SKU: SU.91480830
SATB Chorus & Organ Duration: 9' Composed: 2019 Published by: Subito Music Publishing Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com. YouTube:.
SKU: SU.80201801
SATB Chorus & Tubular Bells Composed: 2017 Published by: Dunstan House Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: CF.CMF1
ISBN 9780825857768. UPC: 798408057763. 6.75 X 10.5 inches. Text: Keith Hibbs; Claire Cloninger; Cherry Tadlock; Ron Harris. Claire Cloninger, Ron Harris, Cherry Tadlock, Keith Hibbs.
This collection offers both seasonal and general worship anthems from one of America’s premiere church writers. The anthems in this collection are perfectly suited for praise and worship and are sure to become an integral part of church choir programs. Seven anthems total, Hallquist has skillfully written these beautiful pieces with care and thoughtfulness; a style that has been one of his trademarks throughout the years. A must-have for every church choir! Faithful to the Vision (Anniversary/Dedication), I Often Dance (General Praise/Worship), In Times Like These (Encouragement/Easter Resurrection), Let Us Worship and Bow Down (Call to Worship), On a Hillside in Bethlehem (Christmas), They Could Not (Easter) and We Are His Love (Missions/Ministry).
SKU: BP.BP128
UPC: 748769001288. 6.875 x 10.5 inches.
This original song by Canadian songwriters Mark Murphy and Maureen Ennis, originally written for vocal trio and heard in various memorial occasions, has now been arranged by Dan Forrest, Jamie Hillman, and the composer for SATB choir as part of the Beckenhorst Concert Series. Highly effective for both high school choirs and community choirs, the gentle songwriter feel of the original is supported by a simple piano accompaniment and well-crafted choral lines. The result is a deeply-felt expression of grief and comfort: I'll sing for you because I need to, right now this is all I know; I'll sing so we will not forget you, I will sing you home - I will sing you home. (Accompaniment Track includes one bar of piano introduction to set tempo and pitch, and piano plays during a cappella sections and long note values to keep tempo clear.).
SKU: HL.14032776
7.0x10.0x0.093 inches.
In this piece for unaccompanied SATB choir, fervent, dance-like music appears side by side with fear and awe, producing a dramatic contrast. The work was commissioned jointly by the Dean and Chapter of Winchester Cathedral and by Mrs Ruth Daniel on behalf of St. John's College, Cambridge, for performances during Advent 1997. There were simultaneous first performances on 29th November 1997, given by the Choir of Winchester Cathedral conducted by David Hill, and the choir of St. John's College conducted by Christopher Robinson in Cambridge.
SKU: PR.362034230
ISBN 9781598069556. UPC: 680160624225. Letter inches. English.
When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental.When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear.
SKU: LP.765762227903
UPC: 765762227903.
Ignite imaginations to walk the paths kneel in the garden and climb the hill to Calvary with this stirring Easter anthem made popular by Larnelle Harris. Written by Daniel S. Twohig and Geoffrey O Hara this piece swells with emotion and vivid imagery as Dave Williamson s beautiful arrangement and orchestration take us back to Jesus day to feel His presence once again.
SKU: BP.BP2186
Printed product. Daniel W. Whittle's 19th century text comes to life in this powerful anthem. It contains a strong, clear challenge to the church today and will be an effective communicator of truth on any occasion. Scored for SATB, organ, and optional brass quintet and percussion.Note: errata in first printing (all in Organ RH): m21 middle Eb should resolve down to D on beat 3 (half note); m38 beat 2 delete lower Eb; m39 end solo.
SKU: WD.080689508233
UPC: 080689508233.
From Hillsong Worship comes a tender, loving devotional in their new Easter song, Grace to Grace. Arranged and orchestrated by J. Daniel Smith, this spirit-filled lyric creates a powerful image of love, compassion, sacrifice, and grace. For Jesus gave His life to make us alive…to pay our debts and forgive our sins…from death to life and grace to grace!
SKU: WD.080689168086
UPC: 080689168086.
Daniel Semsen uses a beautiful and driving orchestration to set the stage for this Hillsong worship song that focuses on Jesus' death on the cross. This anthem would be perfect for a time of congregational worship during the most intimate moment of an Easter service.
SKU: WD.080689886423
UPC: 080689886423.
SKU: HL.290067
ISBN 9788759841723. UPC: 888680921965. Danish.
A collection of works for mixed voices edited by Jakob Faurholt. In Danish.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version