SKU: HP.C6259G

UPC: 763628262594.

Traditional Spiritual Ideal during the season of Lent with a message that co-mingles the themes of following Jesus and walking with him on life's journey, this elegant arrangement incorporates the traditional spiritual tune SOJOURNER and the gospel hymn Footsteps of Jesus. Originally appearing in Joel Raney's Tenebrae service, WHO IS JESUS? (code # 8941), it includes optional instrumental parts or organ.

SKU: HP.C6259P

UPC: 763628362591.

Traditional Spiritual Ideal during the season of Lent with a message that co-mingles the themes of following Jesus and walking with him on life's journey, this elegant arrangement incorporates the traditional spiritual tune SOJOURNER and the gospel hymn Footsteps of Jesus. Originally appearing in Joel Raney's Tenebrae service, WHO IS JESUS? (code # 8941), it includes optional instrumental parts or organ.

SKU: GI.G-3137S

Recorded in 1988 and still considered one of the most beautiful mass settings ever written, Michael Joncas's No Greater Love offers cathedral-style music that invites congregational participation. Multiple arrangements allow for flexibility in format and variety of instrumentation. Perfectly suited for Lenten liturgies, No Greater Love uses the Eucharistic Prayer for Reconciliation II, which has as its theme the mystery of reconciliation. The setting includes the beloved song No Greater Love, which has become a popular classic and is used regularly at Catholic Masses year after year. .

SKU: MN.50-6036

UPC: 688670560361.

Centered on the theme of healing, the composer combines his original hymn tune MAKEWELL with a new Herb Brokering text. Appropriate in any service of healing, trust, or hope. The piece may be used as a straight anthem or the congregation may be invited to join in on the final stanza. A reproducible congregational page is provided.

SKU: PL.1206

Lovely work based on a text of 17th century writer William Austin. Gracious vocal writing expresses the inspiring emotions of the text. Each verse develops the theme with subtle variation. Opening is a cappella, then organ joins with an effective part.

SKU: MN.50-0068

UPC: 688670500688. English. Isaiah 65:17-25.

With a text that is contemporary but reflects on Isaiah 65:17-25, this is a perfect anthem for any size choir by one of our best-selling composers. A few divisi spots, but also a fair amount of unison singing. The accompaniment, for piano, could easily be adapted for organ on the fly. A string quartet accompaniment is also available. The text has Advent themes (waiting, re-birth, wolf/lamb) but is also appropriate for other Sundays, such as Pentecost 23 (Proper 28) in year C.

SKU: MN.50-5331

UPC: 688670553318. English.

A hymn anthem with the themes of unity, thanksgiving, and outreach based on a Mary Jackson Cathey text. Features creative use of several optional instrumental combinations.

SKU: CA.2730119

ISBN 9790007201333. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and parts available separately - see item CA.2730100.

SKU: CA.2730100

ISBN 9790007091149. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives.