SKU: HL.14001150
SKU: BT.AL-1541A
English.
Edmund Rubbra's Tenebrae Op. 72 3rd Nocturne for SATB.
SKU: CA.3118603
ISBN 9790007188177. Key: G minor / c dorian. Language: German. Text: Franck, Salomo.
Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score available separately - see item CA.3118600.
SKU: HL.49045600
ISBN 9790001166249. UPC: 841886032675. 7.5x10.75 inches. Latin. Book of Wisdom 18:14-15.
The composer, chorus and organist Janusz Krzysztof Korczak, who was born in Krakow in 1994, was awarded the 3rd prize at the International Composition Competition Musica Sacra Nova 2016 for his choral piece Cum enim quietum silentium contineret omnia, .... This sophisticated Latin-language choral work is designed for four four-part ensembles (SATB / SATB / SATB / SATB) a cappella,for which the Polish composer delivers an exact arrangement. The Korczak, which is divided into a number of musical thematic sections, for which Korczak foresees a maximum of four singers per voice within the individual ensembles, has, according to his own statement, musically implemented a kind of programmatic visualization of the underlying words from Liber Sapientiae 18, 14-15b searched. And so there are lecture notes such as delicate or sharp whispering, singing with closed and open mouth, ad libitum to declaiming parts, a general pause with explicit seconds, strong dynamic accents and an abrupt descending Glissando at the end of thestriking features of this 16-voice A -cappella-choral work. Ideal literature for singers with a high degree of experimentation.
SKU: OU.9780193416024
ISBN 9780193416024. 11 x 9 inches.
For SATB double choir unaccompanied Setting words from the Ordinary of the Lutheran Mass, this brief but resoundingly effective piece is perfect for opening a choral concert. The piece begins with each part entering a 3rd lower than the last, and the rich, resonant choral writing continues throughout the piece.
SKU: PE.EP72079A
ISBN 9790577088549. English.
A setting of Come my way, my truth, my life by George Herbert (April 3rd, 1593 - March 1st, 1633)
Commissioned by The Choir of Saint John's College, Cambridge, for the Advent Carol Services 2010. First performed (in the version for SATB and Harp) by, and dedicated to, Andrew Nethsingha and the Choir of Saint John's College, Cambridge, on November 27th, 2010. Performed again on November 28th, 2010 for broadcst by BBC Radio 3
SKU: HL.14031224
SKU: HL.14031201
SKU: CA.139800
ISBN 9790007003579. Key: C minor. Language: German.
For the 3rd Sunday after Trinity Sunday.
SKU: PL.9420
The third movement, Puer Natus in Bethlehem ( A Boy is born in Bethlehem), now being offered under separate cover, presents, in a context of general rejoicing, the idea of regeneration through the metamorphosis of an ancient chant melody into a carol.
SKU: MN.50-0361
UPC: 688670503610. English.
Inspired by the text of St. Anthony, a 3rd century Egyptian hermit, Stroope has created a stirring anthem of hope and light.
SKU: CA.3107305
ISBN 9790007044633. Key: G minor / c minor. Language: German/English.
In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score available separately - see item CA.3107300.
SKU: CA.3501205
ISBN 9790007162078. Text language: Latin.
Mention the key words Johann Sebastian and Magnificat, and one thinks involuntarily of his well-known Magnificat in D major BWV 243 or in E flat major BWV 243a. However, during the time of his tenure as St. Thomas Kantor, several times Bach also referred back to older settings of the Magnificat text and arranged these for his own purposes. Thus, for the first time it can be documented that in its original version the double choir Magnificat in C major BWV Anh. 30 contained in Bach's music library, which was originally handed down anonymously, was composed by Pietro Torri. Torri was the Music Director at the Court of the Bavarian House of Wittelsbach. For performance purposes in Leipzig in ca. 1742 Bach retained the substance of the work but composed additional parts for a 3rd trumpet and timpani. For the first time ever this splendid work appears at Carus in a printed edition. Score available separately - see item CA.3501200.
SKU: CA.3102105
ISBN 9790007103002. Key: C dorian / c major. Language: German/English.
The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score available separately - see item CA.3102100.
SKU: CA.3115605
ISBN 9790007186791. Language: German/English.
Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600.
SKU: CA.3118805
ISBN 9790007210014. Language: German/English.
The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score available separately - see item CA.3118800.
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