SKU: HL.601755
UPC: 196288077954. 6.75x10.5x0.036 inches.
The four original members of the Swedish pop sensation ABBA are back after a 40-year hiatus! From their brand new album “Voyage,†comes this harmonically rich and cozy number that sounds like it was released in both 1977 and in 2022. What a comeback!
SKU: HL.1194269
UPC: 196288133513. 6.75x10.5 inches.
Avatar: The Way of Water was released in movie theaters 13 years after the original, yet it proceeded to scoop up nearly every box office record along the way. This introspective song by The Weeknd makes us ponder the importance of family (while including diction opportunities in the unique â??Na'viâ? language)!
SKU: HL.357354
UPC: 840126943337. 6.75x10.5x0.035 inches. Deuteronomy 33:27, Exodus 33:22, Psalm 142.
A delicate cascade of piano notes introduces a warm and moving vocal entrance to this heartfelt anthem. The music and message are beautifully wed, moving through sequence after sequence of emotive vocal writing and engaging accompaniment. Choirs will enjoy the contrapuntal elements that create a layered and expressive sonic tapestry. Score and Parts (vn 1-2, va, vc) available as a digital download.
SKU: SU.80101359
Commissioned by King’s Chapel, Boston, Massachusetts, in celebration of its 325th anniversary, this longer a cappella work uses a text assembled and adapted from various Biblical passages. From the composer's introduction: The anthem begins grandly with words from Psalm 89 celebrating God’s all-encompassing faithfulness and love. An alleluia refrain follows and returns several times throughout the work. However, it is not a majestic, Handelian alleluia, but rather one of inward passion and fervent introspection. The next section begins joyously with the familiar prophesy from Zechariah; it is followed by several brief Gospel scenes from the life of Jesus. After another alleluia, words of blessing from Psalm 103 are set vigorously before the work closes with a final alleluia. Recorded on the CD The Welcome News: Choral Music of Carson Cooman (Gothic)SATB Chorus, a cappella Composed: 2011 Published by: Zimbel Press Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: BA.BA05013-02
ISBN 9790006545520. 33.8 x 26.7 cm inches. Language: German. Preface: Werner Neumann.
Urtext der Neuen Mozart-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA05032-01
ISBN 9790006462049. 33 x 26 cm inches. Language: German. Preface: Dürr, Alfred.
SKU: CA.3103849
ISBN 9790007205706. Key: E phrygian. Language: German. Text: Luther, Martin.
The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.
SKU: CA.3105205
ISBN 9790007187385. Language: German/English. Text: Birkmann, Christoph.
It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score available separately - see item CA.3105200.
SKU: CA.3110305
ISBN 9790007047467. Key: B minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Ihr werdet weinen und heulen [You will weep and wail] BWV 103 for Jubilate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. A large-scale choral movement on Jesus's words quoted from the Sunday gospel reading opens the cantata; the choir is interrupted by a bass arioso - the vox Christi. Both arias are introduced by a recitative with arioso conclusion; in each, exquisite solo instruments are deployed: flauto piccolo in the contralto aria and trumpet in the tenor aria. Score available separately - see item CA.3110300.
SKU: CA.3107749
ISBN 9790007240738. Key: C major / d minor. Language: German/English. Text: Knauer, Johann Oswald.
The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed. Score and part available separately - see item CA.3107700.
SKU: HL.35011751
UPC: 747510026853. 6.75x10.5x0.028 inches.
SKU: CA.3110313
ISBN 9790007047511. Key: B minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Ihr werdet weinen und heulen [You will weep and wail] BWV 103 for Jubilate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. A large-scale choral movement on Jesus's words quoted from the Sunday gospel reading opens the cantata; the choir is interrupted by a bass arioso - the vox Christi. Both arias are introduced by a recitative with arioso conclusion; in each, exquisite solo instruments are deployed: flauto piccolo in the contralto aria and trumpet in the tenor aria. Score and part available separately - see item CA.3110300.
SKU: CA.3110311
ISBN 9790007047498. Key: B minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3110312
ISBN 9790007047504. Key: B minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3110319
ISBN 9790007136536. Key: B minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Ihr werdet weinen und heulen [You will weep and wail] BWV 103 for Jubilate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. A large-scale choral movement on Jesus's words quoted from the Sunday gospel reading opens the cantata; the choir is interrupted by a bass arioso - the vox Christi. Both arias are introduced by a recitative with arioso conclusion; in each, exquisite solo instruments are deployed: flauto piccolo in the contralto aria and trumpet in the tenor aria. Score and parts available separately - see item CA.3110300.
SKU: CA.3110314
ISBN 9790007047528. Key: B minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3110349
Key: B minor. Language: German/English. Text: von Ziegler, Christiane Mariane.
SKU: CA.3105223
Language: German/English. Text: Birkmann, Christoph.
It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.
SKU: CA.3105214
ISBN 9790007206345. Language: German/English. Text: Birkmann, Christoph.
SKU: CA.3105224
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