SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.3909805
ISBN 9790007162122. Language: Latin.
Telemann's Missa brevis on the Easter chorale Christ lag in Todes Banden is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score available separately - see item CA.3909800.
SKU: CA.3119509
ISBN 9790007210373. Language: German/English.
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and parts available separately - see item CA.3119500.
SKU: CA.3119519
ISBN 9790007182953. Language: German/English.
SKU: CA.3119503
ISBN 9790007182908. Language: German/English.
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500.
SKU: CA.3119549
ISBN 9790007210427. Language: German/English.
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.
SKU: CA.3720914
ISBN 9790007214722. Language: German.
The composition of the cantata was probably completed on 16 November 1765. The subject of the cantata text is the fulfillment of the prophecy with Christ's birth. The author of the texts of the inner movements is unknown. Score and part available separately - see item CA.3720900.
SKU: HL.1436076
UPC: 196288203773.
Are you looking for a unique setting by a mutifaceted composer? Look no further. Explore Evelyn Simpson-Curenton's remarkable adaptation, “Prayer for the Congregation,” blending St. Francis of Assisi's text into a reverent SATB div, piano, organ, bass guitar, and drum set piece. With Simpson-Curenton's unique fusion of acappella sections and unconventional instruments, this composition transitions seamlessly between reverence and a swung jazz-inspired section, providing space for keyboard improvisation. Perfect for advanced choirs seeking a fresh take on timeless text. Simpson-Curenton's innovative style breathes new life into choral music, making this piece a must-perform for those seeking captivating musical experiences.
SKU: HL.49045586
ISBN 9790001166270. UPC: 841886032705. 7.5x10.75 inches. Latin.
As a singing teacher, choir director and not least as a passionate professional choir singer, Irina Rebhuna is perfectly familiar with the possibilities of the human voice. And so it is hardly surprising that the Latvian musician born in 1988 has devoted herself especially to the composition of vocal music. Her sacred choral work Libera me, Domine for mixed a cappella choir (SSAATTBB) won the special prize for the 'best composition for 4-6 voices' at the International Composition Competition 'Musica Sacra Nova' 2016. This church music gem, in which the eponymous Gregorian chorale is intonated by one of the (two) bass baritone sections at the beginning - over a musical tapestry woven by the remaining voices - and taken up again by all tenors at the end, is ideal for ambitious amateur choirs. The idea behind this work, says the composer, is 'the human reflection on the uncertain - on death, on Judgment Day or on what is inexplicable to us. Such as humility, excitement, fear,and atonement. The chant ends without ending, there is no solution. Life goes on because we ask the following question again and again: What will happen next?'.
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