SKU: BA.BA03404
ISBN 9790006434008. 27.5 x 19.5 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA04284
ISBN 9790006446650. 27.5 x 19.5 cm inches.
Nunc dimittis, Benedictus Dominus Deus Israel, Miserere mei Deus, Responsorien, Antiphonae, zweifelhafte Werke.
SKU: BA.BA03409
ISBN 9790006434053. 27.5 x 19.5 cm inches.
SKU: BA.BA02937
ISBN 9790006427765. 27.6 x 19.8 cm inches.
24 Kompositionen. Urtext der Lechner-Gesamtausgabe.
SKU: BA.BA04890-91
ISBN 9790006459421. 27 x 19 cm inches. Key: B-flat major.
SKU: BA.BA04656-01
ISBN 9790201855929. 33 x 26 cm inches. Key: B-flat major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn. Identical with HN 5592 of G. Henle Verlag, Munich.
SKU: BA.BA04892-91
ISBN 9790006459605. 27 x 19 cm inches. Key: E-flat major.
SKU: BA.BA02967
ISBN 9790006428182. 27.7 x 19.9 cm inches.
26 Kompositionen. Urtext der Lechner-Gesamtausgabe.
SKU: BA.BA05621
ISBN 9790006472871. 31 x 24.3 cm inches. Key: B-flat major. Preface: Rossana Dalmonte.
Urtext der Neuen Schubert-Ausgabe.
SKU: BA.BA02859
ISBN 9790006426515. 27 x 19 cm inches. Text Language: Italian, German. Translation: Hans Joachim Moser.
Print on demand (POD).
SKU: BA.BA02554
ISBN 9790006422937. 27 x 19 cm inches.
Motet no. 4 from Israelsbrunnlein.
SKU: BA.BA02860
ISBN 9790006426522. Text Language: Italian, German. Translation: Hans Joachim Moser.
SKU: BA.BA03132
ISBN 9790006429882. 27.5 x 19.7 cm inches.
De Sanctis, et illorum in Christum fide et cruce. 38 meist vierstimmige Motetten. Urtext der Rhau-Ausgabe.
SKU: BA.BA05561
ISBN 9790006497294. 33.2 x 24.5 cm inches. Text: Johann Philipp Neumann.
SKU: BA.BA11309
ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.
It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.Saint-Saëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.
SKU: BA.BA05011-01
ISBN 9790006461523. 33 x 26.5 cm inches. Language: German. Preface: Dürr, Alfred.
SKU: BA.BA03668
ISBN 9790006438310. 27.4 x 19.5 cm inches.
SKU: BA.BA05526
ISBN 9790006472215. 33.1 x 26.5 cm inches. Text: August H Niemeyer.
Fragment eines religiosen Dramas in 3 Akten. 1. und 2. unvollstandiger Akt, Schluss des Lbrettos. Uretxt der Neuen Schubert-Ausgabe.
SKU: GI.G-9001
UPC: 785147900108. English. Text Source: Based on Zephaniah 3:14, Isaiah 40:3-4. Text by Suzanne Toolan.
From the composer of the timeless “I Am the Bread of Life,†comes this re-released classic for SATB voices. Featuring a rhythmic, two-part a cappella refrain for soprano and alto, this Advent song can be used several places within worship, or even as a call to worship. The verses may be sung with a soloist or in parts, accompanied or a cappella. Try this one with your choir—you’ll be glad you did! The keyboard accompaniment is optional.
SKU: BA.BA09071-91
ISBN 9790006565467. 27 x 19 cm inches. Text Language: German, English.
Felix Mendelssohn Bartholdy completed his first oratorio - St. Paul , op. 36 - in 1836, at the age of twenty-seven.The first version, which was premiered on 22 May 1836, was then extensively revised by the composer. This second version, which at the same time served as the basis for the published version, was premiered as early as October that year in Birmingham . The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score, Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner, who later denigrated Mendelssohn, was full of admiration. Today, St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio, edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work, the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work, but also, with the complete performing material, into the performance of the original version. The appendices (first version) which appear in the full score and vocal score are not contained in this choral score.The full score and vocal score include the German and English texts of the oratorio.The vocal score is by Mendelssohn.- Urtext edition, representing the latest musicological research- Vocal texts in German and English- Supplements the already existing material available to this work
SKU: BA.BA05006-01
ISBN 9790006461424. 33 x 26.5 cm inches. Language: German. Preface: Werner Neumann.
SKU: BA.BA04492
ISBN 9790006449019. 27.5 x 19.8 cm inches.
Chorsatze zu vier und funf Stimmen. Teil 1: Nr. 1-156 (ein Satz zu 6 Stimmen von Seth Calvisius)/ Teil 2: Nr. 157-313. 2 Teilbande.
SKU: GI.G-10063
English, Spanish, Latin. Text Source: Estrofas: Salmo 144:2-3, 4-5, 6-7, 10-11, 17-18, La Biblia: Libro del Pueblo de Dios, Verses: Psalm 145:2-3, 4-5, 6-7, 10-11, 17-18, The Abbey Psalms and Canticles, Estribillo por/Refrain by Carlos Zapién. Scripture: Psalm 145:2–3, 4–5, 6–7, 10–11, 17–18.
SKU: CA.3124409
ISBN 9790007211271. Language: German/English.
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and parts available separately - see item CA.3124400.
SKU: CA.3124406
ISBN 9790007051181. Language: German/English.
Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Gottingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. Score and part available separately - see item CA.3124400.
SKU: CA.2780115
ISBN 9790007202736. Language: Latin.
As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.
SKU: CA.2780116
ISBN 9790007202743. Language: Latin.
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