SKU: HL.300003
ISBN 9781540061676. UPC: 888680959913. 6.75x10.5 inches.
Inspired by Sarah Williams' poem, The Old Astronomer, this best-selling concert work is now available for 3-Part Mixed and tells of the irony of life's moments of joy, sadness, longing, endurance, love and many other lessons rolled into a vessel of musical inspiration. Optional cello included with the choral.
SKU: CF.CM9704
ISBN 9781491160114. UPC: 680160918713. Key: F# minor. English. Sir Rabindranath Tagore.
Richard Hageman (1881-1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman's later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal classic to younger singers who might not yet possess the dexterity to perform the original solo. Rabindranath Tagore (1861-1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore's expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name. Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. .Richard Hageman (1881–1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman’s later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal “classic†to younger singers who might not yet possess the dexterity to perform the original solo.Rabindranath Tagore (1861–1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore’s expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name.Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. .
SKU: XC.SAB1904
UPC: 812598030716. 6.75 x 10.5 inches.
Usually known for his thick textured a cappella arrangements, this new composition by Jamey Ray is a 3-part beautiful new setting of the Elizabeth Barret Browning Sonnet 43. It is a love poem easily accessible to any mixed group. With a few optional split notes for men, this piece stays simple yet beautiful.
SKU: CF.CM9706
ISBN 9781491160022. UPC: 680160918621. Key: D minor. English. Sara Teasdale, adapted by Meredith Tompkins.
Sara Teasdale was a celebrated American poet who lived at the turn of the twentieth century, known for her classical style and pure, openhearted writing. At the young age of twenty-three, she became a published author and went on to release a total of eight award-winning collections of poetry in her lifetime. Love-Free is a reflective poem that appears in Part I of Rivers to the Sea, published in 1915. In the text, the narrator experiences a range of emotions centering around lost love and the desire to either separate from or rekindle it. Reminiscent of an antique music box, the text is paired with a waltz-like accompaniment in a lilting 3/4 pattern. Melodic exploration of the natural minor scale is achieved through mostly step-wise motion and some carefully placed, text-painted leaps ranging from a minor third to a sixth. With some unison, SA, and SSA sections, this piece can show off the wide array of colors and textures available to treble choirs.Sara Teasdale was a celebrated American poet who lived at the turn of the twentieth century, known for her classical style and pure, openhearted writing. At the young age of twenty-three, she became a published author and went on to release a total of eight award-winning collections of poetry in her lifetime. Love-Free is a reflective poem that appears in Part I of Rivers to the Sea, published in 1915. In the text, the narrator experiences a range of emotions centering around lost love and the desire to either separate from or rekindle it. Reminiscent of an antique music box, the text is paired with a waltz-like accompaniment in a lilting 3/4 pattern. Melodic exploration of the natural minor scale is achieved through mostly step-wise motion and some carefully placed, text-painted leaps ranging from a minor third to a sixth. With some unison, SA, and SSA sections, this piece can show off the wide array of colors and textures available to treble choirs.
SKU: CF.CM9773
ISBN 9781491164440. UPC: 680160923342. Key: C# minor. English. Christina Rossetti.
In the bleak midwinter, frosty wind made moan,                            Earth stood hard as iron, water like a stone;                                Snow had fallen, snow on snow, snow on snow,                               In the bleak midwinter, long ago.What can I give Him, poor as I am?                                            If I were a shepherd, I would bring a lamb;                                     If I were a Wise Man, I would do my part;                                    Yet what I can I give Him: give my heart.The text from this beloved poem of Christina Rossetti (1830–1894) was originally published in an 1872 issue of Scribner’s Monthly, under the title A Christmas Carol. In the first of its five stanzas, the speaker describes in great detail a bitingly cold winter scene, void of both warmth and light. By the final stanza, the speaker's thoughts turn inward, asking what gift they may offer the infant Jesus, meek though they believe themselves to be.The poem was later set by English composer Gustav Holst (1874–1934) as a contribution to the English Hymnal in 1906 and remains the most popular setting today.London-born Rossetti came to be regarded not only as one of the greatest female poets of her time, but as an outspoken advocate on several societal issues, including slavery and cruelty towards animals.In this setting, word painting is of the utmost importance. Careful attention to word stress throughout the course of the piece will make the performance all the more captivating. Descriptive lines such as “frosty wind made moan†should be conveyed with swelling crescendos, like frigid gusts of frozen air.While this piece features an original tune, the beloved Holst melody is also featured briefly, beginning in m. 28. Take care to bring this out.There are plenty of other allusions to wintry scenes scattered throughout the choral parts as well as the accompaniment. I encourage you to put your sleuthing “hats†on and find them all. It will make the learning experience much more memorable and fun.
SKU: AP.50188
UPC: 038081573588. English. Words by Sara Teasdale.
Acknowledge life's many gifts with this splendid setting of Sara Teasdale's poem that reminds us to spend all you have for loveliness. A lilting rhythmic flow and some refreshing mixed meter moments create a buoyant effect. Greg's tuneful lines and sensible part writing are satisfying to sing and pave the way to success. Absolutely delightful!
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: AP.50189
UPC: 038081573595. English. Words by Sara Teasdale.
SKU: HL.48025443
ISBN 9781784549053. UPC: 196288216414.
Setting of a prayer by Mother Cornelia Connelly, foundress of the Society of the Holy Child Jesus in 1846 and latterly Mayfield School. In 1863 she was inspired to transform the ruins of the Old Palace of Mayfield into a girls school embodying the ethos of the Society; this was accomplished in 1872. The Cornelian ethos of the text make this piece suitable for a wide range of occasions, such as Easter, weddings and general thanksgiving. The choral writing is expressively scored in response to the poem; the organ part, for manuals throughout, is supportive and provides musical punctuation, with a short decorative postlude.
SKU: AP.46534
UPC: 038081531090. English. Words by Sara Teasdale.
Sara Teasdale's poem about the end of life is the foundation of this soul-stirring choral setting. Text painting and sensitive musical choices bring the meaning of the words alive in an unforgettable way. Exquisite choral writing!
SKU: LO.15-3873H
ISBN 9780787774493.
A lovely poem about the quiet of winter and the changing of the seasons rings with sentimentality. The delicate and picturesque music was written in memory of the text writer, Clarence Drummond, a friend of composer Stan Pethel. In a gentle flowing 6/8, this piece is sure to bring warmth and heart to your winter concert.
SKU: HL.49045941
UPC: 841886032941. 0.015 inches.
Composing soulful and expressive choral music has been the trademark of Alwin Michael Schronen for many years. A hauntingly beautiful testimony to that is his arrangement of Sally Gardens for three-part choir (SAB) and piano. This traditional Irish folk song is based on one of the first love poems by William Butler Yeats. Its melody is characterized by simplicity and catchiness whichare maintained by Schronen in a clean and natural manner in an easy-to-play choral setting for one male and two female voices singing in unison over long passages and are only seldom devided into three voices. The warm sounds of the easily playable piano accompaniment emphasize the melancholy and touching air of this wonderful Irish folk tune. A catchy tune - guaranteed!
SKU: HL.49045474
ISBN 9790001164245. UPC: 841886030978. 7.5x10.75x0.042 inches. Italian.
At the end of December 1930, Nino Rota travelled to the United States of America where he was accepted at the Curtis Institute of Music in Philadelphia upon the recommendation of Arturo Toscanini. One year later, he composed Four Canons: four short compositions the lyrics of which are based on Italian love poems from the 15th and 16th centuries. The madrigal-like style of the unison canons testifies to an innovativeness which goes far beyond a simple study work.
SKU: AP.48920
UPC: 038081562445. English. Words by Robert Burns.
This poem has long been a favorite of singers due to its deep passion and expressive imagery, not to mention the warm vowels at the end of each line. In this artistic setting, Greg Gilpin incorporates a contemporary harmonic palette, expressive tempo nuances, and elegant dynamic shading to form a colorful garden of sound. The final chord suggests the rose/thorn quality of love, as singers sustain sweet dissonance. Give special consideration to the S.S.A. voicing---the romantic text may have great appeal to your ladies.
SKU: AP.48814
UPC: 038081561387. English. Words by Robert Frost.
Robert Frost's famous poem describes the woods as lovely, dark, and deep, and the same can be said about this appealing setting for winter concerts. The minor key casts a pensive backdrop for the vivid imagery of the text. The composer shows her teaching prowess by sculpting a line that harmonizes easily when sung in thirds and fits together perfectly when echoed from part to part. Developing choirs will appreciate the balance of emotional depth in the words and approachable challenges in the vocal parts. Sing the cue notes to quickly convert the 2-part voicing to S.S.A.
SKU: AP.48474
UPC: 038081552972. English. Words by Robert Frost.
This beloved Robert Frost poem presents a memorable metaphor about life choices. Victor Johnson's contemporary setting explores subtle nuances of the text through the thoughtful use of melodic line, harmonic color, musical expression, and word stress. A perfect pathway for exploring all the tools of the choral art. This title is available in MakeMusic Cloud.
SKU: AP.46590
UPC: 038081531656. English. Words by Henry Van Dyke.
Expressive legato vocal lines are set to Henry Van Dyke's powerful poem about the need for balance in all things. A flowing piano accompaniment provides harmonic support, while the voices remain independent. Serene and lovely.
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