SKU: PR.312419090

ISBN 9781491135778. UPC: 680160687848. English, Hebrew.

In Stacy Garrop’s inspired hands, divisi mixed chorus provides a rich palette of texture and color. Her setting intermingles three versions of the Hebrew folk tune, taking artistic advantage of contrasts between solo and tutti, homophony and grand antiphony, divisi men and divisi women, and the gradual braiding and unbraiding of Hebrew and English texts. LO YISA GOY is the explicitly anti-war Scriptural text better-known in its English translation that begins, “And they shall beat their swords into plowshares... nation shall not lift up a sword against nation.”.
When Jonathan Miller asked me to write two pieces for Chicago a cappella, I knew right away that I wanted to choose two songs from my own past.The first piece, Hava Nagila, is a celebratory song full of joy. I wanted the second work to contrast the first, and to this end, I chose the somber text of Lo Yisa Goy, a prayer for peace. I remember singing this song as a young child in Hebrew school and synagogue, always in context (at least in my congregation) of praying for the state of Israel. I think we’re at a particular point in which people in a lot of different nations could use such a prayer. For this reason, you’ll hear the words in both Hebrew and English.In my research of previous versions of the melody, I discovered three variants for the tune, all of which I have incorporated into my piece.

SKU: HL.48022657

Guts and Grace considers courage and determination as essentially private qualities, mothered by dark necessity, but on occasion needing to step up publicly, especially in the sporting arena, and roar. This movement is intense and charged with emotion and gives opportunity for sections of the choir to shine individually, as well as a beautiful, soaring soprano solo section in the middle.

SKU: OU.9780193387263

ISBN 9780193387263. 12 x 8 inches.

For SSAATTBB unaccompanied Setting text recorded in an early fourteenth-century Cambridge manuscript, this work presents evocative solo passages above sustained notes, and rich multi-layered canon-like passages in the upper voices.

SKU: GH.SK-755

ISBN 9790070018111. A4 inches. Text: from the Ordinary mass.

SKU: HL.49031453

ISBN 9790001049849. German.

SKU: GI.G-8070

UPC: 785147807001. Arabic, English, Greek, Hebrew, Latin. Text Source: Allah uh Akbar, Kyrie eleison, Adon olam (Jewish hymn), Lux aeterna, Yuriduna anyuttufiu (Qur'an—Sura 9:32), Agnus Dei, Isaiah 2:4. Scripture: Isaiah 2:4.

A serious choral work for eight mixed voices, organ, brass quintet, and timpani on texts in Latin, Greek, Hebrew, Arabic, and English. The vocal score is 19 pages 219 measures in length. Composition began on 9/11/01, and the work was published for the tenth anniversary of the events of that day. It's a work that calls for peace through unity and pluralism. The title refers to a fence along the Israeli-Lebanon border on which the flags of both countries fly over a plaque containing Isaiah 2:4 inscribed in Hebrew, Arabic, and English. .

SKU: GH.CG-6436

ISBN 9790070001786. A4 inches. Text: Karl-Ivar Hildeman (Swedish).

For sopran-solo och 8-stammig kor a cappella. Text baserad pa en originaltext av Walter von der Vogelweide.

SKU: GH.WC1600279

ISBN 9790070035712. Text: August Strindberg.

SKU: CA.302480

ISBN 9790007147013. Key: E flat major. Text language: German. Text: Schroder, Rudolf Alexander. Text by Rudolf Alexander Schroder.

SKU: CA.738661

ISBN 9790007229351. Text language: Latin.

The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).