SKU: OU.9780193954113
ISBN 9780193954113. 10 x 7 inches.
for solo, duet, trio, and SATB with organ Vincent Novello's arrangement of four verses of the well-known 'Hymn for Christmas' builds from soprano solo, through duet for tenor and bass and trio for alto, tenor and bass (with melody in the middle part), to a full SATB final verse. The traditional English text is given together with the original Latin. Colin Mawby has supplied a fascinating preface tracing the history of the piece.
SKU: CA.3116409
ISBN 9790007209018. Language: German/English.
This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and parts available separately - see item CA.3116400.
SKU: OU.9780193954137
ISBN 9780193954137. 12 x 8 inches.
Novello's original orchestral accompaniment for his arrangement of this well-loved Christmas hymn. Full score and set of parts are sold together.
SKU: GI.G-8519
UPC: 785147851905. Dutch, English, Latin. Text by Taize Community.
My Spirit Yearns for Your: parts are Flute (Solo or Duet), Oboe, Clarinet, Cello and Guitar Mane nobiscum only has a part of Guitar.
SKU: CA.3118419
ISBN 9790007134235. Key: G major / e minor. Language: German/English.
The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score and parts available separately - see item CA.3118400.
SKU: CA.3118407
ISBN 9790007050481. Key: G major / e minor. Language: German/English.
The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score available separately - see item CA.3118400.
SKU: CA.3118449
ISBN 9790007240608. Key: G major / e minor. Language: German/English.
The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score and part available separately - see item CA.3118400.
SKU: CA.3119109
ISBN 9790007210168. Text language: German/English.
The Christmas cantata Gloria in excelsis Deo BWV 191, which has always presented researchers with many challenging problems, is among the few works to Latin words set by Johann Sebastian Bach. It consists of three sections - a finely-woven duet flanked by two festive choral movements - which we are to encounter again almost note for note in the world-famous Mass in B minor. Score and parts available separately - see item CA.3119100.
SKU: LP.765762169807
UPC: 765762169807.
From the popular musical The Power of the Cross this sensitive arrangement features a duet and easily attainable choral parts. With an acoustic praise & worship feel this Chris Tomlin song is even a possibility for smaller ensembles and vocal teams. Instrumentation includes: Flute 1 & 2 Oboe Horn 1 & 2 Percussion Rhythm Harp Violin 1 & 2 Viola Cello/Bassoon String Bass Substitute Instruments: Soprano Sax/Clarinet (Sub. for Oboe); Alto Sax (Sub. for Horn); Clarinet (Sub. for Horn); Bass Clarinet (Sub. for Bassoon); Keyboard String Reduction.
SKU: LP.765762204300
UPC: 765762204300.
Soul-stirring and evocative, this new ballad from the worship ministry of Community Bible Church in San Antonio, TX is a tender reflection on the birth of Christ and what it means to us, the miracle that He Came. This soprano and tenor duet with choir and accompanying video will make for a poignant moment in any Christmas celebration.
SKU: LP.765762195400
UPC: 765762195400.
Arranged by Steven V. Taylor, this new song, penned by Tracey Barker and Christian music veteran Mark Harris speaks of the woman at the well. Arranged for duet feature with choir, this is a very special song of complete surrender.
SKU: CA.3119113
ISBN 9790007210199. Text language: German/English.
The Christmas cantata Gloria in excelsis Deo BWV 191, which has always presented researchers with many challenging problems, is among the few works to Latin words set by Johann Sebastian Bach. It consists of three sections - a finely-woven duet flanked by two festive choral movements - which we are to encounter again almost note for note in the world-famous Mass in B minor. Score and part available separately - see item CA.3119100.
SKU: CA.3119119
ISBN 9790007210212. Text language: German/English.
SKU: CA.3119112
ISBN 9790007210182. Text language: German/English.
SKU: CA.3119149
ISBN 9790007210229. Text language: German/English.
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