SKU: GI.G-6013
UPC: 785147601302. English. Text Source: 2 Corinthians 5:20. Text by Shirley Erena Murray. Scripture: 2 Corinthians 5:20.
The text speaks of discipleship and would be a great choice for events focusing on social justice, for a commissioning/sending anthem, or even as part of a healing and reconciliation service. The question of the final phrase (“Shall we now refuse God's call?â€) is reflected in the unsteadiness of the musical line, which seems to say, “It's up to each of us to do our part.â€.
SKU: HP.C6320
UPC: 763628163204.
Original Christmas composition Written for adult choir with optional children's choir or soloist, this pairing of an original composition with a Christmas classic affords a unique way to present Away in a Manger during the holiday season. The simple part for the children's voices fits perfectly with Raney's gentle, original lullaby. The flowing piano accompaniment provides a lush underpinning for this re-telling of the night Christ was born. This setting originally appeared in Joel Raney's popular Christmas musical, Celebrate the Season. In 2007 the SATB setting was our top-selling anthem. New for this year we offer an SAB voicing. The orchestration contains a Conductor's Score and parts for: Synth, Percussion, Bass, Harp, Flute, Oboe, Trumpet, French Horn, Violin, Cello and Handbells. Product C 5436HB could be used with choir, handbell & piano. Product C 6099HB is suitable for choir & handbell no piano.
SKU: CA.311130
ISBN 9790007151430. Key: F major. Language: Latin.
SKU: HL.131325
UPC: 888680024772. 6.75x10.5 inches.
From the musical Annie, this song pays tribute to the bright lights of the Big Apple as Annie and Oliver Warbucks enjoy a night on the town. A great feature for Broadway, pop and show!
SKU: HP.C6264
UPC: 763628162641.
Popular praise song by Gloria Gaither, Phil McHugh & Sandi Patty Ideal for Palm Sunday, this popular praise song sets the tone as it tells the story of Jesus, the man from Galilee, entering Jerusalem. The familiar refrain brings it all together: there is strength in the Name of the Lord. Blessed is he who comes in the Name of the Lord!Orchestrations: Conductor's Score, Flute, Oboe(or Soprano Sax or Clarinet), Clarinet, Horn (or Alto Sax or Clarinet), 2 Trumpets (or Alto Sax), 2 Trombones (or Tenor Sax or Baritone T. C. ), Percussion, Piano, Acoustic Guitar (w/separate Capo Guitar Pt. ), Electric Bass, Drums, Violins 1 & 2, Viola (or Clarinet), Cello/Bassoon (or Bass Clarinet).
SKU: HL.286176
UPC: 888680893477. 6.75x10.5 inches.
The opportunity to perform Baroque music in an authentic style is a gift for young singers and limited forces. Buxtehude composed this piece for SAB choir and the figured bass has been realized for this edition. The “Colla Parte” practice from this stylistic period is made available in this edition as the three voice parts have been transcribed for C instruments. Detailed performance notes are included from the editor.
SKU: GI.G-10455
UPC: 785147045519. English. Text by John Newton.
For SAB or SATB and bassoon or cello.
SKU: GI.G-9662
UPC: 785147966203. English. Text Source: Based on Psalm 29. Text by Rory Cooney. Scripture: Psalm 29.
For cantor or soloist. The percussion part is for tambourine and drum set.
SKU: CA.311150
ISBN 9790007151454. Key: C major. Language: Latin.
SKU: CA.311160
ISBN 9790007151461. Key: C major. Language: Latin.
SKU: CA.311170
ISBN 9790007151478. Key: C major. Language: Latin.
SKU: GI.G-3437
UPC: 785147343707. Scripture: Psalm 122.
Assembly and instrument parts are optional.
SKU: GI.G-4943
Text by Brian A. Wren.
Flute, cello and bass parts are optional. .
SKU: CA.311140
ISBN 9790007151447. Key: C major. Language: Latin.
SKU: GI.G-001243
SKU: GI.G-10468
UPC: 785147046813. English. Text Source: Based on Psalm 91 and Julian of Norwich, 1342-1416. Text by Julian of Norwich. Scripture: Psalm 91.
“All Will Be Well†is, above all, a song of hope. While it is easy to become discouraged by the systems of injustice that pervade our world, Julian’s text reminds us that life and love always prevail. Care should be taken to sing each refrain with this conviction and confidence while still respecting the suggested dynamic markings, as too much power can jeopardize the gentle folk-style of the piece. The verses should start with room to grow dynamically, building throughout, leading to strength and conviction in the refrain.
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