SKU: CA.3112805

ISBN 9790007161927. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score available separately - see item CA.3112800.

SKU: CA.3112812

ISBN 9790007207724. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

SKU: CA.3112849

ISBN 9790007207755. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

SKU: CA.3112811

ISBN 9790007207717. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

SKU: CA.3112809

ISBN 9790007207700. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and parts available separately - see item CA.3112800.

SKU: HP.9031

UPC: 763628190316.

Classic hymn by Christian H. Bateman Here is the latest addition to Joel Raney's exciting series of piano/organ worship openers with SATB choir entering at the conclusion, for an optional choral introit. There are optional parts for brass and 3-5 octave handbells and 3-5 octave handchimes.

SKU: MN.56-0073

UPC: 688670220760. Latin.

This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Gloria” is set for SATB divisi (all parts divide) in a quick and rhythmic mixed meter. The movement begins with a sort of call and response where Choir 1 states a motif and Choir 2 responds with the same motif (sometimes at a different pitch level.) A soloist begins the middle section, Piu Allegro (“Qui tollis”) and the first material returns, but in unison this time, at “Jesu Christe.” Duration 5:30.