5 Spieler)1 (auch Picc. ad lib.) * 1 * 1 * 1 - 1 * 1 * 1 * 0 - P. S. (hg. Beck * 3 Tomt. * Tamb. * Mil. Tr. * gr. Tr. * 3 Woodbl. * Glsp. * Bassxyl. * Xyl. [ad lib.]) (5 Spieler) - Klav. - Str.Reduzierte Fassung fur Schulauffuhrungen mit Orff-Instrumentarium: 2 Klav. (o. 2 Klav. u. Cemb.) - P. S. (3 hg. Beck * 3 Tomt. * Schellentr. * Mil. Tr. * gr. Tr. * 3 Holztr. * Glsp. * Bassxyl. [auch Xyl. ad lib.]) (5 Spieler).
SKU: MN.50-5602
UPC: 688670556029. English.
A festive and creative setting of this wonderful traditional English Carol.
SKU: LO.10-5317MD
ISBN 9780787766443.
This original work with music by Mary McDonald and words by Rose Aspinall was inspired by Martin Luther King Jr.’s “I Have a Dream†speech from March 1963. With powerful vocal moments and a soaring orchestration by David Clydesdale, this festive anthem is a call for unity and a better tomorrow. A wonderful selection for patriotic-themed concerts and events!
SKU: AP.48843
UPC: 038081561677. English.
Looking for a fresh Christmastime charmer with just a touch of romance? Here's a sweet Ingrid Michaelson and Jason Mraz duet about the magic of love during the holidays. A light swing tempo plus some warm and fuzzy chords harken nostalgic feelings, while delightfully wholesome lyrics add a flirtatious wink. I wanna make every day a holiday with you. A wonderful change of pace for seasonal programs.
SKU: LP.765762230507
ISBN 7-65762-23050-7. UPC: 765762230507. Orchestrated by Tim Cates.
Mix your children's and adult choirs to celebrate the season together in this wonderfully fun take-off from I Saw Three Ships. With more sacred lyrics and a new refrain written by Gary Rhodes and Dave Clark, this upbeat piece, arranged by Rhodes and orchestrated by Tim Cates, rings the joyful Halleluiah inspired by the birth of our Savior. A wonderful addition to your advent celebration!
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