(Carol Arrangements for Choir and Orchestra). Arranged by Joseph M. Martin, Mark Hayes, and Pepper Choplin. For Choral (Listening CD). Harold Flammer Christmas. CD only. Published by Shawnee Press

By Keyte & Parrot. For Choral Collection (Paper). Published by Oxford University Press.

Arranged by Linda Spevacek. (3 Part Mixed A Cappella). Choral. Size 6.7x10.5 inches. 40 pages. Published by Hal Leonard.

Arranged by Manny Albam, Norman Luboff. (Score & Parts). Walton Choral. Published by Walton Music.

(A Cantata of Carols in Four Suites). Arranged by Benjamin Harlan. (IPAKO). Brookfield Christmas Choral. Sacred. 224 pages. Published by Brookfield Press.

(A Service of Lessons and Carols Celebrating the Life of Christ Orchestration (Printed)). By Joseph M. Martin. For Choral (ORCHESTRA ACCOMPANIMENT). Harold Flammer. Published by Shawnee Press

Composed by Giovanni Battista Pergolesi (1710-1736). Edited by Malcolm Bruno; Caroline Ritchie. This edition: urtext edition. Paperback. Vocal score. Published by Baerenreiter Verlag (BA.BA8958-90).

(A Service of Lessons and Carols Celebrating the Life of Christ Preview Pack (Book/CD)). By Joseph M. Martin. For Choral (PREV PAK). Harold Flammer. Published by Shawnee Press

By Various. Edited by Steger, Helmut. Hymn settings; Scandinavian Choral Music, Choral Collections, Women's Choir; Use during church year: Advent, Special Days, Christmas. Choral collection. 52 pages. Published by Carus Verlag (German import).

The Oxford Book of Flexible Anthems composed by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Spiral-bound paperback. 296 pages. Published by Oxford University Press

For performance/accompaniment CD. Christmas, General. Octavo. Published by Heritage Music Press. (99/1059H)

Composed by Robert Ward. Full Length Opera. 20th Century. Libretto. Galaxy Music Corporation #7.0277. Published by Galaxy Music Corporation (EC.7.0277). 0.48

Chorus (with soloists) and piano

SKU: BR.EB-8450

Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Arranged by Andreas Kohs. Choir; Softbound. Edition Breitkopf. Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary. Have a look into EB 8450. Oratorio/passion; Baroque. Piano/Vocal Score. 300 pages. Duration 120'. Breitkopf and Haertel #EB 8450. Published by Breitkopf and Haertel (BR.EB-8450).

ISBN 9790004184936. 7.5 x 10.5 inches.

Messiah 1741 - new light on Handel's masterpiece The focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start. Messiah 1741 - the first and only complete edition of Handel's autograph score Thorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation) It offers a reconstruction of the wind parts according to contemporary sources Piano vocal score with contemporary vocal ornamentation First edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternative The appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons. Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle. (Jeremy Summerly, Choir & Organ)

Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary.