SKU: HL.49046095
Georg Kreisler - that's sharp, profoundly dark humor! The Singphoniker have arranged Georg Kreisler's most famous songs for male ensemble and recorded on CD. The corresponding sheet music edition for female choir SSAA with piano accompaniment was published by Schott Music (Georg Kreisler - Lieder und Chansons, ED22736). In addition to this, individual editions of all songs from the sheet music album are available: My husband wants to leave me - Thank goodness! The exodus of the husband can not leave fast enough in Mein Mann wants to leave me. When the spouse is finally out of the door, everything was just a dream. Oi woe!.
SKU: GI.WW1750
UPC: 785147019664. English. Text Source: Scripture. Christina Rossetti (1830-1894).
Recording is TTBB version. An SSAA/four-hand piano version of Davison's original O Sing to the Lord. A strong yet accessible concert opener. Multi-rhythms enhance the excitement of this majestic concert or festival selection. Can also be performed with a downloadable two-hand piano score.
SKU: SU.80300127
Strong rhythms, a wide range, unusual voicing, and the use of open fifths and medieval cantus firmus and tone painting techniques give this piece its unique excitement. A major contribution to the literature for women's voices. SSSAA and two soprano solos a cappella. Medium/Difficult. SSSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: GI.WW1649
UPC: 785147006763. English. Text Source: Irish Children's Song.
A guaranteed showstopper! This playful Irish children's song has been set with rousing clapping and stomping to reflect how it might have been sung by children during their playtime. The vocals are set in a simple homophonic style, which makes the body percussion achievable. Can be performed with or without piano. Don't miss this fantastic concert closer! Also available in SATB voicing. Body Percussion Full Chart Body Percussion Group 1 Body Percussion Group 2 Body Percussion Group 3.
SKU: SU.80300122
The traditional round, Christmas is coming, the goose is getting fat is set over a charmingly goofy three-part scat choral accompaniment. Soprano I section, or a guest children's chorus, can sing the round. SSA & 2-part treble melody chorus a cappella; English. Easy. SSSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.80300156
The haunting melody is variously placed against pedal points, with unison phrase closings, in the alto line, and at close imitation, to give the acoustic feeling of the singers' listening and longing for the sound of the beloved. SSAA (some divisi) a cappella; 6 pages; duration: 2:30 min.; range: f to g; difficulty: medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: HL.370175
ISBN 9781705146446. UPC: 840126993486. 6.75x10.5x0.025 inches.
Mark Hayes is one of our finest arrangers and now he has used his expertise in vocal arranging on this Irving Berlin treasure from the American Song Book. A cappella voices richly present the well-known lyric, capturing its emotional patriotism. Beautiful and dynamic musical interpretation weaves throughout the piece, building to a glorious final home sweet home. For game day performances, the piece can be shortened by simply beginning at meas. 24. No matter the event or concert, this is a fantastic selection to be sung all year long!
SKU: ST.CN23P
ISBN 9790220225147.
Commissioned by the BBC as part of the celebrations for International Women's Day, and reflecting its theme of hope, Like a Singing Bird was premiered live on Radio 3 on 8 March 2015 by Sarah Connolly and the St Catharine's Girls' Choir, conducted by Edward Wickham. The distinctive vocal scoring features a small solo group of sopranos or mezzo-sopranos drawn from the upper-voice ensemble. The anthem is the first of three which are collectively entitled Echoes from Willow Wood, the second also being available in Choral Now. The text, Christina Rossetti's poem 'A Birthday', features in Virginia Woolf's classic essay A Room of One's Own, based on lectures delivered at Newnham College and at Randle's own Cambridge alma mater, Girton, an institution at the forefront of women's education for two centuries. Inspired by the clock in Girton's Stanley Library, the 'chiming rhythms' which are a driving force within the piece offer a further level of connection. The music moves from quiet anticipation to bright affirmation, the sense of something life-changing heralded by an Advent plainchant quoted in the second half. The final couplet is set apart in a hushed recitative, reflecting, in the composer's words, 'the hope I and other young female composers can have as we try to make our mark in what has traditionally been a male domain.'.
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