SKU: BR.CHB-5195-02
ISBN 9790004411179. 9 x 12 inches. German / English.
Our separate editions of Max Reger's choral works (Op. 6, 39 and 110) are based on the volumes of the Reger Complete Edition revised by Hermann Grabner. The first critical edition of the well-known choral cycles is thus made available to choral practice for the first time.
SKU: HL.49044862
ISBN 9790001203364. UPC: 841886025189. 7.5x10.5 inches. English.
The Irish composer Frank Corcoran already won several first prizes, such as for his English-language choral composition 'Eight Haikus' at the International Foundation for Choral Music in 2013. The almost 10-minute work for 4- to 8-part mixed a-cappella choir is based on eight secular texts written by Corcoran himself in the style of the famous Japanese haiku poems. In this shortest lyrical form of world literature which consists of only three lines, the composer born in 1944 uses a large variety of labials, sibilants and plosives and addresses socially relevant topics by means of simple descriptions of nature and seasons in a content-wise and musically figurative and almost mystical language.
SKU: BR.CHB-5219-02
ISBN 9790004411407. 9 x 12 inches. German.
The Three Songs Op. 42 are actually a cappella choral works, the piano part being intended above all as a study aid. Ulrich Mahlert's preface provides information on the origin of the pieces and their historical and socio-cultural background.
SKU: HL.14050045
ISBN 9781785580321. UPC: 888680600730. 9.0x12.0x0.195 inches.
Five great songs are given the gospel treatment, and the result is a guaranteed showstopper - fun, funky, slick and stylish. The arrangements are by vocal coach and choral director Mark De-Lisser, and were performed by his choir, ACM Gospel Choir, on BBC's Last Choir Standing - they are all uplifting, modern and a joy to sing.
SKU: BR.CHB-3544-02
ISBN 9790004404751. 6.5 x 9.5 inches. German.
SKU: BR.CHB-5357-00
ISBN 9790004412879. 9 x 12 inches. German.
In the Geistliches Lied op. 30 for four-part mixed choir and organ (or piano for three to four hands), Johannes Brahms sets a text by the Baroque poet Paul Fleming (1609-1640) to music. Although the piece was composed in April 1856, it only premiered as late as July 1865 in the church of St. Jakobi in Chemnitz. This is probably due to changes that were proposed by Joseph Joachim. In February 1864, Brahms sent it together with Op. 29 to Breitkopf & Hartel where it was published in July 1864. The subtitle in brackets in the autograph ,,Doppel-Canon in der None (,,Double canon in the ninth) was not printed on it, although it closely captures the essence of this composition of about three minutes.
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