SKU: CA.982105
ISBN 9790007160692. Language: English. Text: Betzner-Brandt, Michael. Text: Michael Betzner-Brandt.
The modern a cappella series offers new, challenging a cappella music with a jazzpop sound. The editions are orientated towards the needs of the developing jazz-pop choral scene. a special choral sound, groove, improvisation and choreography play central roles - individual singers can come to the fore as soloists. In short, modern a cappella is a new category of choral music; there are no covered pop songs and also no serious new music, rather grooving, contemporary vocal music with unconventional texts and choral presence. The series is geared towards highly motivated youth choirs as well as ambitious ensembles from all genres. Score available separately - see item CA.982100.
SKU: HL.345977
ISBN 9781540093189. UPC: 840126921236. 6.75x10.5x0.019 inches. John 20:1-18, Luke 24:1-6, Matthew 28:5-6.
The joy of Christ's resurrection abounds in this anthem proclaiming the victorious news, Jesus arose! He rose from the grave! Melodic repetition in the verses and a recurring refrain make the anthem easy to learn for choirs of all ages. One verse of Christ the Lord Is Risen Today concludes the piece and provides the option for congregation to join the choir. Available separately: Unison/opt. 2-Part Treble. Duration: ca. 2:39.
SKU: HL.8301962
UPC: 884088648275. 6.75x10.5 inches.
Alabado; is one of several hymns that originated at, or in close proximity to the Santa Barbara Mission during the middle and late 18th century. Composer, scholar and USC professor Nick Strimple has provided a simple and effective setting for use in worship or as a processional in concert. The original Spanish and an English translation are provided as well as some alternative texts for various seasons.
SKU: GI.G-10425
UPC: 785147042518. English, Spanish. Text Source: Ref.: Lectionary for Mass, vv.: Isaiah 12 / IsaÃas 12:2, 4bcd, 5-6 (cf. 3), adapt. TA. Scripture: Isaiah 12:2, 3, 4bcd, 5–6.
This canticle is appointed as the response to the fifth reading of the Easter Vigil, for the Solemnity of the Sacred Heart (year B), and is optional for the Baptism of the Lord (year B). It could also be used as a song during the sprinkling rite throughout the Easter Season. The setting requires a strong cantor to clearly proclaim the calls and elicit a strong congregation response. Because the cantor always sings the call, various language configurations are possible.
SKU: GI.G-4954
This collection is second to none: masterfully crafted compositions resplendent with interesting harmonies married to texts selected from the works of the finest hymn writers of our time. Lovers of serious choral music are going to be thrilled with this new offering. Musical styles are varied, from gospel to a distinctly classical sound, sprinkled with a wide variety of instruments. Selected works include All Glory Is Yours-rich and melodic, with a memorable and singable refrain, Build Your City on the Hill-rousing, with an early American flavor, Christ Is the Day-mysterious, for Advent, Cleanse the Thoughts of Our Hearts-choral music at its finest, Before the Song Was Done-majestic and lilting, for Christmas, This Our Joy and This Our Feast-Joyful, for Easter, with trumpets and alleluia! Just consider this roster of text writers: Brian Wren, Delores Dufner, OSB, Sylvia Dunstan, Richard Leach, and Timothy Dudley-Smith. In addition, traditional texts include The Prayer of St. Patrick, a selection from Piae Cantiones, and one from The Book of Common Prayer. There are also a selection from ICEL and adaptations by Bob Moore. Includes one each of the following octavos: I COME WITH JOY (G-4933) • ALL GLORY IS YOURS (G-4934) • SLOWLY TURNING, EVER TURNING (G-4935) • BUILD YOUR CITY ON THE HILL (G-4936) • SWEET REFRESHMENT (G-4937) • CHRIST IS THE DAY (G-4938) • CHILD OF MARY (G-4939) • CLEANSE THE THOUGHTS OF OUR HEARTS (G-4940) • HOW HOLY THIS FEAST (G-4941) • CHRIST THE WAY OF LIFE (G-4942) • WE BRING, YOU TAKE (G-4943) • WE BLONG TO CHRIST (G-3874) • BEFORE THE SONG WAS DONE (G-4944) • THIS OUR JOY AND THIS OUR FEAST (G-4945) • CHRIST BE WITH ME (G-3855) The instrumental meditation “Air†is found in G-4289, Five Liturgical Meditations.
SKU: LP.765762153622
UPC: 765762153622.
Just 20 minutes in length, Good New of Great Joy! is jam packed with songs from some of the top songwriters around, and arranged in unison by some of the best in the business. The really good news is that it is flexible enough for choirs of all sizes and experience levels, or choirs with limited rehearsal time or opportunity. Songs from the creative genius of writers such as Michael W. Smith and Chris Tomlin are given the royal treatment by arrangers David T. Clydesdale, Steve W. Mauldin, Camp Kirkland, Gary Rhodes, and Russell Mauldin. Add the narration and you have a perfect offering for Christmas that any church can do.
SKU: GI.G-002020
SKU: BP.103
From John Carter's SSA collection, A Fit of Carroll. Based on the works of Lewis Carroll and Alice in Wonderland.
SKU: HP.C6294R
UPC: 763628262945.
Traditional American Song This energetic, toe-tapping setting is fun to sing and filled with dynamic progressions and effective use of modulations. Combining hints of two other favorites: Swing Low, Sweet Chariot and I Am Bound for the Promised Land, this is ideal for church and community choirs alike.
SKU: HP.C6232R
UPC: 763628262327.
Traditional Spiritual This delightful presentation features the traditional spiritual, 'Let Me Ride' (Swing Down Sweet Chariot), threaded together with 'In that Great Gettin Up Morning. 'Choirs will enjoy the rhythmic energy along with the familiar words and melodies, while telling the stories about the good news of a 'home on the other side.'.
SKU: HL.50512258
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
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