SKU: HL.123777
UPC: 884088961947. 6.75x10.5 inches. Adapt. Kirby Shaw.
This 1998 hit by Celine Dion was memorably covered by Lea Michele on Glee in a powerful rendition that explored the depth of the emotional lyrics. This selection offers challenges and rewards for pop, jazz, show and concert choirs looking to create a touching concert moment! Ideal for Valentine's Day, prom or other romantic occasions!
SKU: XC.HRMG2374
UPC: 785147111054. Text by Joseph Mohr.
Love's Pure Light, Silent Night is a lyrical setting blends the beloved tune and text with a captivating new tune sung by the descant. The result is a fresh look at an old favorite in the capable hands of Michael John Trotta. The added oboe gives a unique color to the piece. Fresh and captivating. Commissioned in honor of the 200th anniversary of the music by FBC San Antonio, this setting blends the beloved tune and text with a captivating new tune sung by the descant.
SKU: SU.YR6M11
Four Songs Whither?, On a Faded Violet, O my love, leave me not, Night. Music by Hamish MacCunn, edited by Jennifer Oates. Words by Wilhelm Muller, Percy Bysshe Shelley, anonymous Gaelic, and Richard H. BarhamSSA & piano Composed: 2012 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: HL.8703402
UPC: 884088563776. 6.75x10.5 inches.
SSA voices will shine in this touching and expressive setting of a beloved text. Rubato and legato phrases ebb and flow over a romantic, arpeggiated accompaniment for a superb concert showcase. Well-crafted for younger and developing choirs! Duration: ca. 4:00.
SKU: HL.147431
UPC: 888680073800. 6.75x10.5x0.029 inches.
Your pianist takes an equal role in this exquisite ballad that is tinged with melancholy. A superb selection for a more mature or community ensemble. Here's to life, here's to love and here's to you..
SKU: HL.122151
UPC: 884088947729. 6.75x10.5x0.039 inches.
You'll thrill to the exhilarating joy of Motown the Musical and this 4-minute mini-medley of hits that salutes The Jackson 5 and their prominent place in Motown history. Includes ABC, I Want You Back, The Love You Save. Available separately: SATB, SAB, 2-Part, ShowTrax CD. Combo parts available digitally (tpt 1, tpt 2, tsx, tbn, syn, gtrs, b, dm). Duration: ca. 3:35.
SKU: HL.300003
ISBN 9781540061676. UPC: 888680959913. 6.75x10.5 inches.
Inspired by Sarah Williams' poem, The Old Astronomer, this best-selling concert work is now available for 3-Part Mixed and tells of the irony of life's moments of joy, sadness, longing, endurance, love and many other lessons rolled into a vessel of musical inspiration. Optional cello included with the choral.
SKU: XC.HRMG2148
UPC: 785147104858. English. Text by Joseph Mohr.
Now for SSA voices, beloved tune and text are partnered with new material sung by the descant. The result is a fresh look at one of the most beloved carols. The added oboe obbligato gives a unique color to the piece. Available for SATB, SSA, and SA with piano reduction and oboe, oboe/harp/strings or full orhcestra. A fresh and captivating addition for the holiday season.
SKU: SU.YR5621
SAB & piano Composed: 2002 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: CF.CM9585
ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint†the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.
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