(Op. 52, No. 6). Composed by Franz Schubert (1797-1828). Arranged by Russell L. Robinson. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Classical; Masterwork Arrangement; Romantic; Sacred. Choral Octavo. 12 pages. Alfred Music #00-46548. Published by Alfred Music (AP.46548).

Based on March Militaire, Opus 51. By Franz Schubert. Arranged by With New Words By Donald Moore. For Choir. (SAB). Choral Octavo. Choral Designs. Novelty. Choral Octavo. 8 pages. Published by Alfred Publishing.

SSA Choir and Piano

SKU: HL.14028207

Composed by Franz Schubert. Music Sales America. Classical. Choral Score. Music Sales #NOV510013. Published by Music Sales (HL.14028207).

SSA Choir

SKU: HL.14029055

Composed by Franz Schubert. Music Sales America. Classical. Choral Score. Music Sales #NOV510015. Published by Music Sales (HL.14029055).

STB choir, viola or cello, and organ - Early Intermediate Composed by J. Christopher Pardini. All Saints/All Souls, Funeral, 21st Century. Score and instrument part. MorningStar Music Publishers #50-7085. Published by MorningStar Music Publishers

Arranged by Mark Patterson. For SSA choir and optional viola. Sing!. Octavo. Published by Chorister's Guild

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

Choir (Women's Choir)

SKU: AP.47545

From Mass No. 4, D. 452. Composed by Franz Schubert. Edited by Patrick M. Liebergen. Arranged by Patrick M. Liebergen. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Masterwork Arrangement; Romantic; Sacred. Choral Octavo. 12 pages. Alfred Music #00-47545. Published by Alfred Music (AP.47545).

UPC: 038081542386. English.

A warm adagio introduction breaks into a joyous Hosanna chorus in this 44-measure homophonic masterwork. Taken from Schubert's Mass No. 4, this edition offers sensible vocal ranges, editorial dynamic and metronome markings, plus a complete IPA guide for the brief Latin text. The orchestral parts have been reduced to a playable piano accompaniment while preserving the Classical characteristics of the original work.

About Alfred Choral Designs

The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

By Laura Farnell. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. 16 pages. Published by Alfred Music Publishing

Choral (SAB Choir)

SKU: HL.295579

Composed by Franz Schubert. Arranged by Patrick M. Liebergen. Shawnee Press. Concert. Octavo. 12 pages. Published by Shawnee Press (HL.295579).

ISBN 9781540056382. UPC: 888680948078. 6.75x10.5x0.029 inches.

Now available in SAB and SSA voicings, this exuberant Schubert piece begins with joyous acclamations in the opening measures, polyphonic writing and a lyrical presentation of the “amens” then followed by the return of homophonic style in the closing declamatory statements. A superb selection for serious programming, especially for developing choirs.