SKU: HL.14031223
SKU: LO.15-3914H
ISBN 9780787777197.
Written in honor and memory of beloved chorus teacher, the words, inspired by thoughts from her students. pay homage to the impact she had on countless students and honor all teachers and the positive personal influence they have on their students' lives beyond classroom subject matter. This piece is a beautiful selection that can be programmed in honor of a teacher retirement or graduation.
SKU: HL.14004472
ISBN 9788759858318.
For SSAA Choir (Female Voices).
SKU: HL.1192565
UPC: 196288132707. 6.75x10.5x0.038 inches. I Peter 4:8, John 3:16, John 4:8-10.
Unfolding with the intimacy of a singer/songwriter styled ballad, this anthem delivers a testimony of faith wrapped in a stunning musical fabric. The goodness of God and the glory of redemption are universal sacred subjects, making this work usable all year long.
SKU: SU.26180050
Hail Lovely and Pure is a setting for a cappella chorus of a short poem from The Second Shepherds' Play, an English mystery play written in the 15th century by The Wakeï¬eld Master of Northern England. Mystery (or miracle) plays were a form of medieval drama that represented Biblical subjects such as the Creation and the Last Judgment. The text consists of the ï¬rst lines spoken by the shepherds when they entered the stable to celebrate the birth of Jesus. My brother David C. K. McClelland (1947-1976) translated this fragment from the original Middle English and made a small calligraphic version of it which I discovered among his papers. David probably intended to make a larger, more elaborate manuscript of the poem, though if he did so it has not been found.SATB Chorus, a cappella Duration: 13'30 Composed: 2011 Published by: WMC Music (BMI).
SKU: SU.80400420
SATB, Unison Childrens Chorus, a cappellaDuration: 3:00Commissioned by: Rev. Michael J. O'Connell, Rector of the Basilica of Saint Mary in Minneapolis, MinnesotaDedication: A sacred Holocaust memorial oratorio, to be rooted in themes and subjects of mutual interest to the Jewish and Christian faith communitiesPremiered by: Basilica of Saint Mary, the Minnesota Orchestra, the Basilica Cathedral Choir, and the Basilica Children's Choir on November 17, 18 and 19, 2005 at the Basilica of Saint MaryCopyright 2005Text author: Michael Dennis Browne Published by: Paulus Publications (SP456) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: HL.1103656
ISBN 9781705176696. UPC: 196288101659. 6.75x10.5x0.029 inches. I Corinthians 1:9, II Thessalonians 3:3, II Timothy 2:13.
The unchangeable character of God is the subject of this impressive anthem. Structured with both contemporary and traditional elements, there are many artful moments to celebrate as the song unfolds. Score and Parts (ob, vc) available as a digital download.
SKU: HL.14009892
Danish.
SKU: CF.CM9607
ISBN 9781491154298. UPC: 680160912797. 6.875 x 10.5 inches. Key: Db major. English. Lord George Gordon Byron (1788-1824).
Lord George Gordon Byron, described as mad, bad and dangerous to know, is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subjects outer physical beauty and inner peace. Byron feels that the persons beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byrons best known poem. .Lord George Gordon Byron, described as amad, bad and dangerous to know,a is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subjectas outer physical beauty and inner peace. Byron feels that the personas beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byronas best known poem. .Lord George Gordon Byron, described as mad, bad and dangerous to know, is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subject's outer physical beauty and inner peace. Byron feels that the person's beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byron's best known poem. .Lord George Gordon Byron, described as mad, bad and dangerous to know, is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subject's outer physical beauty and inner peace. Byron feels that the person's beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byron's best known poem. .Lord George Gordon Byron, described as “mad, bad and dangerous to know,†is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades.Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subject’s outer physical beauty and inner peace. Byron feels that the person’s beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byron’s best known poem. .
SKU: HL.14041792
ISBN 9781780382180. UPC: 884088658663. 6.75x9.75x0.05 inches.
The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah.Such is the strength of Handel's word setting that this empathic, triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected, remaining a firm favourite with choirs.The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event, held in aid of local causes, and in order to get the maximum attendance at Neale's new music hall in Fishamble Street, men were asked to removetheir swords, and ladies the hoops in their dresses.The tradition of standing during performances of the 'Hallelujah' Chorus, still indulged at some performances in Britains, is said to have been started by King George II at the work's opening run in London in 1743.
SKU: ST.CN3P
ISBN 9790220224607.
Philip Moore draws on a lifetime's experience of music for Anglican worship to present Bishop Ken's classic evening hymn in darker, more subjective hues than those of Tallis's Canon, to which it is usually sung congregationally. In particular, a penitential note of strained serenity is struck in this nocturnal plea for repose of body and soul. The voices move quietly in comfortable thirds and sixths to the accompaniment of a questioning five-note figure, a phrase which is rarely absent from the organ part and which subtly questions their prayer for peace in its edgy harmonic and metric ambiguity.
SKU: CA.4068804
ISBN 9790007183547. Language: Latin.
With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score available separately - see item CA.4068800.
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