Soli SATB Voices, SATB Choir, 2 Ob, 2 Cor, 2 Ctr, Timp, 2 Vl, Bc, [3 Trb] - Level 3

SKU: CA.4061848

Coronation Mass. Composed by Wolfgang Amadeus Mozart. Sacred vocal music, Masses. Carus Choir Coach. Mp3, Practice-CD, basso. Sacred vocal music, Masses, Latin. Compact Disc. Composed 1779. KV 317. Duration 25 minutes. Carus Verlag #CV 40.618/48. Published by Carus Verlag (CA.4061848).

Key: C major. Language: Latin.

Mozart's Missa in C K. 317, erroneously dubbed the Coronation Mass, is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakow. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often help to clarify questions concerning historical performance practice. This work is now available in carus music, the choir app! Score available separately - see item CA.4061800.

Soli SATB Voices, SATB Choir, 2 Ob, 2 Cor, 2 Ctr, Timp, 2 Vl, Bc, [3 Trb] - Level 3

SKU: CA.4061845

Coronation Mass. Composed by Wolfgang Amadeus Mozart. Sacred vocal music, Masses. Carus Choir Coach. Mp3, Practice-CD, soprano. Sacred vocal music, Masses, Latin. Compact Disc. Composed 1779. KV 317. Duration 25 minutes. Carus Verlag #CV 40.618/45. Published by Carus Verlag (CA.4061845).

Key: C major. Language: Latin.

Mozart's Missa in C K. 317, erroneously dubbed the Coronation Mass, is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakow. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often help to clarify questions concerning historical performance practice. This work is now available in carus music, the choir app! Score available separately - see item CA.4061800.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116913

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Whitsun. Single Part, Viola. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/13. Published by Carus Verlag (CA.3116913).

ISBN 9790007209346. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350212

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Violin 2. Sacred vocal music, Mass sections. Single Part, Violin 2. BR-CPEB E 2 (Wq 219). 4 pages. Duration 4 minutes. Carus Verlag #CV 33.502/12. Published by Carus Verlag (CA.3350212).

ISBN 9790007212391. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.

SATB choir, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo, [2 clarinets]

SKU: CA.9125949

Composed by Aemilian Rosengart. Edited by Andreas Traub. Organ. Sacred vocal music. Single Part, Organ. 8 pages. Carus Verlag #CV 91.259/49. Published by Carus Verlag (CA.9125949).

ISBN 9790007234850. Language: Latin.

The works of Pater AEmilian Rosengart point beyond their original setting, Ochsenhausen Abbey. The highly diverse music of this Te Deum - like some of his other sacred works - originated in lost operas and oratorios by this composer, and was adapted to different texts for liturgical use by Rosengart himself. Score and part available separately - see item CA.9125900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116909

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. 1x 31.169/21 oboe d'amore 1, 1x 31.169/22 oboe d'amore 2, 1x 31.169/23 English horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Whitsun. Set of Orchestra Parts. Composed 1726. BWV 169. Duration 17 minutes. Carus Verlag #CV 31.169/09. Published by Carus Verlag (CA.3116909).

ISBN 9790007209315. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and parts available separately - see item CA.3116900.

Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3116912

Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Whitsun. Single Part, Violin 2. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/12. Published by Carus Verlag (CA.3116912).

ISBN 9790007209339. Text language: German/English. Text: Birkmann, Christoph.

Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900.

SATB choir, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo, [2 clarinets]

SKU: CA.9125903

Composed by Aemilian Rosengart. Edited by Andreas Traub. Sacred vocal music. Reduction for organ. 20 pages. Carus Verlag #CV 91.259/03. Published by Carus Verlag (CA.9125903).

ISBN 9790007129347. Language: Latin.

The works of Pater AEmilian Rosengart point beyond their original setting, Ochsenhausen Abbey. The highly diverse music of this Te Deum - like some of his other sacred works - originated in lost operas and oratorios by this composer, and was adapted to different texts for liturgical use by Rosengart himself. Score available separately - see item CA.9125900.

SATB choir, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo, [2 clarinets]

SKU: CA.9125914

Composed by Aemilian Rosengart. Edited by Andreas Traub. Violoncello/double bass. Sacred vocal music. Single Part, Cello/Double Bass. 4 pages. Carus Verlag #CV 91.259/14. Published by Carus Verlag (CA.9125914).

ISBN 9790007234836. Language: Latin.

The works of Pater AEmilian Rosengart point beyond their original setting, Ochsenhausen Abbey. The highly diverse music of this Te Deum - like some of his other sacred works - originated in lost operas and oratorios by this composer, and was adapted to different texts for liturgical use by Rosengart himself. Score and part available separately - see item CA.9125900.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350214

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Violoncello/double bass. Sacred vocal music, Mass sections. Single Part, Cello/Double Bass. BR-CPEB E 2 (Wq 219). 2 pages. Duration 4 minutes. Carus Verlag #CV 33.502/14. Published by Carus Verlag (CA.3350214).

ISBN 9790007212414. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350219

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Complete orchestral parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. BR-CPEB E 2 (Wq 219). Duration 4 minutes. Carus Verlag #CV 33.502/19. Published by Carus Verlag (CA.3350219).

ISBN 9790007144470. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and parts available separately - see item CA.3350200.

SATB choir, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo, [2 clarinets]

SKU: CA.9125912

Composed by Aemilian Rosengart. Edited by Andreas Traub. Violin 2. Sacred vocal music. Single Part, Violin 2. 8 pages. Carus Verlag #CV 91.259/12. Published by Carus Verlag (CA.9125912).

ISBN 9790007234812. Language: Latin.

The works of Pater AEmilian Rosengart point beyond their original setting, Ochsenhausen Abbey. The highly diverse music of this Te Deum - like some of his other sacred works - originated in lost operas and oratorios by this composer, and was adapted to different texts for liturgical use by Rosengart himself. Score and part available separately - see item CA.9125900.

SATB choir, 2 clarinos/trumpets, timpani, 2 violins, viola, basso continuo, [2 clarinets]

SKU: CA.9125913

Composed by Aemilian Rosengart. Edited by Andreas Traub. Viola. Sacred vocal music. Single Part, Viola. 4 pages. Carus Verlag #CV 91.259/13. Published by Carus Verlag (CA.9125913).

ISBN 9790007234829. Language: Latin.

The works of Pater AEmilian Rosengart point beyond their original setting, Ochsenhausen Abbey. The highly diverse music of this Te Deum - like some of his other sacred works - originated in lost operas and oratorios by this composer, and was adapted to different texts for liturgical use by Rosengart himself. Score and part available separately - see item CA.9125900.