SKU: OU.9780193410909
ISBN 9780193410909. 10 x 7 inches.
for SATB (with divisions) unaccompanied The text for this arrangement of the second of William Walton's Two Pieces for Strings from Henry V' is based on the line 'Touch her soft mouth, and part' from Shakespeare's Henry V (Act 2, Scene 3). Featured on the Tenebrae Consort's CD Sun, Sea, Moon and Stars (released January 2016), this melancholic setting is simple yet highly effective.
SKU: HL.234466
ISBN 9788759838471. 8.25x11.75x0.173 inches. English.
May.Decay was composed in 2016 by Pelle Gudmunsen-Holmgreen (1932-2016). Commissioned by Danish Radio Vocal Ensemble and premiered on January 15, 2017 in Copenhagen, Denmark. May. Decay is related to SORRIG. GLAEDE (WH32913). If performed together, the sequence must be: May.Decay and Sorrig. Glaede.
SKU: PR.342401440
ISBN 9781598067675. UPC: 680160055203. Octavo inches. Key: A major. English. Text: Walt Whitman. Walt Whitman.
SKU: GI.G-8556
UPC: 785147855606. English. Text Source: Tr. 'Es ist ein' Ros' entsprungen,' 1599.
This translation of “Es ist ein’ Ros’ entsprungen†(more commonly translated as “Lo, How a Rose E’er Bloomingâ€) includes the medieval imagery of Christ as the flower that “springeth from earth.†The doxology portion also makes reference to “Mary, God’s own Mother,†making the piece of worthy consideration for repertoire on January 1. The melody is passed between tenors and sopranos, while the remaining voices take up a wordless choral accompaniment.
SKU: CA.5032104
ISBN 9790007244613. Key: C minor. Language: Latin.
Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score available separately - see item CA.5032100.
SKU: CA.3101605
ISBN 9790007102968. Language: German/English. Text: Luther, Martin.
This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score available separately - see item CA.3101600.
SKU: CA.3115405
ISBN 9790007187163. Language: German/English.
The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score available separately - see item CA.3115400.
SKU: MN.PMVS-103
Commissioned by the Maidenhead Chamber Choir, first performed on 20th January 2001. The text is adapted from the 16th century Epithalamion by Edmund Spenser, a colourful celebration of the power of music. Performance time is approximately 12 minutes.Instrumental Parts include: Two Oboes, Bassoon, Two Trumpets, Timpani, Percussion, Strings.
SKU: CA.3101614
ISBN 9790007204808. Language: German/English. Text: Luther, Martin.
This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score and part available separately - see item CA.3101600.
SKU: CA.3101609
ISBN 9790007204761. Language: German/English. Text: Luther, Martin.
This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds. Score and parts available separately - see item CA.3101600.
SKU: CA.3101600
ISBN 9790007087623. Language: German/English. Text: Luther, Martin.
This cantata was first performed in Leipzig on New Year's Day 1726. It belongs to a small group of compositions which were composed between Advent 1725 and mid-January 1726 and whose text were written by the same author. There is no reference to the New Year in connection with the circumcision and naming of Jesus in this afternoon worship service. Rather the thoughts in this work are concerned with the praise of God and thanks for his good deeds.
SKU: CA.5180103
ISBN 9790007186180. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score available separately - see item CA.5180100.
SKU: CA.5180113
ISBN 9790007225360. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score and part available separately - see item CA.5180100.
SKU: CA.5180112
ISBN 9790007225353. Language: Latin.
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