SKU: MN.50-5050
UPC: 688670550508. English.
This sturdy tune from Southern Harmony has been given a new setting for SATB and piano or chamber orchestra. The choir parts are moderately easy but sound impressive; there is one place where the tenor section has the high refrain while the other sections sing accompanimental material. Quite a lot of it is unison or two-part singing. The accompaniment adds to the rhythmic drive. Duration 3:00
SKU: HL.14018437
The Requiem Mass in C Minor, Cherubini's first, was commissioned for the anniversary of the execution of Louis XVI by the restored French monarchy. The Requiem was highly admired by the public and critics as well as by Mendelssohn, Berlioz and Beethoven. Cherubini sets a solemn tone right from the beginning by using the lower Strings and winds only to accompany the Voices and continues to display his inventiveness with great effectiveness throughout the work. The thunder and lightning of the Dies Irae, the prayerful pianissimo sections of the Agnus Dei accompanied by ostinato, the complete lack of soloists are all remarkable elements of this historically importantwork.Luigi Cherubini was a composer, conductor, teacher, administrator and music publisher who, though born in Italy, dominated the musical world of Paris for nearly five decades. His composing life can be divided very roughly into to phases: the operatic phase during the French Revolutionary period and the equally successful religious music phase at the beginning of the Restoration afterwards. His directorship of the Paris Conservatoire strengthened its position at the peak of musical education on the Continent.
SKU: CA.2730119
ISBN 9790007201333. Key: F minor. Language: Latin.
In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and parts available separately - see item CA.2730100.
SKU: CA.2730109
ISBN 9790007201272. Key: F minor. Language: Latin.
SKU: GI.G-9001
UPC: 785147900108. English. Text Source: Based on Zephaniah 3:14, Isaiah 40:3-4. Text by Suzanne Toolan.
From the composer of the timeless “I Am the Bread of Life,†comes this re-released classic for SATB voices. Featuring a rhythmic, two-part a cappella refrain for soprano and alto, this Advent song can be used several places within worship, or even as a call to worship. The verses may be sung with a soloist or in parts, accompanied or a cappella. Try this one with your choir—you’ll be glad you did! The keyboard accompaniment is optional.
SKU: GI.G-10429
English. Text Source: Ps. 118, ref., Lectionary for Mass, vss., The Abbey Psalms and Canticles Scripture: Psalm 118.
This setting of Psalm 118 is centered around two themes, the hymn tune PUER NOBIS as the refrain and A Trumpett Minnuett by Jeremiah Clarke, which serves for a ritornello, the returning musical theme that acts as an interlude between the refrain and the verses. It can be performed with the full complement of instruments, or with solo trumpet, with strings, or with organ alone.
SKU: CA.2730100
ISBN 9790007091149. Key: F minor. Language: Latin.
In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives.
SKU: CA.2730103
ISBN 9790007080853. Key: F minor. Language: Latin.
In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score available separately - see item CA.2730100.
SKU: LP.765762160200
UPC: 765762160200.
Package of one hundred service folders (bulletins.) 5 1/2 x 8 1/2 when folded. Packaged unfolded for easy printing. Front cover features artwork found on choral book cover. Insides and back are blank.
SKU: AP.47633
UPC: 038081543260. English.
From Trans-Siberian Orchestra's triple platinum album, Christmas Eve and Other Stories, this respectful treatment of Pachelbel's Canon features patterned vocal parts that can be quickly taught and layered. The four-hand piano accompaniment is for two players at one piano, but is not difficult to play. Combine with Bob Phillips' string orchestra arrangement or the classical sounding SoundTrax CD. A highlight for any holiday concert!
SKU: MN.50-6194
UPC: 688670561948. English.
Burkhardt's settings always have a sense of fun and are certainly not boring for the organist! This version of the hymn tune MARION is no exception. Seven full stanzas, two choral stanzas, a verse for men's voices, a verse for women's voices. Final verse unison with descant. Effective with organ alone, there are optional brass and handbell parts.
SKU: CA.3620015
ISBN 9790007214128. Language: German. Text: Eber, Paul. Text: Paul Eber.
Liturgically, the present cantata is meant to be performed at the turn of the year. For his setting of the text Buxtehude chose a two-part form with a concluding Amen. This plea for a propitious new year is given a special musical interpretation. Score and part available separately - see item CA.3620000.
SKU: CA.3620000
ISBN 9790007140366. Language: German. Text: Eber, Paul. Text: Paul Eber.
Liturgically, the present cantata is meant to be performed at the turn of the year. For his setting of the text Buxtehude chose a two-part form with a concluding Amen. This plea for a propitious new year is given a special musical interpretation.
SKU: CA.2740319
ISBN 9790007133900. Language: Latin.
Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together. Score and parts available separately - see item CA.2740300.
SKU: CA.2740309
ISBN 9790007201944. Language: Latin.
SKU: MN.50-3104
UPC: 688670531040. English.
This text from an old Southern folk hymn is given new original music in this anthem setting for SATB, cello, and piano. The piano part can easily be adapted to organ. The voice parts are accessible. The tenors and basses do sing a verse alone, but in unison to two parts. The sum total makes a sort of contemplative tapestry in which the cello moves in and out of the foreground and so do the voices. Set mostly in C minor, there is a middle section where the chorus sings wordlessly against the cello line and the emphasis shifts to E-flat major. Despite the despair in the text, there is also comfort and reassurance here.
SKU: MN.50-8430
UPC: 688670584305.
Basically Unison and Two-Part mixed voicing, one stanza SATB. Specifically for baptismal service but works for Epiphany I (Baptism of Jesus), Confirmation, or any occasion of commitment.
SKU: BP.2148
Printed product. The ethereal nature of the Samuel Francis Smith poem is perfectly paired with masterful text painting until the two become one in spirit and understanding. The move from earth to heaven is flawless. The music is deep; the text rich and profound. The melody line moves to harmony and back again until it finally finds a resting place in the sight and sound of eternity . . . making heaven a heaven. Glorious! Scored for SATB choir and piano with optional string quartet or orchestra parts available. Also available for SSAA and TTBB.
SKU: CA.2740300
ISBN 9790007058104. Language: Latin.
Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together.
SKU: CA.2740315
ISBN 9790007201999. Language: Latin.
Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together. Score and part available separately - see item CA.2740300.
SKU: CA.2740314
ISBN 9790007201982. Language: Latin.
SKU: CA.2740311
ISBN 9790007201951. Language: Latin.
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