SKU: AP.49833

UPC: 038081571478. English. Traditional Spiritual.

Here's a beloved American spiritual, sensitively prepared for school and church singers by Victor C. Johnson. The familiar strophic melody is fully arranged with progressively richer sonorities throughout. Expressive tempo markings stretch the final moment of every phrase and suggest more motion for the hear the trumpet sound verse. A lovely piano accompaniment does not double, but rather decorates the satisfying choral parts. A gentle gem that grows to an impressive height before a quiet conclusion.

SKU: GI.G-2717

Scripture: Psalm 93.

SKU: GI.G-9751

UPC: 785147975106. English. Text Source: Psalm 96:9a. Scripture: Psalm 96:9a.

From 1717 to 1718, Handel composed eleven multi-movement, psalm-based anthems, commonly known as the Chandos Anthems (he was resident composer for the First Duke of Chandos during this period). is setting of verses from Psalm 96 is drawn from Anthem 4b, “O Sing unto the Lord a New Song” (HWV 249b). Chepponis’ thoughtful editing and arranging of this gem—based on original sources, as well as practical considerations— make it accessible to many choirs that may not have the luxury of a large SATB choir. Listen to the recording and follow along with the score in this preview video:.

SKU: HP.C6311

UPC: 763628163112.

Familiar Spiritual Combining two familiar Spirituals this dazzling arrangement utilizes an abundance of rhythmic energy to express the need to lay down our burdens and stand before the Lord in prayer. Rhythm Parts: Conductor's Score, Piano, Synthesizer (Rhodes Patch), Acoustic Guitar, Electric Bass, Percussion & Drums.

SKU: GI.G-8283

UPC: 785147828303. English. Text Source: Psalm 23, The Revised Grail Psalms Scripture: Psalm 23.

The call-and-response nature of the refrain makes assembly participation about as easy as possible, the women of the choir support the assembly and the men provide a bit of easy harmony, all over a relaxed accompaniment. While not requiring an exceptionally large vocal range, the cantor should ideally have a solid low range (down to a low A) with the ability to sustain the upper D at a couple of points in the verses. For cantor or soloist.