SKU: CF.CM9716
ISBN 9781491160954. UPC: 680160919550. Key: D minor. Latin. Early Latin Text.
This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section. Translation Dies irae, dies illa: Day of wrath, that day Solvet saeclum in favilla: shall dissolve the world into embers Teste David cum Sibylla: As David prophesied with the Sibyl. Voca me cum benedictis :Call me to be with the blessed. Salva me fons pietatis : Save me, fount of pity. The Sibyl is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars. About the Arranger D. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma. He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section.TranslationDies irae, dies illa: Day of wrath, that daySolvet saeclum in favilla: shall dissolve the world into embersTeste David cum Sibylla: As David prophesied with the Sibyl.Voca me cum benedictis :Call me to be with the blessed.Salva me fons pietatis : Save me, fount of pity.The “Sibyl†is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars.About the ArrangerD. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma.  He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.
SKU: GI.G-9616
UPC: 785147961628. English. Text Source: 'A Weary Couple' by Adam M. L. Tice. Text by Adam M. L. Tice.
By his words and actions, Pope Francis compels the global Church to a radically renewed personal encounter with Jesus Christ. Encounter: From the Heart of Pope Francis is a performance piece that animates this call in song, story, and prayer, inviting all Christians to risk stepping toward Jesus in both the blessing and the bruising of daily life. Encounter takes us to the front lines of God’s field hospital, calling us to a revolution of tenderness in a world desperate for healing, wholeness and hope. This full score contains all of the music for the Encounter performance piece for use in connection with the script (G-9616S), which includes all spoken text and staging directions. However, the music in this edition is also useful for liturgical celebrations and other occasions throughout the year.
SKU: GI.G-8075
UPC: 785147807506. English. Text Source: Based on Luke 24:13-35, Herman G. Stuempfle, Jr., 1923-2007. Text by Herman G. Stuempfle, Jr. Scripture: Luke 24:13–35.
This concertato setting of the Emmaus story is light in its texture but moving in its impact. The melody of the opening verse captures the heaviness of the travelers’ grief. An a cappella verse takes on an airiness reflecting the wonder of the discovery. The setting builds toward a joyful ending, with a statement of our mission as a living Church. Enjoy the pedal line’s depiction of the trudging gait in the brief interludes.
SKU: SU.80300140
This Latin setting of the Kyrie, Sanctus, and Agnus Dei (and parts of the Gloria and Credo) works beautifully for both church and concert use. Its modest scale serves well at a Mass or service of Holy Communion, and its interesting harmonies, metric structure, and texture make the work stand well alone. Take it on tour! SSA a cappella. Medium. SSA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: XC.2302013
6.75 x 10.5 inches.
A fresh take on the classic Christmas carol featuring unexpected but intuitive phrasing with contemporary harmonies and chord progressions. The arrangement begins softly and builds to an exaltant final chorus. Perform with the accompaniment MP3 and help your choir members rehearse with the part-dominant MP3 practice tracks, available in a multi-user bundle to share with your whole choir.
SKU: XC.2302012
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
