| New Songs of Inspiration ? Volume 10 Choral SATB SATB [Sheet music] Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music ...(+)
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.
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| Evidence Of Grace Choral SATB Word Music
Evidence Of Grace (A Worship Musical Tracing God's Hand of Mercy). By David T. C...(+)
Evidence Of Grace (A Worship Musical Tracing God's Hand of Mercy). By David T. Clydesdale and Steve Moore. Arranged by David Clydesdale. For SATB Choir. Musical. Modern Christian. Choral Book. Duration 50'00". Published by Word Music
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| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe) Choral SATB Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115605 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115605 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1729. BWV 156. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.156/05. Published by Carus Verlag (CA.3115605). ISBN 9790007186791. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe) Choral SATB [Score] Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Full score. Composed 1729. BWV 156. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.156/00. Published by Carus Verlag (CA.3115600). ISBN 9790007186777. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe) Choral SATB [Score and Parts] Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1729. BWV 156. Duration 17 minutes. Carus Verlag #CV 31.156/19. Published by Carus Verlag (CA.3115619). ISBN 9790007208813. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and parts available separately - see item CA.3115600. $80.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe) Choral SATB Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Vocal score. Composed 1729. BWV 156. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.156/03. Published by Carus Verlag (CA.3115603). ISBN 9790007186784. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe) Choral SATB Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115649 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115649 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. Composed 1729. BWV 156. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.156/49. Published by Carus Verlag (CA.3115649). ISBN 9790007208820. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115611 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/11. Published by Carus Verlag (CA.3115611). ISBN 9790007208776. Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115614 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Epiphany. Single Part, basso continuo. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/14. Published by Carus Verlag (CA.3115614). ISBN 9790007208806. Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115621 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Oboe. Sacred vocal music, Cantatas, Epiphany. Single Part, Oboe. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/21. Published by Carus Verlag (CA.3115621). Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115612 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/12. Published by Carus Verlag (CA.3115612). ISBN 9790007208783. Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115613 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/13. Published by Carus Verlag (CA.3115613). ISBN 9790007208790. Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Feel the Spirit - Volume I
Choral SATB SATB, Piano [Sheet music] Hal Leonard
Arranged by Moses Hogan. For SATB choir and piano accompaniment (for rehearsal ...(+)
Arranged by Moses Hogan. For SATB choir and piano accompaniment (for rehearsal only) (SATB). Hal Leonard Choral Collection. Choral and Gospel. Songbook. Vocal score notation. 240 pages. Published by Hal Leonard
(5)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerti I Choral SSATB SSATB, Orchestra, Basso continuo Barenreiter
SSATB choir/orchestra (Mixed choir: SSATB, Orch) SKU: BA.BA10557 Composed...(+)
SSATB choir/orchestra (Mixed choir: SSATB, Orch) SKU: BA.BA10557 Composed by Johann Pachelbel. Edited by Thomas Röder. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 7. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10557_00. Published by Baerenreiter Verlag (BA.BA10557). ISBN 9790006553068. 33 x 25.8 cm inches. Language: German. The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$312.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Motets Choral SATB Barenreiter
SATB choir/basso continuo (2 SATB Choir, Continuo) SKU: BA.BA10560 Compos...(+)
SATB choir/basso continuo (2 SATB Choir, Continuo) SKU: BA.BA10560 Composed by Johann Pachelbel. Edited by Wolfgang Hirschmann. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 10. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10560_00. Published by Baerenreiter Verlag (BA.BA10560). ISBN 9790006553099. 33 x 26 cm inches. Language: German/English. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas. The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$265.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Magnificat II Choral SATB Barenreiter
SSATB choir/orchestra (SSATB Choir, Orchestra) SKU: BA.BA10555 Composed b...(+)
SSATB choir/orchestra (SSATB Choir, Orchestra) SKU: BA.BA10555 Composed by Johann Pachelbel. Edited by Katharina Larissa Paech. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 5. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10555_00. Published by Baerenreiter Verlag (BA.BA10555). ISBN 9790006553044. 33 x 26 cm inches. Text Language: Latin. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas. The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$313.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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