| There Is No Rose Choral 3-part SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580). ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. $1.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Gloria in excelsis Deo Choral 3-part TTB/TBB [Octavo] Carl Fischer
By Karl Dent. For TBB choir, keyboard (rehearsal only). Octavo. 8 pages. Duratio...(+)
By Karl Dent. For TBB choir, keyboard (rehearsal only). Octavo. 8 pages. Duration 1 minutes, 39 seconds. Published by Carl Fischer
$2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Three a cappella Latin Settings (Three-part Mixed, a cappella) Choral 3-part SAB A Cappella [Octavo] Choristers Guild
Composed by Jerry Estes. For 3-part mixed choir, a cappella. Sing!. Octavo. Publ...(+)
Composed by Jerry Estes. For 3-part mixed choir, a cappella. Sing!. Octavo. Published by Chorister's Guild
$2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Gloria in Excelsis Choral 3-part SAB, Piano [Octavo] Heritage Music Press
By Antonio Lotti (1667-1740) and Linda Spevacek. For 3-part mixed (SAB) and pian...(+)
By Antonio Lotti (1667-1740) and Linda Spevacek. For 3-part mixed (SAB) and piano (basso continuo). Christmas, General. Octavo
$2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Gloria! Choral 3-part SAB [Octavo] Alfred Publishing
By Sally K. Albrecht. For Choir. (SAB). Choral Octavo. Choral Designs. Choral O...(+)
By Sally K. Albrecht. For Choir. (SAB). Choral Octavo. Choral Designs. Choral Octavo. 12 pages. Published by Alfred Publishing.
$1.50 $1.425 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Gloria in Excelsis Deo Choral 3-part SSA [Octavo] Roger Dean
By James Mccray. For SSA choir (with optional 2 octave handbells, soprano voice,...(+)
By James Mccray. For SSA choir (with optional 2 octave handbells, soprano voice, flute). Janet Galvan Roots and Wings. Christmas, General, Sacred. Easy. Octavo
$2.95 $2.8025 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| And the Angels Sang Choral 3-part SSA A Cappella [Octavo] Heritage Music Press | |
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| Gloria RV.589 (SSA) Choral 3-part SSA, Piano Novello & Co Ltd.
By Antonio Vivaldi; Desmond Ratcliffe (Arranger). For SSA, Piano Accompaniment. ...(+)
By Antonio Vivaldi; Desmond Ratcliffe (Arranger). For SSA, Piano Accompaniment. Baroque, Sacred. Sheet Music. 68 pages. Published by Novello and Co Ltd.
(1)$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| In Concert! for Christmas and Winter Celebrations Choral 3-part [Sheet music] Heritage Music Press
By Mary Lynn Lightfoot. 3-part mixed, handbell 2, small percussion. Choral colle...(+)
By Mary Lynn Lightfoot. 3-part mixed, handbell 2, small percussion. Choral collection. Published by Heritage Music Press.
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Gloria in Excelsis Deo Choral 3-part 3-Part Mixed Shawnee Press
By Antonio Vivaldi (1678-1741). Arranged by Catherine DeLanoy. 3-Part Mixed. Cho...(+)
By Antonio Vivaldi (1678-1741). Arranged by Catherine DeLanoy. 3-Part Mixed. Choral. 12 pages
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Sing Gloria! Choral 3-part SAB, Piano [Octavo] Exaltation Publications
By Douglas E. Wagner. For SAB Choir and Piano (with optional orchestra). Sacred ...(+)
By Douglas E. Wagner. For SAB Choir and Piano (with optional orchestra). Sacred Anthem: Christmas. Octavo. Published by Exaltation Publications
$2.95 $2.8025 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Gloria In Excelsis Deo Choral 3-part 3-Part Mixed [Octavo] Heritage Music Press
By Antonio Vivaldi; Sherri Porterfield. For 3-part mixed choir. Christmas, Gener...(+)
By Antonio Vivaldi; Sherri Porterfield. For 3-part mixed choir. Christmas, General. Octavo. Published by Heritage Music Press. (15/1099)
$2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| It Came upon the Midnight Clear Choral 3-part SSA [Octavo] - Intermediate Jackman Music Corporation
By Richard Storrs Willis. Arranged by T. Chemain Evans. For SSA choir. Christmas...(+)
By Richard Storrs Willis. Arranged by T. Chemain Evans. For SSA choir. Christmas, Sacred. Medium. Octavo. Duration 3:10. Published by Jackman Music Corporation
$1.30 $1.235 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Gloria in Excelsis Choral 3-part SSA, Piano Boosey and Hawkes
(SSA choir and organ/piano). Composed by Will Todd. For Choral (SSA). Boosey and...(+)
(SSA choir and organ/piano). Composed by Will Todd. For Choral (SSA). Boosey and Hawkes Sacred Choral. 16 pages. Published by Boosey and Hawkes
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Gloria in Excelsis Deo! Choral 3-part SSA, Piano Hal Leonard
By Cristi Cary Miller. (SSA). Choral. Festival. 16 pages. Published by Hal Leon...(+)
By Cristi Cary Miller. (SSA). Choral. Festival. 16 pages. Published by Hal Leonard.
$1.60 $1.52 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Gloria in Excelsis Deo Choral 3-part SSA Hal Leonard | |
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| Gloria in Excelsis Deo Choral 3-part SAB Hal Leonard | |
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| Gloria in Excelsis Deo Choral 3-part TTB/TBB [Octavo] Heritage Music Press
By Antonio Vivaldi; Sherri Porterfield. For TTB/TBB choir and piano. General, Ch...(+)
By Antonio Vivaldi; Sherri Porterfield. For TTB/TBB choir and piano. General, Christmas. Octavo. Published by Heritage Music Press. (15/1610H)
$2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Three Contemporary Latin Settings 3-Part Mixed Choral 3-part 3-Part Mixed Shawnee Press
By Jerry Estes. For 3-Part Mixed Choir. Choral, General Repertory, Sacred, Conte...(+)
By Jerry Estes. For 3-Part Mixed Choir. Choral, General Repertory, Sacred, Contest/Festival Music. Sheet Music. Published by Shawnee Press.
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Gloria In Excelsis Deo Choral 3-part SAB [Octavo] Alfred Publishing
By Franz Joseph Haydn. Arranged by Russell L. Robinson. For Choir. (SAB). Chora...(+)
By Franz Joseph Haydn. Arranged by Russell L. Robinson. For Choir. (SAB). Choral Octavo. Easy Choral Masterworks Series. Masterwork. Choral Octavo. 12 pages. Published by Alfred Publishing.
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Advent Grace Choral 3-part SAB, Piano [Octavo] Lorenz Publishing Company
By Lloyd Larson; Jean Anne Shafferman. For SAB choir and piano (with optional C ...(+)
By Lloyd Larson; Jean Anne Shafferman. For SAB choir and piano (with optional C instrument). Advent, Christmas, Sacred. Sacred Anthem
$2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Machet Die Tore Weit Choral 3-part SAB Schott
Choral (SAB Choir) SKU: HL.49045655 Barockemotetten Und Kantaten Zur W...(+)
Choral (SAB Choir) SKU: HL.49045655 Barockemotetten Und Kantaten Zur Weihnachtszeit. Edited by Wilfried Fischer. Edition Schott. Choral Collections, Christmas, Christmas Sacred, Christmas/Advent Sacred, Classical. Softcover. 104 pages. Schott Music #ED22804. Published by Schott Music (HL.49045655). ISBN 9783795712327. 7.5x11.0x0.318 inches. With its three-part settings for mixed choir, the Chor zu dritt series is aimed at the large number of choirs which cannot do fulljustice to the mainly four-part choral literature with its division in high and deep male voices.Complementing Vol. 5, O little Townof Bethlehem, the choir expert Wilfried Fischer continues his successful series with Christmas music in Vol. 6, Machet die Tore weit. Baroque cantata settings and motets for the Christmas season by renowned composers like Bach and Telemann were arranged for three-part choir, some with accompaniment. These arrangements enable choirs with a small number of male voices to sing even large-scale works in Christmas concerts. Content J.S. Bach: Gloria in excelsis Deo J.S. Bach: Vom Himmel hoch, da komm ich her Bach: Freut euch, liebe Christen all G.F. Handel: Halleluja G.P. Telemann; Wie schon leuchtet der Morgenstern G.P. Telemann: Ehre sei Gott in der Hohe D. Buxtehude: In dulci jubilo V. Lubeck: Willkommen, susser Brautigam A. Hammerschmidt: Machet die Tore weit A.M. Brunckhorst: Sollten wir uns heut' nicht freuen A.M. Brunckhorst: Ehre sei Gott in der Hohe W.C. Briegel: Stimmet Hosianna an P.F. Buchner: O, welch ein Jubel H. Schutz: Also hat Gott die Welt geliebt H. Schutz: Dank sagen wir alle Anonymus: Ich will den Namen Gotte loben A. Gumpelzhaimer: Gloria sei dir gesungen G.P. Telemann: Ich will den Herrn loben allezeit. $23.99 - See more - Buy online | |
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| Gloria in Excelsis Choral 3-part SSA Walton Music
(from Gloria). By Antonio Vivaldi. Arranged by Mason Martens. (SSA). Walton Cho...(+)
(from Gloria). By Antonio Vivaldi. Arranged by Mason Martens. (SSA). Walton Choral. Size 6.8x10.5 inches. 12 pages. Published by Walton Music.
$2.80 $2.66 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Gloria in Excelsis Choral 3-part SSA, Piano [Octavo] Heritage Music Press
By Antonio Lotti; Linda Spevacek. For SSA choir and piano (basso continuo). Gene...(+)
By Antonio Lotti; Linda Spevacek. For SSA choir and piano (basso continuo). General, Christmas. Octavo. Published by Heritage Music Press. (15/1873H)
$2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Winds Through the Olive Trees Choral 3-part SAB, Piano [Octavo] Choristers Guild
By Timothy Shaw. For SAB Choir, Piano, C instrument. Mixed Voices Series. Sacred...(+)
By Timothy Shaw. For SAB Choir, Piano, C instrument. Mixed Voices Series. Sacred Anthem: Christmas, General. Octavo. Published by Chorister's Guild
$1.95 $1.8525 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Gloria in Excelsis Choral 3-part SAB Walton Music
(from Gloria). By Antonio Vivaldi. Arranged by Mason Martens. (SAB). Walton Cho...(+)
(from Gloria). By Antonio Vivaldi. Arranged by Mason Martens. (SAB). Walton Choral. 12 pages. Published by Walton Music.
$2.80 $2.66 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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