| Friend Like Me Choral 3-part SAB Hal Leonard
(from Aladdin). By Howard Ashman, Alan Menken. Arranged by Mark A. Brymer. (SAB...(+)
(from Aladdin). By Howard Ashman, Alan Menken. Arranged by Mark A. Brymer. (SAB). Choral. 16 pages. Published by Hal Leonard.
$2.65 $2.5175 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Disney on Broadway (Medley) Choral 3-part SSA, Piano Hal Leonard
Composed by Various. Arranged by Mark A. Brymer. Disney Choral. Broadway, Coll...(+)
Composed by Various. Arranged
by Mark A. Brymer. Disney
Choral. Broadway, Collection,
Disney, Medley, Musicals, Show
Choir. Octavo. 48 pages.
Duration 635 seconds.
Published by Hal Leonard
$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Disney on Broadway (Medley) Choral 3-part SAB, Piano Hal Leonard
Composed by Various. Arranged by Mark A. Brymer. Disney Choral. Broadway, Coll...(+)
Composed by Various. Arranged
by Mark A. Brymer. Disney
Choral. Broadway, Collection,
Disney, Medley, Musicals, Show
Choir. Octavo. Duration 635
seconds. Published by Hal
Leonard
$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Disney Dazzle! (Medley) - SAB Choral 3-part SAB, Piano [Singles] - Intermediate Hal Leonard
By Alan Menken, Howard Ashman, Tim Rice. Arranged by Mac Huff. (SAB). Pop Choral...(+)
By Alan Menken, Howard Ashman, Tim Rice. Arranged by Mac Huff. (SAB). Pop Choral Series. Size 6.7x10.5 inches. 48 pages. Published by Hal Leonard.
(6)$4.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Aladdin (Medley) Choral 3-part SAB [Singles] Hal Leonard
By Howard Ashman, Alan Menken, Tim Rice. Arranged by Ed Lojeski. (SAB). Pop Cho...(+)
By Howard Ashman, Alan Menken, Tim Rice. Arranged by Ed Lojeski. (SAB). Pop Choral Series. Size 6.75x10.5 inches. 40 pages. Published by Hal Leonard.
$4.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Songs of a Disney Sidekick (Choral Medley) Choral 3-part SAB, Piano Hal Leonard
Choir, 3-Part, SAB, Mixed Choir Composed by Various. Arranged by Alan Bil...(+)
Choir, 3-Part, SAB, Mixed
Choir
Composed by Various. Arranged
by Alan Billingsley. Disney
Choral. Children, Disney,
Medley, Movies, Pop. Octavo.
24 pages. Duration 300
seconds. Published by Hal
Leonard
$3.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Dixit Dominus SSA Choral 3-part SSA Shawnee Press
Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawne...(+)
Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Aladdin - Original Broadway Musical - Choral (SAB) Choral 3-part SAB, Piano Hal Leonard
(Choral Highlights). Composed by Alan Menken, Chad Beguelin, Howard Ashman...(+)
(Choral Highlights).
Composed by Alan Menken,
Chad Beguelin, Howard
Ashman, and Tim Rice.
Arranged by Mac Huff. For
Choral (SAB). Broadway
Choral. 64 pages. Published
by Hal Leonard
$4.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Disney Friendship Favorites Choral 3-part SAB Hal Leonard
Medley. Composed by Alan Menken, Howard Ashman, Randy Newman, Richard M. ...(+)
Medley. Composed by Alan Menken, Howard Ashman, Randy Newman, Richard M. Sherman, Robert B. Sherman. Arranged by Alan Billingsley. Disney Choral. Movies, Friendship, Medley, Disney. Octavo. 24 pages. Published by Hal Leonard (HL.157724).
$3.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Paint Me Choral 3-part SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585). ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original. Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own. Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own. Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own. Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own. Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint†the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lean on Me Choral 3-part 3-Part Mixed Hal Leonard
3-Part Mixed Choral (3-Part Mixed choir) SKU: HL.371487 Discovery Leve...(+)
3-Part Mixed Choral (3-Part Mixed choir) SKU: HL.371487 Discovery Level 2. Composed by Bill Withers. Arranged by Jack Zaino. Discovery Choral. General Worship, Gospel, Pop. Octavo. 12 pages. Duration 220 seconds. Published by Hal Leonard (HL.371487). ISBN 9781705148273. UPC: 840126995152. 6.75x10.5x0.029 inches. “Lean on Me,†the instantly recognizable standard by Bill Withers, has been called an anthem of togetherness and resilience. Tastefully set in a gospel style, this arrangement will inspire singers and audiences alike to be a friend for others to lean on. $2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rossetti Songs (2008) Choral 3-part SSA A Cappella [Vocal Score] Peters
By Nicola LeFanu (1947-). For SSA choir a cappella. Women's Choir (commissioned ...(+)
By Nicola LeFanu (1947-). For SSA choir a cappella. Women's Choir (commissioned by MUSE, Cincinnati's Women's Choir, artistic director Catherine Roma, for first performance in Cincinnati, November 22nd, 2008). Modern. Vocal score
$3.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Andrew Lloyd Webber for Singers Choral 3-part SSA [Sheet music] Hal Leonard
(30 Songs - Women's Edition). By Andrew Lloyd Webber. Vocal Collection. Softcove...(+)
(30 Songs - Women's Edition). By Andrew Lloyd Webber. Vocal Collection. Softcover. 160 pages
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Give Our Regards to Broadway Choral 3-part 3-Part Mixed - Intermediate Alfred Publishing
Arranged by Teena Chinn. For Choir. (3-part Mixed). Choral Octavo. Broadway. Le...(+)
Arranged by Teena Chinn. For Choir. (3-part Mixed). Choral Octavo. Broadway. Level: Moderate (grade 3). Choral Octavo. 108 pages. Published by Alfred Publishing.
$30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spark of Light Choral 3-part SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747). ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845). About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. About Jónas HalgrÃmsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself. Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Wayfaring Stranger Choral 3-part SAB, Piano Hal Leonard
Arranged by Roger Emerson. Voices in Harmony. Concert, Festival, Folk. Octavo....(+)
Arranged by Roger Emerson.
Voices in Harmony. Concert,
Festival, Folk. Octavo.
Duration 150 seconds.
Published by Hal Leonard
$2.60 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Light the Lights Choral 3-part SSA [Octavo] Alfred Publishing
By Brian Fisher, Andy Beck. For Choir. (SSA). Choral Octavo. Choral Designs. Ch...(+)
By Brian Fisher, Andy Beck. For Choir. (SSA). Choral Octavo. Choral Designs. Choral Octavo. 12 pages. Published by Alfred Publishing.
$1.75 $1.6625 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Sousa Reader Choral 3-part SAB GIA Publications
Essays, Interviews, and Clippings. Composed by John Philip Sousa / Bryan ...(+)
Essays, Interviews, and Clippings. Composed by John Philip Sousa / Bryan J. Proksch. Music Education. 206 pages. GIA Publications #9278. Published by GIA Publications (GI.G-9278).
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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