SKU: HL.48019885
UPC: 884088275785. 6.75x10.5 inches.
The final two movements in a cycle of four songs characterizing the wind, Wind Sprite reflects the personified wind as being playful and mischievous. The fourth piece, No Wind, is aleatoric with wind chimes and piano and First-Nation Cahto text, using fragments of syllables.
SKU: HL.48019883
UPC: 884088275754. 6.75x10.5 inches.
First in a cycle of four songs characterizing the wind, Wind Scent opens the set in a lilting 10/8. The wind here is depicted as a constant companion through all stages of life. Scored for SSA, piano, and flute.
SKU: HL.48019884
UPC: 884088275761. 6.75x10.5 inches.
Second in a cycle of four songs characterizing the wind, Wind Dance captures the cold winter wind, but ends with an optimistic peace. Scored for SSA, piano, and flute.
SKU: CF.CM9747
ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).
About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
SKU: LO.15-2517H
ISBN 9781429107532.
Cynthia Gray’s robust setting of Lowell’s delightful poem from “A Dome of Many-Coloured Glass†is filled with playful energy, delightful imagery, and word-painting, all supported by an inventive accompaniment. Ideal for young and developing choirs!
SKU: HL.1220754
UPC: 196288142492. 6.75x10.5x0.029 inches.
This setting of the traditional folk song from the British Isles has a gentle rocking feel and expresses the longing for one's absent love.
SKU: HL.35032408
ISBN 9781540036490. UPC: 888680826369. 6.75x10.5x0.036 inches. Mary Donnelly & George L.O. Strid.
Incorporating poems by Bronte and Rossetti, Donnelly and Strid have created a wonderful setting that moves along like a bouncing breeze in 3/4 time. The addition of flute adds sparkle to the 2-part and 3-part mixed voicings accompanied by a simple, but spirited piano accompaniment.
SKU: HL.122355
UPC: 884088951245. 6.75x10.5 inches.
With a repeating and rhythmic piano accompaniment that reflects the emotional tumult of the poetry, the vocal lines soar and intertwine in an impressive flurry of sound, before suddenly coming to rest. An exciting work for high school women's voices.
SKU: HL.1070966
ISBN 9781705175057. UPC: 196288096481. 6.75x10.5x0.036 inches.
“September,†performed by Earth, Wind & Fire, holds the honor of being one of the most popular songs of all time. With a limited range and many unison passages, this arrangement is easy to sing and makes a great opener or closer for your ensemble.
SKU: HL.153263
UPC: 888680095666. 6.75x10.5 inches.
This Japanese lullaby is a traditional song sung by girls far away from home as they worked as nannies in upper class households. The gentle sounds of flute and wind chimes support the plaintive quality of the melody, presented in canon and simple harmonization over the arpeggios in the piano or optional marimba accompaniment.
SKU: AP.45605
UPC: 038081513447. English. Christina Rossetti.
This text-driven setting of Rossetti's treasured poem is top-tier. A well-developed choral interlude sounds like swirling winds with round vowels and captivating harmonies to spare. Most notably, Jay's masterful text painting weaves the sound of the breeze throughout. Artful. Haunting.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: AP.48881
UPC: 038081562056. English.
Bette Midler brought international fame to this power ballad from the movie Beaches. More recently, Idina Menzel recorded the instantly recognizable tune with a fresh contemporary flair, as captured in this sumptuous Mark Hayes arrangement. Rich choral parts glide effortlessly over a shimmering keyboard and string accompaniment creating an ethereal tribute to friendship, everyday heroes, graduates, front line workers, anyone who lifts us up. The impactful SoundPax includes parts for four strings.
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: SU.80300174
This piece gives your chorus a chance to play with sound: tone clusters build, and the choral wind machine cranks up, to herald the storm. Then the choral pitter-patter, using hocket and overlapping rhythms, portrays the rain falling on parched Australian towns. SSA (some divisi), soprano solo, a cappella; duration: 3’ 05; range: g-g; difficulty: medium. SSA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: AP.48882
UPC: 038081562063. English.
SKU: AP.47606
UPC: 038081542997. English.
Inspired by the much-revered spiritual tradition, this original a cappella piece recounts the biblical story of the Great Flood. On its third attempt, Noah's dove returned with an olive branch, signaling the discovery of dry land. Flexible call-and-response solos are accompanied by a humming choir in the verses, and a jubilant refrain becomes even more thrilling when a treble trio joins at the end!
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