SKU: FG.55009-390-4
ISBN 979-0-55009-390-4.
A work composed as a birthday gift to a friend, Therese Hahl who enjoyed a position of high esteem in Helsinki concert life and was a sought-after oratorio soloist in Pacius's time. It has become known also in a Finnish version Lauloit pienna.
SKU: HL.1436100
UPC: 196288203988.
This timely work with a heartfelt text by poet Kim Baker reflects on the effects of climate change and claims “love will save us” in the triumphant conclusion. The “hoo” of the owl is woven throughout as an accompaniment and response. Syncopations, a djembe part, and an occasional clap make this an engaging work for choirs and audiences to enjoy.
SKU: JK.02032
UPC: 093285020326.
This worshipful original composition, centered on the Savior and His Atonement, is a beautiful musical centerpiece for sacrament meetings. Written and arranged by K. Newell Dayley and Jay Lawrence for SAATBB chorus and piano or organ. It was awarded Special Recognition in the Church Music competition (2022).Lyrics: Jay LawrenceComposer: K. Newell DayleyArranger: K. Newell DayleyDifficulty: MediumPerformance Time: approx. 4:20References: Revelation 21:4, Doctrine and Covenants 19:16-19.
SKU: LP.OR-2240
UPC: 765762118508.
This is a magnificent setting of a traditional hymn. The melody is very lyrical but at the same time extremely powerful; it can express the warmth of the second verse and the majesty of the last. The second phrase states that I am ransomed healed restored forgiven (and) evermore His praises (I'll) sing..
SKU: CA.3118255
ISBN 9790007209865. Key: G major. Text language: German/English.
Version in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.
SKU: BA.BA05209
ISBN 9790006524136. 29.9 x 22.9 cm inches.
Although all that survives of Bach's “St. Mark Passion†is Picander's libretto, virtually all the arias and choruses can be reconstructed from “parody†versions. The original recitatives and turbae , however, are probably lost forever. Rather than rewriting these numbers “in Bachs's styleâ€, Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach, who performed it several times), thereby allowing this lost work to be performed in its entirety. A detailed preface sheds further light on this unique reconstruction based on the New Bach Edition.
SKU: LP.765762109025
UPC: 765762109025.
Professional performance recording. Use to study and/or learn the music, or for personal enjoyment and meditation times. (Not an accompaniment CD.).
SKU: CA.3118219
ISBN 9790007136949. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and parts available separately - see item CA.3118200.
SKU: CA.3118249
Key: A major. Language: German/English. Text: Franck, Salomo.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.
SKU: CA.3118257
ISBN 9790007142872. Key: G major. Text language: German/English.
SKU: CA.3118207
ISBN 9790007050276. Key: A major. Language: German/English. Text: Franck, Salomo.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.
SKU: CA.3118213
ISBN 9790007050306. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
