SKU: GI.G-7020
UPC: 785147702009. English, Spanish. Translation: Mary Louise Bringle. Text by Juan Damián.
The milonga is a song-dance developed around 1870 by the cultures co-existing in Buenos Aires at the time. This piece, with a Mary Louise Bringle translation, explores the mystery of God: “I think I know, but barely grasp it . . .†and calls for greater faith. The music is slow, rhythmic, richly harmonic, and mesmerizing.
SKU: AP.28714
UPC: 038081312583. English.
Written in the style of a folk song, this exquisite original choral captures the essence of a tender love that lasts forever. Where the sea meets the sky, I know it's there that you and I will be together, forever, till eternity. Touching, haunting, captivating.
SKU: HL.1312734
ISBN 9798350109511. UPC: 196288177654. 6.75x10.5x0.029 inches.
“The Starry Night†by Vincent Van Gogh is the composer's inspiration for this choral, which is filled imagery from the painting. The text is created from a quote by Van Gogh, “For my part, I know nothing with any certainly, but the sight of the stars makes me dream.†The composer has included discussion points about the painting and choral that can be used in rehearsal or classroom. Incredible teaching opportunities abound!
SKU: HL.1312733
ISBN 9798350109504. UPC: 196288177647. 6.75x10.5x0.029 inches.
SKU: LO.15-3779H
ISBN 9780787770280.
A harmonically rich setting of one of Robert Frost’s most well-known poems, this piece is perfect for middle school or smaller high school ensembles. It is strophic in form, beginning in unison, easing into clever canonic imitation, then alternating between highlighting women and men. An emotional half-step modulation sets the heightened mood for the final verse, which ends the work with voices echoing the iconic words: And miles to go before I sleep..
SKU: XC.SAB1904
UPC: 812598030716. 6.75 x 10.5 inches.
Usually known for his thick textured a cappella arrangements, this new composition by Jamey Ray is a 3-part beautiful new setting of the Elizabeth Barret Browning Sonnet 43. It is a love poem easily accessible to any mixed group. With a few optional split notes for men, this piece stays simple yet beautiful.
SKU: CF.CM9772
ISBN 9781491164433. UPC: 680160923335. Key: G major. English. Words adapted from Angels from the Realms of Glory by JAMES MONTGOMERY (1771-1854).
I've always enjoyed celebratory and rhythmic singing. I also know there's a need for this style in treble voices. The holiday season is a perfect time to create such a work.The text of The Angels' Gloria is based on the familiar Montgomery hymn with original music. This work can be easily be done as a call and answer or antiphonal setting. Try using it as a processional, too. Hearing the voices surround the audience is always exciting for everyone and a superb teaching and learning experience.The accompaniment is intentionally simple and bell-like, supporting the three-part harmonies. I've also created a B-section that is a cappella in full three-part singing, rich and full giving lots of contrast to the piece.There is so much good teaching throughout the piece, making for interesting rehearsals and a terrific performance piece. I hope this adds just the right sparkle for your Christmas or holiday program.—Greg Gilpin.
SKU: AP.47639
UPC: 038081543321. English.
A folk-infused ballad celebrating the miracle of Hanukkah. Originally recorded by 90s pop sensation Lisa Loeb, this reflective change-of-pace choral features a rhythmic yet mellow accompaniment and straightforward but expressive vocal parts. Whether you perform with the guitar-inspired piano part, the optional SoundTrax CD, or a folk ensemble of your own, this is truly a special touch for holiday concerts.Because of changes in our school's schedule and the taking away of the music requirement in 7th and 8th grade, our choir numbers have dropped significantly. Searching for music that has educational value and that the choir will sound good on (we know that's important for the parents and faculty) I came across Light arranged by Andy Beck. This quickly became a favorite of my choir! The kids are excited to rehearse it every day and the sound they are achieving fits the folk-like feel of the piece. We are using the 2-Part version. Being 7th and 8th graders, of my nine boys, three are unchanged voices (singing alto as written) and my other six are in varying stages of voice change. Those six are bouncing back and forth between alto and soprano parts, singing them down an octave. Thank you for providing a great piece for the holiday season!Matt AlbrechtChoir DirectorCopley-Fairlawn Middle School
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: CF.CM9731
ISBN 9781491161111. UPC: 680160919703. Key: C major. English.
Johannes Brahms, born May 7, 1833 in Hamburg, Germany and died April 3, 1897 in Vienna where he lived most of his life. Brahms is one of the most famous composers of the Romantic period (1830-1920) although his music has many elements of the Classical period (1750 to 1830) as he followed many of the practices of Classical composers Haydn, Mozart and Beethoven. In addition to being a composer, he was also well-known as a pianist and conductor. Brahms began writing the Requiem (also known as the German Requiem, Opus 45) soon after his mother died in February 1865 which caused him great grief. In April of that year, he completed the first, second and fourth movements and completed the rest of the seven movements in May of 1868. How Lovely is Thy Dwelling Place (Wie Lieblich sind Deine Wohnungen) was the fourth movement of his seven movement work. Originally written for SATB voices in E-flat major, this seamlessly similar arrangement for SAB voices, now in C major, affords all voices comfortable ranges. Although, it is approximately 5 minutes and 30 seconds in length, it is perceived to be much shorter because of the contrasting stylistic sections within the work. How Lovely is Thy Dwelling Place is one of the most beautiful choral pieces by Brahms, perhaps in the entire Romantic period. Although Brahms wrote the original piano reduction, in this edition, it has been made more accessible for pianists with a wide range of skills. Pay close attention to the dynamic markings throughout the piece, making them apparent to the voices, conductor, and audience. I hope you enjoy singing this beautiful and timeless piece by Johannes Brahms! Russell Robinson, Arranger  .Johannes Brahms, born May 7, 1833 in Hamburg, Germany and died April 3, 1897 in Vienna where he lived most of his life. Brahms is one of the most famous composers of the Romantic period (1830-1920) although his music has many elements of the Classical period (1750 to 1830) as he followed many of the practices of Classical composers Haydn, Mozart and Beethoven. In addition to being a composer, he was also well-known as a pianist and conductor. Brahms began writing the Requiem (also known as the German Requiem, Opus 45) soon after his mother died in February 1865 which caused him great grief. In April of that year, he completed the first, second and fourth movements and completed the rest of the seven movements in May of 1868. How Lovely is Thy Dwelling Place (Wie Lieblich sind Deine Wohnungen) was the fourth movement of his seven movement work. Originally written for SATB voices in E-flat major, this seamlessly similar arrangement for SAB voices, now in C major, affords all voices comfortable ranges. Although, it is approximately 5 minutes and 30 seconds in length, it is perceived to be much shorter because of the contrasting stylistic sections within the work. How Lovely is Thy Dwelling Place is one of the most beautiful choral pieces by Brahms, perhaps in the entire Romantic period. Although Brahms wrote the original piano reduction, in this edition, it has been made more accessible for pianists with a wide range of skills. Pay close attention to the dynamic markings throughout the piece, making them apparent to the voices, conductor, and audience.I hope you enjoy singing this beautiful and timeless piece by Johannes Brahms!Russell Robinson, Arranger    .
SKU: CF.CM9706
ISBN 9781491160022. UPC: 680160918621. Key: D minor. English. Sara Teasdale, adapted by Meredith Tompkins.
Sara Teasdale was a celebrated American poet who lived at the turn of the twentieth century, known for her classical style and pure, openhearted writing. At the young age of twenty-three, she became a published author and went on to release a total of eight award-winning collections of poetry in her lifetime. Love-Free is a reflective poem that appears in Part I of Rivers to the Sea, published in 1915. In the text, the narrator experiences a range of emotions centering around lost love and the desire to either separate from or rekindle it. Reminiscent of an antique music box, the text is paired with a waltz-like accompaniment in a lilting 3/4 pattern. Melodic exploration of the natural minor scale is achieved through mostly step-wise motion and some carefully placed, text-painted leaps ranging from a minor third to a sixth. With some unison, SA, and SSA sections, this piece can show off the wide array of colors and textures available to treble choirs.Sara Teasdale was a celebrated American poet who lived at the turn of the twentieth century, known for her classical style and pure, openhearted writing. At the young age of twenty-three, she became a published author and went on to release a total of eight award-winning collections of poetry in her lifetime. Love-Free is a reflective poem that appears in Part I of Rivers to the Sea, published in 1915. In the text, the narrator experiences a range of emotions centering around lost love and the desire to either separate from or rekindle it. Reminiscent of an antique music box, the text is paired with a waltz-like accompaniment in a lilting 3/4 pattern. Melodic exploration of the natural minor scale is achieved through mostly step-wise motion and some carefully placed, text-painted leaps ranging from a minor third to a sixth. With some unison, SA, and SSA sections, this piece can show off the wide array of colors and textures available to treble choirs.
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