SKU: GI.G-10425
UPC: 785147042518. English, Spanish. Text Source: Ref.: Lectionary for Mass, vv.: Isaiah 12 / IsaÃas 12:2, 4bcd, 5-6 (cf. 3), adapt. TA. Scripture: Isaiah 12:2, 3, 4bcd, 5–6.
This canticle is appointed as the response to the fifth reading of the Easter Vigil, for the Solemnity of the Sacred Heart (year B), and is optional for the Baptism of the Lord (year B). It could also be used as a song during the sprinkling rite throughout the Easter Season. The setting requires a strong cantor to clearly proclaim the calls and elicit a strong congregation response. Because the cantor always sings the call, various language configurations are possible.
SKU: CA.3113305
ISBN 9790007161934. Language: German.
The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score available separately - see item CA.3113300.
SKU: AU.9781506479835
ISBN 9781506479835. 7 x 10.25 inches.
Beauty and flexibility abound in Timothy Shaw's strophic setting of the beloved Apple Tree Carol. Written in a minor key with a pensive mood, the unison stanzas could be shared by children, soloists, or choir sections. Optional vocal harmony and instrumental obbligato add further texture options. While not limited to the Christmas season, this is a great addition to your next Lessons and Carols service or to sing during Christmas worship.
SKU: LO.15-3899H
ISBN 9780787776084.
Perfect for young singers during the holiday season, this original song from Darren Fellows features a text appropriate for school or church children's choirs. Written for unison voices and strophic in form, this piece is easy to learn and rehearse. The accompaniment track includes additional instrumentation that enhances the charm of the youthful nature of this piece.
SKU: GI.G-5010
This profound collection for Palm Sunday, Triduum, and Easter, deeply infused with the passion of the season, evolves from the worship in the parishes where Rory Cooney and Gary Daigle have served over the years. Trumpet in the Morning, Rory Cooney's highly inspirational hymn for the millennium, is set to the haunting strains of an early-American melody. The text draws on jubilee imagery, especially from the book of Leviticus, but its point of view is distinctly modern. New hymns resound with the emotions of the season, including the solemn strains of Good Friday's Precious Blood and the truly uplifting title song, This Very Morning. Also included is a new concertato arrangement of Suzanne Toolan's classic, I Am the Bread of Life. Highlights of this collection include a stirring acclamation for baptism that has been expanded into a song for the sprinkling of the assembly. There is an upbeat Litany of Saints to accompany the baptismal procession to the font, appropriately based on When the Saints Go Marchin' In and incorporating the refrain from that enduring spiritual. One each of the following octavos: TRUMPET IN THE MORNING (G-4970) • QUIET STRENGTH (G-5011) • PALM SUNDAY PROCESSIONAL (G-5012) • LENTEN GOSPEL ACCLAMATION (G-5013) • PRECIOUS BLOOD (G-5014) • FRACTION RITE AND “TABLEPRAYER†(G-5015) • CONCERTATO ON “I AM THE BREAD OF LIFE†(G-5016) • PSALM 31: I PLACE MY LIFE (G-3613) • GENESIS READING FOR THE GREAT VIGIL (G-5018C) • PSALM 118 (EASTER ALLELUIA) FOR THE GREAT VIGIL (G-5019) • A LITANY OF SAINTS: WHEN THE SAINTS COME MARCHIN’ IN (G-5020) • YOU HAVE PUT ON CHRIST (G-5021) • THIS VERY MORNING (G-5022).
SKU: GI.G-6851
UPC: 785147685104. English, German. Text Source: Trier Gesangbuch, 1847, st. 1 tr. Herman G. Stuempfle, Jr., alt., st. 2 tr. Ronald F. Krisman.
A unison carol in German and English scored for unison choir, two violins, and a viola. The strings provide a lot of movement. Very festive. The instrumental parts, which add a festive character to the piece, are flexible: three violins, flute and two violins, flute or violin, violin and viola. It is possible to play the three instrumental parts on the organ, soft flute 8' and 4' are suggested. —William Tortolano.
SKU: LO.45-1645H
ISBN 9780787779290.
This reproducible collection features 6 Latin settings for unison and two-part choirs. Full of musically diverse selections, this collection will guide your young choirs as they build a strong foundation of choral technique. From Mary Lynn Lightfootâ??s jubilant Cantate Hodie! (Sing Today) to Greg Gilpinâ??s haunting Sanctus and Mark Burrowsâ?? elegant Lux Aeterna, this collection contains musical styles for a vast range of programming needs. Translation and pronunciation guides precede each piece throughout the collection. The text and music pairings in this collection will offer â??easy winsâ? along with slightly more challenging repertoire as your ensemble advances. Featuring unison, optional two-part, and two-part pieces, you can use this collection time and again as your singersâ?? skills develop.
SKU: CA.3116305
ISBN 9790007161965. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score available separately - see item CA.3116300.
SKU: WD.080689642173
UPC: 080689642173.
An ordinary day at the school bus stop…a mysterious message you haven’t seen before…your mission, should you decide to accept it… In this new kids choir musical from Simply WordKidz, what seems to start out like an ordinary day, quickly turns into an action-packed adventure, starting with a strange note and a mission! Come along and join us on this MISSION: POSSIBLE—where God will show each of us what He has called us to do for His Kingdom! Created by Gina Boe, MISSION POSSIBLE is a fun, scripture-filled musical for kids bursting with biblical truths found in Mark 16:15 and Ephesians 2:10. Your students will learn that, as believers, no matter where they are, no matter what their talents are, and no matter the circumstances, they have been given a mission – they have been called to spread the Good News of Jesus to the world around them.
SKU: ST.CN72P
ISBN 9790220228629.
A perfect seasonal choice, Onward we go is a consummate example of Thomas Hewitt Jonesâ??s feeling for young voices, and his passion for sharing the joy of Christmas through memorable tunes. A beautiful, arching melody carries the delightful verse by Canon Gordon Giles, which tells of children singing as they journey to the manger. Shepherds, angels and the Magi accompany them on their way, bearing gifts of love to honour the incarnation in faith, hope and reverence. Expressive and irresistible, words and music go straight to the heart, with a warmth especially inspired by the dedicatees, chorister-tutor Caroline Lenton-Ward and the childrenâ??s choir of St Stephenâ??s, South Dulwich, a church which also played a formative part in the composerâ??s musical upbringing. Onward we go may be performed by unison voices with organ or piano, or with organ or piano and additional flexible instrumental ensemble including any available upper strings and woodwind, plus optional cello, bass guitar or double bass, mark tree and tubular bells.A set of score and parts for the optional ensemble (Cat. No. Y373) will be available to purchase.
SKU: MN.50-9306
UPC: 688670593062.
Original hymn tune KENSINGTON by composer. Vintage text. Ethereal, mystical tune offers striking reflection of text.
SKU: HL.200799
UPC: 888680651794. 6.75x10.5 inches.
The Five Solas are principles of Christian faith that originated in the 16th century. There are five songs in this series, each expressing an aspect of the sola themes.
SKU: GI.G-9090A
UPC: 785147909040. English, Greek. Text Source: Revised Order of Mass 2010, Lectionary for Mass
A worthy successor to Mass of Joy and Peace—Tony Alonso’s bestselling setting—Mass of Christ, Light of the Nations is a compelling stylistic contrast that demonstrates his continued commitment to well-crafted ritual music that inspires the participation of the liturgical assembly. Mass of Christ, Light of the Nations offers two compelling versions of the Gloria—one in a verse/ refrain style and one through-composed. Both set a celebratory tone that will engage and gratify your assembly. The strong musical lines, repeating melodic themes, and comfortable singing ranges throughout will enable your community to learn this setting with ease. Scored for SAB choir and descant, two C instruments, trumpet, cello, piano or organ and guitar, Mass of Christ, Light of the Nations offers a wide variety of texture possibilities and is an effective setting for any ensemble. It will quickly become a favorite that you return to continually throughout the liturgical year. This is the assembly edition and contains only melody lines for congregational singing.
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
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