SKU: HL.1413039
UPC: 196288196440. 6.75x10.5 inches. Acts 10:15, Matthew 22:37-40, Revelation 3:20.
A profoundly moving text that reminds us of the depth of God's love. A timeless message presented in a modern ballad, this anthem appeals to diverse worship styles. The text is treated respectfully, without being obscured by the choral texture. Sections of unison writing deliver the message with simple sincerity. A truly special selection.
SKU: BA.BA04050
ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.
“Almiraâ€, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia. The vocal score to “Almira†by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato†from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Editionâ€. Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ€.Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition†volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar†(no. 71).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49024126
ISBN 9790001006064. Latin.
SKU: LP.765762210707
UPC: 765762210707.
You will not want to miss the newest Christmas musical from David T. Clydesdale and Clydesdale Music Group Hope of the Broken World . Created by Dave Clark and David T. Clydesdale this new musical is simply bursting with good news and great joy. Clydesdale's immense versatility and skill is showcased in the variety of music styles represented and Dave Clark's songwriting and thoughtful narration is heart-warming and hopeful. Together these two creative giants of Christian music have fashioned a truly unforgettable Christmas worship experience.
SKU: CA.3115605
ISBN 9790007186791. Language: German/English.
Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600.
SKU: HP.8122
UPC: 763628181222. Tom S. Long.
Lent & Easter Musical From Tom Long and Allen Pote, this 35-minute cantata is a fresh retelling of the gospel from the perspective of three women: Mary, the mother of Jesus, Rachel, the woman caught in adultery, and Mary of Magdala. For SATB choir featuring three solo parts for soprano, alto and mezzo-soprano, plus smaller solo parts for tenor and baritone. The story that is told culminates in a moving description of the events of Easter morning, and its implications for us, His followers.
SKU: HP.C6266C
UPC: 763628962661.
Classic anthem by Albert A. Goodson This dynamic, gospel song from the mid-60s enchants anew in this refreshing, soulful arrangement. Choirs will enjoy the rhythmic energy that the accompaniment provides an the easily learned choral writing. It's useful for worship that celebrates the history, life, and faith of the church.
SKU: HP.C6173
UPC: 763628161736.
Original anthem With a text adapted from Psalm 95 and 96, here is a powerful rhythmic setting for SATB choir, piano, and optional trumpet. The theme of worshipping before God makes this a useful anthem anytime of the year, and especially for festive occasions. The subtle change in meter creates easily learned word patterns and heightens the overall energetic impact.
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