SKU: HL.35031901
ISBN 9781540013149. UPC: 888680718282. 6.75x10.5 inches.
Our lives are surrounded by music and this choral celebrates that fact in a gentle, contemporary ballad. Perfect for young voices and developing choirs with its message and easy part writing. “We know that life is better when you live it with a song!&rdquo.
SKU: CF.CM9597
ISBN 9781491154199. UPC: 680160912698. 6.875 x 10.5 inches. Key: F major. English.
This expressive medley combines two beloved Christmas carols, creating a gentle lullaby. Even so, it has moments of joy that are sung forte, and lots of dynamic contrasts that help the lyrics come to life. As you work on this piece, try to remember the volume level that is indicated in the score. Its very easy to sing everything mezzo-forte while you are learning words, notes, and parts, then add the dynamics in later. However, when you practice this way, you will have to un-learn the medium dynamic level. Be sure to follow your director very carefully, so that the tempo changes are accomplished together. These subtle variations will create a moving experience for you and for your listener. Let the celebration of this joyous season be seen on your face and heard in your voice!.This expressive medley combines two beloved Christmas carols, creating a gentle lullaby. Even so, it has moments of joy that are sung forte, and lots of dynamic contrasts that help the lyrics come to life. As you work on this piece, try to remember the volume level that is indicated in the score. Itas very easy to sing everything mezzo-forte while you are learning words, notes, and parts, then add the dynamics in later. However, when you practice this way, you will have to aun-learna the medium dynamic level. Be sure to follow your director very carefully, so that the tempo changes are accomplished together. These subtle variations will create a moving experience for you and for your listener. Let the celebration of this joyous season be seen on your face and heard in your voice!.This expressive medley combines two beloved Christmas carols, creating a gentle lullaby. Even so, it has moments of joy that are sung forte, and lots of dynamic contrasts that help the lyrics come to life. As you work on this piece, try to remember the volume level that is indicated in the score. It's very easy to sing everything mezzo-forte while you are learning words, notes, and parts, then add the dynamics in later. However, when you practice this way, you will have to un-learn the medium dynamic level. Be sure to follow your director very carefully, so that the tempo changes are accomplished together. These subtle variations will create a moving experience for you and for your listener. Let the celebration of this joyous season be seen on your face and heard in your voice!.This expressive medley combines two beloved Christmas carols, creating a gentle lullaby. Even so, it has moments of joy that are sung forte, and lots of dynamic contrasts that help the lyrics come to life. As you work on this piece, try to remember the volume level that is indicated in the score. It's very easy to sing everything mezzo-forte while you are learning words, notes, and parts, then add the dynamics in later. However, when you practice this way, you will have to un-learn the medium dynamic level. Be sure to follow your director very carefully, so that the tempo changes are accomplished together. These subtle variations will create a moving experience for you and for your listener. Let the celebration of this joyous season be seen on your face and heard in your voice!.This expressive medley combines two beloved Christmas carols, creating a gentle lullaby. Even so, it has moments of joy that are sung forte, and lots of dynamic contrasts that help the lyrics come to life.As you work on this piece, try to remember the volume level that is indicated in the score. It’s very easy to sing everything mezzo-forte while you are learning words, notes, and parts, then add the dynamics in later. However, when you practice this way, you will have to “un-learn†the medium dynamic level.Be sure to follow your director very carefully, so that the tempo changes are accomplished together. These subtle variations will create a moving experience for you and for your listener. Let the celebration of this joyous season be seen on your face and heard in your voice!
SKU: CF.CM9747
ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).
About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
SKU: HL.35028011
UPC: 884088592042. 6.75x10.5 inches. John Parker/Vicki Tucker Courtney.
This exquisite text is set for SSA voices and includes long, glorious lines of vocal beauty in unison, 2-part and 3-part singing. Perfect for winter concerts, the text also lends itself to any festival and contest opportunity. Available: SSA; PianoTrax 2012.
About Together We Sing
Shawnee Press: Together We Sing series