| Concerto for Piano and Chorus the Twelve Months Choral SATB SATB, Piano [Octavo] Theodore Presser Co.
(Fall (September, October, and November) - for S.A.T.B. Chorus and Piano). By Pe...(+)
(Fall (September, October, and November) - for S.A.T.B. Chorus and Piano). By Peter Schickele. SATB chorus. For SATB, Piano. Choral. Piano reduction/vocal score. Standard notation. 27 pages. Duration 6 minutes, 30 seconds. Published by Theodore Presser Company
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| IV. Spring, from Concerto for Piano and Chorus the Twelve Season Choral SATB SATB, Piano [Octavo] Theodore Presser Co.
(For Piano Solo and S.A.T.B Chorus Accompaniment). By Peter Schickele. SATB chor...(+)
(For Piano Solo and S.A.T.B Chorus Accompaniment). By Peter Schickele. SATB chorus. For SATB choir and piano. Elkan-Vogel Choral Music. Classical. Piano reduction/vocal score. Standard notation. 23 pages. Duration 28 minutes. Published by Theodore Presser Company
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| V. Summer, from Concerto for Piano and Chorus the Twelve Months Choral SATB SATB, Piano [Octavo] Theodore Presser Co.
(For Piano Solo and S.A.T.B. Chorus Accompaniment). By Peter Schickele. SATB cho...(+)
(For Piano Solo and S.A.T.B. Chorus Accompaniment). By Peter Schickele. SATB chorus. For Piano Solo, SATB. Elkan-Vogel Choral Music. Classical. Piano reduction/vocal score. Standard notation. Composed AUGUST 26 1987. 14 pages. Duration 28 minutes. Published by Theodore Presser Company
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| The Star of Bethlehem, Op. 164 Choral SATB [Sheet music] Alfred Publishing
By Josef Gabriel Rheinberger. For Choir. (SATB or SAATTB with S,T,Bar,B Soli). ...(+)
By Josef Gabriel Rheinberger. For Choir. (SATB or SAATTB with S,T,Bar,B Soli). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred, Christmas. Book. 80 pages. Published by Alfred Publishing.
$9.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Jesus calling then the Twelve to him (Jesus nahm zu sich die Zwolfe) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3102212 Cantata for Quinquagesima. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Jesus nahm zu sich die Zwolfe. Sacred vocal music, Cantatas, Special days, Holy Week. Single Part, Violin 2. Composed 1723. BWV 22. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.022/12. Published by Carus Verlag (CA.3102212). ISBN 9790007205102. Key: G minor / b flat major. Language: German/English. Score available separately - see item CA.3102200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jesus calling then the Twelve to him (Jesus nahm zu sich die Zwolfe) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3102211 Cantata for Quinquagesima. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Jesus nahm zu sich die Zwolfe. Sacred vocal music, Cantatas, Special days, Holy Week. Single Part, Violin 1. Composed 1723. BWV 22. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.022/11. Published by Carus Verlag (CA.3102211). ISBN 9790007205096. Key: G minor / b flat major. Language: German/English. Score available separately - see item CA.3102200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jesus calling then the Twelve to him (Jesus nahm zu sich die Zwolfe) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3102213 Cantata for Quinquagesima. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Jesus nahm zu sich die Zwolfe. Sacred vocal music, Cantatas, Special days, Holy Week. Single Part, Viola. Composed 1723. BWV 22. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.022/13. Published by Carus Verlag (CA.3102213). ISBN 9790007205119. Key: G minor / b flat major. Language: German/English. Score available separately - see item CA.3102200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jesus calling then the Twelve to him (Jesus nahm zu sich die Zwolfe) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3102214 Cantata for Quinquagesima. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Jesus nahm zu sich die Zwolfe. Sacred vocal music, Cantatas, Special days, Holy Week. Single Part, Cello/Double Bass. Composed 1723. BWV 22. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.022/14. Published by Carus Verlag (CA.3102214). ISBN 9790007205126. Key: G minor / b flat major. Language: German/English. Score available separately - see item CA.3102200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jarba, Mare Jarba Choral SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700). ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk. In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.). In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).ÂÂ. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ah Behold - the Dark of Night Choral SATB SATB, Piano [Score] Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312416160 S.A.T.B., a Cappella. C...(+)
Choral SATB choir, piano SKU: PR.312416160 S.A.T.B., a Cappella. Composed by Sergey Taneyev. Edited by Amy Kaiser. Twelve Choruses, Op. 27. Choral. Score. With Standard notation. Duration 1 minute, 20 seconds. Theodore Presser Company #312-41616. Published by Theodore Presser Company (PR.312416160). UPC: 680160049837. Key: B minor. Text: Yakov Polonsky. Yakov Polonsky. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Evening Choral SATB SATB A Cappella [Octavo] Theodore Presser Co.
(No. 2 from Twelve Choruses, Op. 27) S.A.T.B., A Cappella. By S.I. Taneyev. Edit...(+)
(No. 2 from Twelve Choruses, Op. 27) S.A.T.B., A Cappella. By S.I. Taneyev. Edited by Amy Kaiser. Text: Yakov Polonsky. For SATB Chorus, Piano Rehearsal. Choral. Piano/Vocal Score. Opus 27. 10 pages. Duration 2:00. Published by Theodore Presser Company.
$2.50 $2.375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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