SKU: LP.765762115620
UPC: 765762115620.
Come and See is an invitation for each of us to experience Jesus as He enters Jerusalem; to witness His betrayal by a friend; to endure with Him the suffering and death of a sinless Savior; and finally to behold His empty tomb. Through the eyes of a blind beggar, we're taken through these events and more by way of a powerful and moving dramatic script, and energetic choral arrangements carefully designed for smaller choirs by two-time Dove Award winning writers, Dennis and Nan Allen. With a run time of 36 minutes, this dramatic musical includes popular worship songs Come and See and Sing to the King and the classic Wayne Watson song Friend of a Wounded Heart. Also included is a beautiful arrangement of the hymn I Saw the Cross and a new tune to the great hymn text Beneath the Cross of Jesus. Musically, this work is highlighted by settings that any choir can comfortably attain. Several opportunities for congregational involvement are included. For the full drama version, a small cast is required, and Nan Allen has written creative and very useful production notes to assist in both staging and costuming. The narrator version requires two narrators and is equally moving. This Easter, come and see what Jesus did for you.
SKU: LP.765762115729
UPC: 765762115729.
SKU: LP.765762115422
UPC: 765762115422.
SKU: LP.765762165809
UPC: 765762165809.
SKU: LP.765762115521
UPC: 765762115521.
SKU: WD.080689694233
UPC: 080689694233.
Lead your choir and congregation into a time of pure adoration with this new passionate, gripping anthem from Integrity Music, Way Maker, made popular by Leeland and written by Osinachi Okoro. Even when we don’t see Him or feel Him, He is working in our lives. He always provides a way. He always keeps His promises. He is our light…always. Arranged and Orchestrated by Jay Rouse, this anthem is guaranteed to become a pivotal moment in your worship services. Lead your choir and congregation into a time of pure adoration with this new passionate, gripping anthem from Integrity Music, Way Maker, made popular by Leeland and written by Osinachi Okoro. Even when we don’t see Him or feel Him, He is working in our lives. He always provides a way. He always keeps His promises. He is our light…always. Arranged and Orchestrated by Jay Rouse, this anthem is guaranteed to become a pivotal moment in your worship services.
SKU: ST.EM18
ISBN 9790220216930.
Though better known as a composer of church and keyboard music, Tomkins wrote secular vocal music that offers a compendium of all the various styles: canzonets, balletts, madrigals and 'sacred songs'. Each was dedicated to one of his relatives, a friend or a colleague. The names of these 28 dedicatees form a fascinating list at the end of the book.CONTENTS Adieu, ye city-poisoning towers (SSATB) Cloris, whenas I woo (SSATB) Come, shepherds sing with me (SSATB) Fond men, that do so highly prize (SST (or A)) Fusca, in thy starry eyes (SSATB) How great delight (SST) It is my well-beloved's voice (SSATTB) Love, cease tormenting (SSA (or T)) Music divine (SSATTB) No more I will thy love (SATB) O let me die for true love (SATB) O let me live for true love (SATB) Oft did I marle (SSAATB) Our hasty life away dost post (SST) Oyez! Has any found a lad? (SATB) Phyllis, now cease to move me (SSATB) Phyllis, yet see him dying (SSATB) See, see the shepherds' Queen (SSATB) Sure there is no god of love (SSA) The fauns and satyrs tripping (SSATB) To the shady woods (SSATB) Too much I once lamented (SSATB) Turn unto the Lord (SSATTB) Was ever wretch tormented? (ST (or A) TB) Weep no more, thou sorry Boy (SATB) When David heard (SAATB) When I observe (SSAATB) Woe is me (SSATBB) Yet again, as soon revived (SAT (or A) B).
SKU: CA.3118255
ISBN 9790007209865. Key: G major. Text language: German/English.
Version in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.
SKU: CA.3118219
ISBN 9790007136949. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and parts available separately - see item CA.3118200.
SKU: CA.3118257
ISBN 9790007142872. Key: G major. Text language: German/English.
SKU: CA.3118213
ISBN 9790007050306. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.
SKU: CA.3118249
Key: A major. Language: German/English. Text: Franck, Salomo.
SKU: CA.3118207
ISBN 9790007050276. Key: A major. Language: German/English. Text: Franck, Salomo.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200.
SKU: HL.35019680
UPC: 747510065227. 6.75x10.5x0.029 inches. Celsie and Robert Staggers/Ruth Elaine Schram.
Ruth Elaine Schram has a special gift for writing memorable melodies. This piece is no exception as she tenderly cradles a picturesque text with exquisite tuneful beauty. The contrasting middle section is a challenge for all to hurry and behold the Savior: “Run, run, run to Bethlehem! See this thing which has come to pass...†Then the quietness of the manger returns with a quote from the familiar carol: “O come, let us adore Him.†The optional flute part adds a lovely shimmer to this beautiful nocturne. “Shepherd's Carol†is a must for your Christmas programming.
SKU: HL.14023340
ISBN 9788759871911. 8.25x11.75x0.115 inches. English.
To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title aret, The Year): Michael's Night is based on an earlier, simple choral song (Star Mirror,1987), now for 12 voices and composed such that an original idea of simultaneously displaced, opposite motions cf. the poem) comes out as desired. Of the Nocturnes Norgard writes: Summer's Sleep wascomposed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of the summer of life, which is asleep - while the heaven seed waits for the summer wind (invisible to every mind). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep, summer dream. The second nocturne, Michael's Night, takes its name from the author Ib Michael, whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit, starlit night. With the titles I have chosen I have stressed the mythic layer of the text, the summer night not as a dream but as sensual reality. The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003, out of gratitude for over a quarter of a century of inspiring collaboration.
SKU: WD.080689492235
UPC: 080689492235.
Lift up your eyes to the Morning Star…lay your offering at the feet of the Light of lights and King of kings! Made popular by CCM artist Danny Gokey and arranged for you by uber-programmer Daniel Semsen, this contemporary, snyth-electronic anthem vividly points our way to Bethlehem and the manger where Jesus was born. Lift Up Your Eyes to Jesus…come and see the Saving One and follow Him!
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