SKU: HL.50405570
7.0x10.75x0.067 inches.
Latin Only.
SKU: JK.01219
Revelation 1:17-18, Doctrine and Covenants 6:36-37.
Anthem for mixed chorus (SSATB) and piano, appropriate for Sacrament or Easter service.Come let us sing of endless love, of Him who left His throne above and came to earth, Oh, wondrous plan! To suffer, bleed and die for man.Composer: David Len Allen Lyricist: George A. Manwaring, treatment by David Len Allen Difficulty: Medium Performance time: 2:20Reference: Revelation 1:17-18, Doctrine and Covenants 6:36-37.
SKU: JK.00929
Patriotic anthem for mixed chorus (SSATB) and piano, with text adapted from The New Colossus, a poem by Emma Lazarus graven on a tablet within the pedestal on which the Statue of Liberty stands.Composer: David Len Allen Lyricist: Text adapted from The New Colossus by Emma Lazarus Difficulty: Medium Performance time: 3:00.
SKU: JK.01124
Moroni 10:4-5.
Scriptural setting arranged for mixed chorus (SSATB) and piano, of Moroni 10:4-5.Composer: Richard W. Smith Lyricist: Moroni 10:4-5 Difficulty: Medium-easy Performance time: 4:30Reference: Moroni 10:4-5.
SKU: JK.00935
Doctrine and Covenants 18:10-16, 1 John 2:10.
Beautifully sacred setting from Missa Mormonis, sung as an earnest request for the Lord to be patient with an imperfect child--in words reminiscent of O Divine Redeemer. Arranged for mixed chorus (SSATB) and piano by Lynn S. Lund. Also available for SAB choir (#00562).Composer: Lynn S. Lund Lyricist: Psalms 25 Difficulty: Medium / medium acc. Performance time: 5:30Reference: Doctrine and Covenants 18:10-16, 1 John 2:10.
SKU: PE.EP72166
ISBN 9790577089614. English.
Words traditionalSSATB and percussion (Easy).
SKU: CA.924400
ISBN 9790007244392. Key: B flat major. Language: German. Text: Cornelius, Peter.
Sei mein! was written and composed by Peter Cornelius in 1865 for his future wife Bertha Jung. The composer set the poem in short rhyming lines using the scheme aaabcccb, recounting with loving humor what his beloved means to him. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
SKU: CA.924100
ISBN 9790007244361. Language: French. Text: Gounod, Charles.
In Charles Gounod's L'absent, composed in 1873, the absent one asks at night time whether the beloved remembers him in the light of the moon and at the sound of the evening prayer bells. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
SKU: CA.924000
ISBN 9790007244354. Language: French. Text: Bourget, Paul.
Claude Debussy's romance L'ame evaporee et souffrante is a setting of Paul Bourget's Romance from the collection Les aveux (1882). The song was first published in 1891 with Les cloches, but had probably been composed earlier in 1885. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
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