SATB choir, piano reduction - Early intermediate

SKU: GI.G-9410

Composed by Sexton Bernar. Choral. Sacred. Octavo. 4 pages. GIA Publications #9410. Published by GIA Publications (GI.G-9410).

UPC: 785147941002. English. Text source: Gaelic blessing, alt.

“Deep Peace” by Irish composer Bernard Sexton is an exquisite choral miniature. e familiar Gaelic blessing invokes all of creation, and nally Christ, to bestow blessing. is gem will be a great addition to your choir’s repertoire.

Choir (SATB choir)

SKU: AP.50167

Performance Music Ensemble; Single Titles. Lawson-Gould. Graduation; Peace/Brotherhood; Sacred; Secular; Traditional. Choral Octavo. 8 pages. Alfred Music #00-50167. Published by Alfred Music (AP.50167).

UPC: 038081573373. English. Words from a Traditional Celtic Blessing; music by Michael Larkin.

Here's an expressive, through-composed setting that evokes the awe of moon and stars through sweeping legato vocal lines, a rich harmonic landscape, and a gentle piano underscore. At just under three minutes in length, it makes a superb choice for a concert closer, benediction or signature send-off.

SATB chorus - Easy/Medium Easy

SKU: JK.01887

Composed by Barry Gibbons and Guy Gibbons. Arranged by Grant Gibbons. Choral SATB, Difficulty Easy, Difficulty Easy Medium, Piano Choir, Atonement, Comfort, Hope, Jesus Christ - Savior, Peace. Christian, Inspirational. Jackman Music Corporation #01887. Published by Jackman Music Corporation (JK.01887).

UPC: 093285018877. John 14:27.

There is perhaps no greater universal longing than that of peace. It is that deep desire in all of us which calls for more harmony and less dissonance. This brand-new gorgeous choral arrangement, for mixed chorus (SATB), captures the feeling of Peace that Jesus Christ offers all of us - Far from the feelings of despair, the weight of hopeless grief, the future that's unclear, there is peace.
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Words and Music: Barry and Guy Gibbons
Arranger: Grant Gibbons
Difficulty: Easy/Medium Easy
Performance Time: 4:00
Reference: John 14:27.

By Various. Edited by Wulfing, Hans. This edition: paperbound. Sacred, Hymn settings, Mass Sections, Motets, Psalms, German; Choral Collections, Mixed Choir; Occasions: Peace and Justice, Praise and thanks, Morning, Midday, Evening, Psalms, Mourning, Death; Use during church year: Special Days, End of the church year. Choral collection. 88 pages

Weddings for Choirs. (40 perfect SATB pieces). By Judy Martin; Peter Parshall. For SATB choir accompanied and a cappella. Mixed Voices. ...for Choirs Collections. Sacred, Choral Collection. Vocal score. 256 pages. Published by Oxford University Press

SATB choir, piano accompaniment - Early intermediate

SKU: GI.WW1801

Composed by Mark A. Miller. Church, School, Concert. Walton Choral. Classical. Octavo. 8 pages. Walton Music #WW1801. Published by Walton Music (GI.WW1801).

UPC: 785147024361. English. Text by Herb Frombach.

Mark Miller's pastoral melody and harmonies help to usher in the deep peace of a Christmas where we pause to listen. A beautiful, accessible work that is appropriate for both church services and winter concerts.

SATB Choir

SKU: WD.080689118234

Composed by Phillip Keveren. Arranged by Phillip Keveren. Choral. Sacred Anthem, Eastertide. Octavo. Duration 4'05. Word Music #080689118234. Published by Word Music (WD.080689118234).

UPC: 080689118234.

The promise of Godly peace is the clear message of this heartfelt musical offering masterfully arranged for choir, piano, string quartet, and clarinet; it would make an ideal call to prayer or benediction.

Composed by Katie Kring. Walton. Music Education. Octavo. 12 pages. Walton Music #WW1559. Published by Walton Music (GI.WW1559).

SATB choir a cappella, baritone voice solo, optional soprano voice solo - Late Intermediate / Advanced

SKU: MN.50-8835

Composed by Sam Batt Owens. Spirituals. 21st Century. Octavo. MorningStar Music Publishers #50-8835. Published by MorningStar Music Publishers (MN.50-8835).

UPC: 688670588358.

Linear vocal accompaniment undergirds Baritone solo. Optional Soprano solo adds emotional intensity on promised land, where all is peace. Utilizes elements of African-American spiritual style insofar as possible to notate. Challenging and rewarding.

SATB choir, piano

SKU: LO.15-3725H

Composed by Amy F Bernon. Choral. Secular Christmas. Octavo. Heritage Music Press #15/3725H. Published by Heritage Music Press (LO.15-3725H).

ISBN 9780787769864.

Mountain Christmas, there's a song deep in the pines, and the wind picks up the melody. Mountain Christmas, and the gift of peace is mine…Up here in my mountain, another year, flown by. Amy Bernon integrated subtle quotes from Silent Night in this nostalgic musical portrait of winter's solace and endless beauty. Accessible vocal parts and opportunities for solos or small groups to shine add to the exquisite choral experience.

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commissioned by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Arranged by Moses Hogan. (SATB). Choral Collection. Softcover. Size 6.75x10.5 inches. 232 pages. Published by Hal Leonard.