Composed by Kenny Gamble; Leon Huff. Arranged by Eric Van Cleave. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Classic Pop; Secular. Choral Octavo. 12 pages. Alfred Music #00-47114. Published by Alfred Music (AP.47114).

Choral (SATB)

SKU: HL.1422503

By Taylor Swift. By Aaron Dessner, Jack Antonoff, Joel Little, Max Martin, Shellback, and Taylor Swift. Arranged by Mark A. Brymer. Pop Choral Series. Medley, Pop, Show Choir. Octavo. 24 pages. Duration 390 seconds. Published by Hal Leonard (HL.1422503).

UPC: 196288199519. 6.75x10.5 inches.

Taylor Swift's impact on the world stage is undeniable, with legions of fans worldwide clamoring to hear her sing live, accompanied by an outstanding live band. This brand-new medley has been specially created with students and teachers direct input from it's inception, gathering the best songs of each Era, culminating in a pop culture music tableau that absolutely sparkles! Includes: 22, Willow, Love Story, Getaway Car, Bad Blood, Miss Americana and The Heartbreak Prince, Enchanted and Anti-Hero.

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.” It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.

SATB choir

SKU: WD.080689752728

The Promise Of Easter. Composed by Allan Douglas, Deborah Craig-Claar, and Phillip Keveren. Arranged by Phillip Keveren. Choral, cantatas. Easter, Musical. Bulk CD (10-pak). Word Music #080689752728. Published by Word Music (WD.080689752728).

UPC: 080689752728.

The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.

Includes songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.