Composed by James Engel. Catholic Year A Passion/Palm Sunday; Catholic Year C Passion/Palm Sunday; Year C Lent5;;. Lent, Passion/Palm Sunday. Octavo. Published by MorningStar Music Publishers (MN.60-3000).

(Song for Mixed Voices and Orchestra). By Ralph Vaughan Williams (1872-1958). For SATB, Piano Reduction. This edition: Orchestra score and parts are available for purchase. Orchestra score and parts are available for purchase. Octavo. 28 pages. Duration 12 minutes. Published by Thorpe Music

SATB choir, organ accompaniment - Early intermediate

SKU: GI.G-10112

Composed by John Ireland. Arranged by Paul J. Monachino. Choral. Tune Name: Love Unknown. Sacred. Octavo. 8 pages. GIA Publications #10112. Published by GIA Publications (GI.G-10112).

UPC: 785147011217. English. Text Source: Samuel Crossman, 1664, alt. Text by Samuel Crossman.

This well-known text and tune for Good Friday is artfully arranged here by Paul Monachino. Alternating between stanzas supported by organ accompaniment and a cappella passages, this piece is at once beautifully reflective and powerfully moving.

Choir Sacred SATB vocal soli, SATB/SATB choir and organ

SKU: PE.EP72624

Anthem for SATB Soli, SATB Choir and Organ. Composed by Francis Pott. Choral Works (inc. Oratorios). Edition Peters. Choral Octavo. 68 pages. Edition Peters #98-EP72624. Published by Edition Peters (PE.EP72624).

ISBN 9790577009131. English.

SATB soli, SATB/SATB and Organ

score.

SATB choir, organ, cello - Easy

SKU: AU.9781506492469

Composed by Benjamin M. Culli. Augsburg Choral Library. Christian. Octavo. Augsburg Fortress #9781506492469. Published by Augsburg Fortress (AU.9781506492469).

ISBN 9781506492469. 7x10.25 inches.

A cello obligato adds warmth and depth to a new setting by Benjamin Culli of this familiar text using the John Ireland tune, LOVE UNKOWN. The choir sings in unison with optional assembly for much of the anthem, breaking into SATB on stanza five. The setting ends with a descant that beautifully floats above the melody. Perfect for Sunday of the Passion/Palm Sunday or Good Friday.

Composed by Franklin Ashdown (1942-). For SATB choir, organ. Parish. Choral, General, Hymn, Lent. Medium. Choral octavo. Published by Paraclete Press

SATB choir, soprano voice solo, organ accompaniment - Early intermediate

SKU: GI.G-2217

Composed by Eugene E. Englert. Good Friday. Choral. Sacred. Octavo. 8 pages. GIA Publications #2217. Published by GIA Publications (GI.G-2217).

Composed by Various. Arranged by Alan Billingsley. Disney Choral. Collection, Disney, Medley, Movies, Pop, Show Choir, Tv and Movies. Octavo. Duration 315 seconds. Published by Hal Leonard

SATB choir, organ accompaniment, oboe

SKU: GI.G-008824

Composed by William Ferris. Holy Week, Christ the King Year C, Good Friday, Palm Sunday. Sacred. Octavo. 8 pages. GIA Publications #008824. Published by GIA Publications (GI.G-008824).

UPC: 641151088242. Text Source: The Young Man',s Meditation, 1664, alt. Text by Samuel Crossman.

Composed by John Bacchus Dykes. Arranged by Ruth Elaine Schram. For soprano voice, alto voice, tenor voice, bass voice, keyboard, optional flute and glockenspiel. Octavo. 12 pages. Duration 3 minutes, 5 seconds. Published by Carl Fischer

Composed by Elaine Hagenberg. Sacred octavos. Octavo. Beckenhorst Press #BP2232. Published by Beckenhorst Press

(A Festival of Passion Readings and Hymns). Composed by Michael Burkhardt. For SATB choir, organ, handbells, optional brass quartet, cello/bass instrument, Orff instruments, violin. Holy Week/Three Days, Lent. Optional Instrumental Parts. Duration 50 minutes. Published by MorningStar Music Publishers

Mixed choir

SKU: CA.210300

Composed by Various. Edited by Stefan Schuck. Sacred vocal music, Psalms, German, Psalms, Latin. Choral collections. Conductor's score, with CD. Sacred vocal music, Psalms, German, Psalms, Latin. Choir Book. Carus Verlag #CV 02.103/00. Published by Carus Verlag (CA.210300).

ISBN 9790007244668.

The Choral Collection Psalms contains over 50 settings for mixed unaccompanied choir from six centuries. It is a true treasure-trove of compositions in various styles and levels of difficulty: with some unknown new discoveries and some classics of the choral literature, the selection will enrich both worship and concerts. The 150 psalms of the Old Testament express rejoicing, joy, confidence, but also lament, grief, anger, and even doubt. The psalms are present throughout Christianity and Judaism to this day, and are sung worldwide in countless settings. The Choral Collection Psalms displays the whole stylistic and linguistic variety ranging from contemplative, simple Anglican chant through Russian Orthodox homophony to virtuoso motets with jazzy echoes. The linguistic spectrum is equally broad: English, French, German (some with added singable English translation), Estonian, Icelandic and, of course, Latin psalm settings are represented, as well as works in Church Slavonic and Hebrew (both accompanied by transliterations and a singable German text). The foreword (German / English) offers many hints regarding the performance of the psalm settings, and a detailed index will help with choosing appropriate pieces for the liturgical occasion according to the Anglican, Protestant, or Catholic calendar. Over the last ten years editor Stefan Schuck has performed two psalm compositions every week in his NoonSong series in Berlin. From the resulting 800 works, he has selected the most interesting compositions arranged according to level of difficulty. The choral director's volume includes a CD with recordings of selected works, sung by sirventes and conducted by the editor, which will help with learning and rehearsing the repertoire. over 50 psalm settings from six centuries for worship and concert use stylistic variety and mixed levels of difficulty: from Anglican Chant to virtuoso motets for four-part mixed choir, some with organ/piano accompaniment transliterations and German singing texts help with practising cross-cultural repertoire liturgical classification of all settings for Catholic, Protestant, and Anglican lectionary includes many unknown jewels such as Boze, Boze moj (Cesar Cui), Jauschew be seser eljaun (David Rubin), and Schubert's setting of Psalm 23 in the first Hebrew version CD recording (sirventes berlin, cond. Stefan Schuck) with a selection of settings helps with getting to know the pieces economical choral edition (editionchor) available.

Choral SATB choir, piano

SKU: CF.CM9366

Blessed is the Man. Composed by Stanislao Mattei. Edited by Martin Banner. SWS. Patriotic. Performance Score. With Standard notation. 16 pages. Duration 3 minutes, 10 seconds. Carl Fischer Music #CM9366. Published by Carl Fischer Music (CF.CM9366).

ISBN 9780825894121. UPC: 798408094126. 6.875 x 10.5 inches. Key: F# minor. Latin. Psalm 112.

Carl Fischer is excited to publish the music of relative unknown composer Stanislao Mattei, a student of Padre Martini. Prolific editor Martin Banner's modern performing edition of Mattei's Beatus Vir is based upon a hand-copied score found in Bologna, Italy and adheres closely to the original source. Advanced mixed ensembles of all sizes will enjoy singing this choral gem from the Classical period.

SATB choir, 2 horns, violin solo, 2 violins, viola, organ solo, basso continuo

SKU: CA.5136111

Motet. Composed by Wolfgang Amadeus Mozart. Edited by Armin Kircher. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Quis Te Comprehendat. Gran Partita. Sacred, Motets. Single Part, Violin 1. KV Anh. 110. 4 pages. Duration 4 minutes. Carus Verlag #CV 51.361/11. Published by Carus Verlag (CA.5136111).

ISBN 9790007224998. Key: E flat major. Language: Latin.

Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.