SKU: GI.G-6608
UPC: 785147660804. English. Text Source: Based on Psalms 42:3, 5, 43:3, 4. Text by Beth Ann Martinez. Scripture: Psalms 42:3, 5, 43:3, 4.
A diatonic melody in even notes offset by a slightly irregular accompaniment characterizes this setting of Psalm 42. Unison and two-part verses alternate with the SAB refrain. An independent violin or C instrument part, soprano descant, and choral backup to the cantor’s final verse round out this most useful setting. For cantor or soloist C instrument
SKU: GI.G-007889
UPC: 641151078892.
Ed has written a cantor, choir, and assembly-friendly setting of the Sequence for Pentecost using the approved text from The Roman Missal. The stepwise motion of the lyrical melody facilitates a quick learn. The piece begins in D major for the first four verses, modulates to E for the next three verses, moves to F for verses 8 and 9, and concludes with the final verse in G. The interval relationships are the same with each modulation, highlighting the words and adding a sense of urgency. The octavo includes a keyboard part, but you will note that this can be performed with just a simple guitar accompaniment. And, guitar pages are included in the octavo.
SKU: GI.G-10811
English.
SKU: GI.G-008254
UPC: 641151082547. English.
Alle, Alle‚ acclaims the Gospel with sheer energy from the opening guitar introduction to the final vibrant refrain.
SKU: GI.G-8269
UPC: 785147826903. English. Text by Ian Callanan.
For cantor or soloist.
SKU: GI.G-008220
UPC: 641151082202. English, Spanish.
The theme song for the 2004 Los Angeles Religious Education Congress! The easily sung refrain is set to a samba rhythm and the verses have more of a rock feel. And, the coda has a rap‚ over the refrain performed by Kolar himself. Your contemporary ensembles must have this one! From the recording God Is My Rock (WLP 017274). Additional instrumental parts include trumpets, accordion, electric lead and bass guitar (WLP 008223).
SKU: GI.G-10841
English, Greek, Latin. Text Source: Revised Order of Mass 2010, Lectionary for Mass
From a simple, joyful Gospel Acclamation based on the tune LAMBILLOTTE (Alleluia, Song of the Spirit) comes this full Mass setting where all the sung portions are based on that tune. While featuring a driving, rhythmic piano part, there is also an alternate accompaniment with more intentional melodic support that is suitable for organ. Optional instrumental parts are intended for trumpet and flute but may be played by any combination of C or B-flat treble instruments. With the joyful exuberance of the tune at its core, this Mass setting is especially well-suited to Easter and Ordinary Time.
SKU: GI.G-7513
UPC: 785147751304. English. Text Source: Psalm 121:1–2, 3–4, 5–6, 7–8, NAB, ref.: Lectionary for Mass
Your choir and congregation will enjoy the driving beat and syncopated rhythms of this setting of Psalm 121. The three-part mixed harmonies are especially fun to sing! .
SKU: GI.G-7517
UPC: 785147751700. English. Text Source: Based on Mark 8:34-38, adapt. PM and GD. Scripture: Mark 8:34–38.
Here is another remarkable piece from the pen of Liam Lawton and arranged by Gary Fry. The text explores the meaning of church-not a stone edifice, but the people of God. For cantor or soloist.
SKU: GI.G-008485
UPC: 641151084855. English.
SKU: GI.G-9976
UPC: 785147997603. English, Shona. Text Source: Shona Ref.: Alexander Gondo, English Ref.: I-to Loh, Vv: Gary Daigle; Translation: I-to Loh. Text by Alexander Gondo.
This joyful South African song of praise is now available in an expanded form, with call-and-response verses summoning all of creation to praise God. It is set for three-part choir and keyboard, with a guitar part available separately. Energetic and welcoming!
SKU: GI.G-7156
UPC: 785147715603. English. Text by Mary Louise Bringle. Scripture: Psalm 17:8, Psalm 22:15, Psalm 30:5, Psalm 57:1, Psalm 91:1–6, Psalm 126:5–6, Deuteronomy 32:11, Luke 13:34.
With echoes of Psalms 91 and 126, and the use of some feminine images of God, this SAB piece is a celebration of confidence and comfort at being held in God's love. It has a most interesting harmonic development that takes us on a journey of harmonic progressions that does not resolve to tonic until the final measure. Guitar part is optional.
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