SKU: LP.765762102521
UPC: 765762102521.
This deeply moving and compelling musical is a beautiful response to God's loving, sacrificial and powerful act of redemption. Sacred and cherished hymns, popular worship songs, and new, expressive compositions combine in arrangements that are both poignant and moving, while retaining a level of difficulty that even the smallest choir can master. The emotive narrations are derived directly from the scriptures and perfectly frame the musical settings. In addition, the work includes several solo and congregational opportunities for participation. Echoing the song of heaven's eternity, this 47-minute presentation is assembled in 4 main sections: I. Worthy of Praise II. Worthy of Our Love III. A Worthy Sacrifice IV. Worthy of Exaltation
SKU: CA.3911900
ISBN 9790007055547. Key: B flat major. Language: German/English.
In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster.
SKU: CA.3911919
ISBN 9790007139292. Key: B flat major. Language: German/English.
In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and parts available separately - see item CA.3911900.
SKU: SU.91480180
Text: from Hymns and Ballads of Fred Pratt Green.
Formerly titled: Let the People Sing! SATB chorus, organ, finger cyms (ad lib) Duration: 4' Text: from Hymns and Ballads of Fred Pratt Green Formerly titled: Let the People Sing! Composed: 1989 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8.
SKU: WD.080689535673
UPC: 080689535673.
Holding On to Christmas is something we love to do wrapping our arms around cherished memories; re-living the moments of Christmas that come to life in our hearts and minds year after year; being reminded of how much we are loved and how much we love in return; holding close those who make our lives special; expressing our love and thankfulness through cards and gifts, hugs and kisses, joy and laughter; sharing our love for one another around a cup of hot chocolate with Mom's homemade Christmas cookies; and hearing Dad, once again, read the Christmas story from the family Bible.Shared memories and more are at the center of the new Christmas musical, Holding On to Christmas, from beloved arranger Marty Parks. This delightfully charming, comfort-the-soul musical is a warm invitation to come sit by the fireside, wrap up in your favorite Christmas blanket, and reminisce about Christmas as, together, we celebrate family and friends, and most importantly, the Savior who was born so long ago on that first Christmas night in Bethlehem.Holding On to Christmas is a very special slice of Christmas-goodness that you will be excited to present to your congregation and community...a wonderful celebration of all we hold dear at this most special time of year!Song Titles: Christmastime * Holding On to Christmas * Sing a Song of Christmas (Carol Medley) includes Sing a Song of Christmas; Angels, from the Realms of Glory; Angels We Have Heard on High; and O Come, All Ye Faithful * In the Bleak Midwinter * The Birthday of a King * The Shepherds (Glory to God) * Behold that Star * Only God * Finale (Christmastime and Holding On to Christmas).
SKU: WD.080689594090
UPC: 080689594090.
SKU: WD.080689496776
UPC: 080689496776.
SKU: WD.080689495779
UPC: 080689495779.
SKU: WD.080689621390
UPC: 080689621390.
SKU: WD.080689849725
UPC: 080689849725.
SKU: HL.35032507
UPC: 888680893095. 6.75x10.5 inches. Pamela Stewart/David Foley.
An exquisitely beautiful poem entwines with a stunning melody in this octavo of praise to the Creator. The lyric paints the glory of nature with vivid hues and the music has a soundtrack of expressiveness that is especially endearing. Picturesque piano writing supports the concept and the text moves steadily toward our response of praise to God. Concluding with quiet shimmering alleluias, this is a singular anthem!
SKU: WD.080689488238
UPC: 080689488238.
This enchanting anthem, made popular by gospel group Canton Junction, and memorably arranged by Marty Hamby, invites your choir and congregation to enter into the presence of our newborn King with humility, tenderness, and praise. Hallelujah, Glory to God in the highest! The words of the prophets have been fulfilled. More than a Babe, He is the King! Sing with the angel choir!
SKU: HP.C6296
UPC: 763628162962.
Mashup of popular praise and worship songs This mashup of popular praise songs includes snippets of Shout to the Lord, In Christ Alone, How Great Is Our God, How Deep the Father's Love for Us, 10,000 Reasons, and the classic hymn, To God Be the Glory. Joel Raney has crafted an accessible anthem that takes us on a journey through some of the best-known songs of this generation. The addition of brass, handbells, and organ will further heighten the presentation.
SKU: GI.G-7375
UPC: 785147737506. English. Text Source: Tr. Frances Elizabeth Cox, 1812-1897, alt.; Translation: Frances Elizabeth Cox. Text by Johann Schutz.
The main tune of this rousing praise anthem has the feel of being an old favorite. The middle section offers interesting choral lines, interspersed with interjections from the organ, before giving way to the final stanza, which features an effective but accessible descant A rousing praise anthem for SATB choir and organ. Final stanza has a descant.
SKU: CA.411155
ISBN 9790007170943. Key: E flat major. Text language: Church Slavonic.
Score available separately - see item CA.411100.
SKU: PR.362034230
ISBN 9781598069556. UPC: 680160624225. Letter inches. English.
When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental.When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear.
SKU: CF.CM9500
ISBN 9781491146040. UPC: 680160903542. 6.875 x 10.5 inches. Key: C major. Traditional Latin and Original.
A fanfare-like piano introduction sets the tone for this solid, rhythmic, tuneful setting. Jubilate Deo! Sing with joy to God all the earth. Sing in exultation! Serve the Lord with gladness. Laudate.. A strong choice for concert and festival choirs. Also available for SSA Voices (CM9090) and Three-part Mixed Voices (CM9089).
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