SKU: CA.2041200
ISBN 9790007035617. Key: G dorian. Language: German/English.
SKU: CA.136900
ISBN 9790007003289. Key: D major. Language: German.
SKU: CA.139500
ISBN 9790007003548. Key: B flat major. Language: German.
SKU: CA.137300
ISBN 9790007003326. Key: G major. Language: German.
SKU: CA.137400
ISBN 9790007003333. Key: F major. Language: German.
SKU: CA.7020012
ISBN 9790007228750. Key: D major. Language: German. Text: Neumeister, Erdmann. Text: Erdmann Neumeister.
With alternative text Jesus, meine Zuversicht (text: Otto von Schwerin). Score available separately - see item CA.7020000.
SKU: CA.9197905
ISBN 9790007119089. Language: Latin.
Score available separately - see item CA.9197900.
SKU: UM.14226
ISBN 9790224414226.
SKU: UM.16797
ISBN 9790224401776.
SKU: CA.716500
ISBN 9790007014537. Language: German.
SKU: CA.610100
ISBN 9790007010560. Key: G dorian. Language: German. Text: Weissel, Georg. Text: Georg Weissel.
SKU: CA.200800
ISBN 9790007006112. Language: German.
SKU: CA.100100
ISBN 9790007000011. Language: German.
SKU: JK.00935
Doctrine and Covenants 18:10-16, 1 John 2:10.
Beautifully sacred setting from Missa Mormonis, sung as an earnest request for the Lord to be patient with an imperfect child--in words reminiscent of O Divine Redeemer. Arranged for mixed chorus (SSATB) and piano by Lynn S. Lund. Also available for SAB choir (#00562).Composer: Lynn S. Lund Lyricist: Psalms 25 Difficulty: Medium / medium acc. Performance time: 5:30Reference: Doctrine and Covenants 18:10-16, 1 John 2:10.
SKU: HL.14011728
ISBN 9788759851890. UPC: 888680705817. 10.5x14.5 inches. Danish.
These Four Madrigals by Pelle Gudmundsen-Holmgreen are settings of texts by the Australian author, Les Murray. Two songs were originally written for the Song Company, Australia and two more from his larger work, Sound/Sight for Danish Radio Chamber Choir. All have been arranged here for six voices (SSATBarB) with texts in English and Danish. Duration 16:30.
SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.964100
ISBN 9790007143541. Text language: Latin.
The Good Friday Responsory Tenebrae factae sunt for six-part chorus was commissioned in 2012 for Peking University Student Choir and was premiered at the World Choir Games in Cincinnati, Ohio, USA conducted by Hou Xijin. It is an ambitious work with a fervent intensity. Matsushita sets the two last words of Jesus, Deus meus, ut quid me dereliquisti? [My God, why hast thou forsaken me] and Pater, in manus tuas commendo spiritum meum [Father, into thy hands I commend my spirit] as pained outcries in Stravinskyian harshness, in chords characterized by tritones, as a truly superhuman work of redemption whose Easter message of hope only appears in the last conciliatory F major chord. Although this work lies slightly beyond the upper limit of the musical and vocal technical demands of the Carus Contemporary series, it is well within the abilities of ambitious chamber choirs.
SKU: CA.701900
ISBN 9790007013110. Language: German.
SKU: CA.924100
ISBN 9790007244361. Language: French. Text: Gounod, Charles.
In Charles Gounod's L'absent, composed in 1873, the absent one asks at night time whether the beloved remembers him in the light of the moon and at the sound of the evening prayer bells. These art songs were originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted them to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
SKU: JK.01141
Arrangement for mixed chorus (SSATB) from Lynn Lund's Missa Mormonis affirming, simply and beautifully, the all-encompassing love of God. Voices rejoice in the greatness of the Savior.Composer: Lynn S. LundArranger: Lynn S. LundLyricist: Lynn S. Lund (scriptural text)Difficulty: MediumPerformance time: 2:45
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