SKU: HL.300445
ISBN 9781540062833. UPC: 888680961756. 6.75x10.5x0.036 inches.
Rhythmic with lots of vocal color, this new arrangement of the sixteenth century Spanish carol is a delight for mixed as well as men's voices. A steady eighth note pattern in the energetic accompaniment creates a steady beat as the piece moves seamlessly from the Rui, Rui, Chiu to God Rest Ye Merry, Gentlemen, making use of both Spanish and English languages adding a delightful familiarity for the audience.
SKU: OT.28085
ISBN 9790675000092. Text: Lea Goldberg, Gershon Prensky.
Alexander Kantsberg's arrangements bring a new, contemporary feel to Israeli classics, and are great for high school or community choirs.
SKU: PR.362034230
ISBN 9781598069556. UPC: 680160624225. Letter inches. English.
When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental.When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear.
SKU: WD.080689942129
UPC: 080689942129.
SimplyWORD--the popular, best-selling series written with easy, accessible SATB vocal part writing, especially for smaller choirs or choirs with limited rehearsal time--is proud to present the latest release in its seasonal offerings, RISEN INDEED! This fresh, new musical by veteran arranger and orchestrator Steve W. Mauldin incorporates stellar song selection; sensitive, moving narrations; inspiring orchestrations; and powerfully simple vocal arrangements. This blended choir offering is one of the most emotionally and sonically dynamic musicals ever released in this highly-respected choral series from Word Music.Perfect for your Easter celebration, RISEN INDEED is a multi-faceted musical designed with every choir in mind! Created especially for a year when Easter comes so early on the calendar, this 30-minute musical from the SimplyWORD Series will become a favorite with your choir and congregation alike!With everything from its beautiful hymn arrangement of Hallelujah, What a Savior; Hillsong's contemporary anthem for the church, Man of Sorrows; some of your favorite songs penned by Keith and Kristyn Getty; to new songs written especially for this musical, RISEN INDEED is sure to make your next Easter celebration one to remember. Enhance your presentation even further with the use of the movie-quality DVD accompaniment track to set your choir's presentation apart from all the rest!Song Titles: He Lives No More to Die * Come, People of the Risen King * Christ Is Enough * Hallelujah! What a Savior * He Suffered for Our Sins (Underscore) * Man of Sorrows * Christ Is Risen, He Is Risen Indeed.
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