| Breath of God, Breath of Peace Choral SATB [Octavo] GIA Publications
The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann ...(+)
The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann Morris. Choral. Sacred. Octavo. 8 pages. Published by GIA Publications (GI.G-8597).
$2.20 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| New Hymns for Choir & Home Choral SATB Jackman Music Corporation
SATB chorus and piano SKU: JK.19990 Composed by Janice Kapp Perry. Choral...(+)
SATB chorus and piano SKU: JK.19990 Composed by Janice Kapp Perry. Choral General Conference, Choral SATB, Difficulty Medium, Piano Choir, Special Events Home and Family, Hope, Jesus Christ - Savior. Christian, Inspirational. Jackman Music Corporation #19990. Published by Jackman Music Corporation (JK.19990). Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you! 46 new hymns, inspired by the General Conference addresses of Elder Jeffry R. Holland. (October 1994 - April 2017). Collection includes: All Ye Who Watch the Master's Sheep Are the Heavens Truly Open? Are We Not All Beggars? As an Ensign to the Nations A Sinless, Pure and Holy Man Be Clean, Oh House of Israel Be Not Afraid, But Be Believing Bless Me to Be a Little More Like Thee Do You Love Me? Christ Can Heal the Broken Hearted ever We'll Remember For God Loves Us With All His Heart For God So Loved the World God Has Raised Up Noble Daughters God will Never Leave the Weary He Will Bring Rest to Your Soul His More Excellent Way Holy Father, King of Heaven How Fair Upon the Mountain I Am a Child of Destiny I Bear My Witness of the Lord In Heaven There Is a Law Inviting All to Come to Christ I Testify I Would Be Thy True Disciple let Not Your Heart Be Troubled Let Thy Word Be In Our Hearts Lord, Accept My Humble Offering Lord, I Believe Lord, I'll Strive to Live Worthy of Thy Love Lord, We Pray For All the Children May We Have the Tongues of Angels My Life is Not My Own None Were With Him Oh Come Ye Heavy Laden Come Our Faith Unites Us With One Heart The Keys of the Kingdom The Love of God Is Without End The Mother of All Living The Words of God Will Never Cease The Worth of Souls Is Great Indeed Through a Thousand Generations To the Rising Generation Who Will Now Speak For the Widow? Wilt Thou, Lord, In Me Abide You Can Always Come Back Home Composer: Janice Kapp Perry Lyricist: David B. Larsen Reference: Hebrews 9:28, John 14:6 *** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you! $6.98 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Inspirational New Hymns for Choir and Home - Vol 2 Choral SATB [Sheet music] Jackman Music Corporation
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry ...(+)
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry / Neal A. Maxwell / Orrin G. Hatch / David B. Larsen / Olga S. Whitaker. For SATB Choir. Level: Varied. Published by Jackman Music Corporation.
$6.98 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hymn to St. Cecilia Choral SSATB SSATB A Cappella Boosey and Hawkes
(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSAT...(+)
(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes
$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| All Of These Choral SATB SATB Harold Flammer Music
By Craig Curry. For Solo Voice and SATB Choir. Sheet Music. Published by Harold ...(+)
By Craig Curry. For Solo Voice and SATB Choir. Sheet Music. Published by Harold Flammer Music.
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Without Form and Void Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION by Franz Joseph Haydn. Composed by Dan Welcher. Sws. Premiered at the Northwest Hills United Methodist Church, Austin, TX. Choral. Performance Score. With Standard notation. Composed July 5 2014. 16 pages. Duration 5:15. Theodore Presser Company #362-03423. Published by Theodore Presser Company (PR.362034230). ISBN 9781598069556. UPC: 680160624225. Letter inches. English. When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental. When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear. $3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| My God, Accept My Heart This Day Choral SATB Beckenhorst Press
SATB choir SKU: BP.BP2180 Composed by Howard Helvey. Sacred octavos. Capi...(+)
SATB choir SKU: BP.BP2180 Composed by Howard Helvey. Sacred octavos. Capital University Choral Series. Octavo. Beckenhorst Press #BP2180. Published by Beckenhorst Press (BP.BP2180). Printed product.
This marvelous mixed choir a cappella setting of a Matthew Bridges prayer offers an opportunity for a finely tuned mixed choir to present a text replete with emotion in a setting equal to its depth. $2.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| For He Alone Is Worthy Choral SATB PraiseGathering
Choral (SATB) SKU: HL.2050254 Arranged by Camp Kirkland. Praise Gathering...(+)
Choral (SATB) SKU: HL.2050254 Arranged by Camp Kirkland. Praise Gathering Choral. Easter. Softcover. 96 pages. PraiseGathering #A08403. Published by PraiseGathering (HL.2050254). UPC: 080689229190. 6.75x10.5x0.295 inches. Jesus, the Christ, is worthy of all praise because He was the only acceptable sacrifice to restore the relationship with God that our disobedience has severed. He became sin for us even though He knew no sina¦and He did this willingly. Now, through this matchless gift of His love, we can stand in His presence, because He stood in our place. This is the basis for this moving praise musical for Easter. $10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
1 |