SKU: LO.55-1198L
ISBN 9780787764357.
Pepper Choplin beautifully and creatively crafted this telling of the final days of Jesusâ?? life, focusing on the meaning of His words and actions leading to the cross. With stunning melodies and a powerful orchestration by Michael Lawrence, we reflect on the feet that walked the earth, the hands that touched and healed, the voice that spoke the Word of God, and the head that bore a crown of thorns as Jesus was sacrificed. From the worshipful opener, We Behold His Glory, to the meditative and stunningly powerful path to the cross, O Sacred Journey, the importance of Christâ??s body remains the center point of this work. The final number, We Are the Body of Christ, is a benediction that can be presented immediately following the preceding number or after closing remarks from a speaker. For Christ is our head and though we are many, His Spirit will make us oneâ?¦Go now as the body of Christ..
SKU: SU.80101356
A meditative setting of Psalm 25:6-7 (in a translation from the 1539 Great Bible).SATB Chorus & Organ Composed: 2009 Published by: Zimbel Press Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: CA.3118705
ISBN 9790007182984. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score available separately - see item CA.3118700.
SKU: CA.2800503
ISBN 9790007170622. Text language: Latin.
The Latin text of the mass is venerable, universal, and unites people. For the German Protestant Church Congress 2015, this ancient text was set in contemporary style by Tilman Jager under the title Missa Pacis. Impressive sounds, mystic-meditative moods, Latin American rhythms, catchy melodies and a Dona nobis pacem for everyone to join in combine in the Missa Pacis to form a convincing whole. The hour-long composition is scored for 4-8 part chorus with optional soloists and accompanying band. The work is generally tonal, but offers a breadth of different styles ranging from classical choral-symphonic to rhythmic choral movements with influences from gospel, jazz, and pop. Parts for the accompanying band are fully written out. In some sections of the mass the instrumentalists can also improvise. Score available separately - see item CA.2800500.
SKU: SU.28180020
Meditative chant has a calming, focusing power in our fast-paced world. The 25 chants of WELLSPRING: Centering Chant for Uncertain Times bring refreshment, mindfulness, and centering. You may listen to the chants by going to the website kathywonsoneddy.com and clicking on CHANT. WELLSPRING booklets for sale through store@subitomusic.com make it possible for choirs, congregations, small groups, and individuals to sing these Taize-style chants in worship or in personal spiritual practice. The contemplative chants in WELLSPRING call us from the clamor and confusion of our time into our quieted heart, discovering the deep river of peace and grace already flowing there.Voices & Piano Composed: 2020 Published by: Kathy Wonson Eddy.
SKU: OU.9780193869349
ISBN 9780193869349. 12 x 8 inches.
For SATB unaccompanied This choral octavo is drawn from Larsen's It I am. This is a lovely, hushed and meditative hymn that is simple and eloquent. The brevity and expressive beauty of this piece can be equally used in both sacred and secular settings.
SKU: CA.3118714
ISBN 9790007209995. Text language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.
SKU: CA.3118703
ISBN 9790007182946. Language: German/English.
SKU: CA.3118709
ISBN 9790007209957. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and parts available separately - see item CA.3118700.
SKU: CA.3118713
ISBN 9790007209988. Text language: German/English.
SKU: CA.3118749
ISBN 9790007210007. Language: German/English.
SKU: CA.3118719
ISBN 9790007183318. Language: German/English.
SKU: CA.3118712
ISBN 9790007209971. Text language: German/English.
SKU: CA.3118711
ISBN 9790007209964. Text language: German/English.
SKU: CA.3118700
ISBN 9790007171650. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235.
SKU: MN.50-9089
UPC: 688670590894.
Meditative. Based on French Psalm tune from 1562 Genevan Psalter. Accompaniment contains unifying motive drawn from final five notes of Psalm tune. Staccato articulation provides contrast and expresses joy of text. Twelve measures SATB; otherwise Unison and Two-Part Mixed voices.
SKU: HL.14011727
ISBN 9788759880678. 10.5x14.25x0.52 inches. Danish.
Pelle Gudmundsen-Holmgreen 's Four Madrigals From The Natural World for 6-12 part mixed chorus. This piece incorporates texts by Les Murray. ' FOUR MADRIGALS to texts by the Australian poet Les Murray are composed of two songs (Bats' Ultrasound and The Octave of Elephants) written for the Australian vocal group THE SONG COMPANY, and two songs (Cattle Egret and Comete) from my larger work SOUND / SIGHT, written for the Danish Radio Chamber Choir, but here arranged for six voices. The texts are pictures and situations from - or meditations over - THE NATURAL WORLD. Les Murray's way of approaching this world is not in the least sentimentalor nostalgic: the poems reveal a truebeing-out-there realism: so basically the approach is realistic, but the creating of form elevates the material to an abstractplay, a daring and exuberant poetic language. These poems asked to be set to music. I gave up old idiosyncrasies regarding descriptive music, and surrendered to the madrigal, with its special so-called madrigalisms, which entails also animal-imitations. You will hear this particulary inThe Octave of Elephants. ' - Pelle Gudmundsen-Holmgreen.
SKU: CF.CM9325
ISBN 9780825892066. UPC: 798408092061. 6.875 x 10.5 inches.
Inspired by Psalm 119: 33-40, Teach Me, O Lord rejoices in our fellowship with God from the opening meditative unison in the treble voices to the celebratory “alleluiaâ€!
SKU: PL.9202
Based upon texts from the office of Compline, these anthems offer three meditative choices for the benedictory response in evening worship. The organ accompaniments (numbers 1 and 3) richly enhance the choral parts through subtle harmonic colors and reflect Betteridge's love for the organ.
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