SKU: HL.48186175
UPC: 888680828233. 0.114 inches.
French violinist and composer, Jean-Joseph Cassanea de Mondonville (1711-1772) was a young contemporary of Rameau. De Mondonville was successful in his day, Dominues Regnavit being no exception. Best known for his Operas and Sacred music, De Mondonville's compositions won the composer the post of Master of the Music of the Royal Chapel. Dominus Regnavit was composed in 1935 and is a Large Motet based on Psalm 92. With a typical performance lasting about 23 minutes, de Mondonville's Dominus Regnavit for choir is a sublime addition to the repertoire..
SKU: GI.G-9958
UPC: 785147995807. English. Text Source: From I Loved You First, Christina Rossetti, 1830-1894, alt. Text by Christina Rossetti.
 The English Romantic poet, Christina Rossetti (1830–1894), is chiefly known for her mystic religious lyrics. Her limited number of love poems are mostly of an unhappy nature, rather like objective expressions of happiness denied. A certain steely stoicism within her caused her to turn away from love twice in her lifetime with two separate men. There is no evidence of resolute refusal of love in this poem, however. Here she profusely proclaims her deep love for another. Wayland Rogers has set the last five lines of I Loved You First to music. The setting is an excerpt from his song cycle, I-Thou , which was commissioned and premiered by Fourth Coast Ensemble in Chicago in 2018. About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.
SKU: HL.8748585
UPC: 884088237127. 6.75x10.5 inches.
The unique Renaissance editions of William Belan continue with this well-known John Dowland (1563-1626) madrigal. The poem is one of the loveliest and most famous from its period, and Dowland's sensitive setting epitomizes the style of the time. This edition includes copious notes for performance, as well as original part notation along with current score engraving.
SKU: SU.80101189
This anthem, with a text by John Thornburg, is based on I John 1:1-2 and most suitable for Eastertide. The well-known tune Easter Hymn is quoted at the end. It is also taken from the chamber opera See the Promised Dawn Arise. The trumpet parts are available as free PDF downloads from the Zimbel website (http://www.zimbel.com/). 12 pages Published by: Zimbel Press.
SKU: AP.45568
UPC: 038081513072. English.
Featured in On Your Feet! The Musical, the story of Emilio and Gloria Estefan, this well-known power ballad earned a Grammy nomination in 1990. Optional Spanish lyrics are included in the publication.
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: LO.15-3628H
ISBN 9780787763794.
This sensitive setting of the well-known Elizabethan poem utilizes contemporary harmonies and a tightly knit choral fabric to exude emotion. Two river-themed ostinati and cascading sixteenth notes in the accompaniment aid in forward motion and enhance the textual imagery. This gem is filled with abundant teaching opportunities for dynamic expression and artistic phrasing.
SKU: CA.3110214
ISBN 9790007047436. Key: G minor / c minor. Language: German/English.
In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and part available separately - see item CA.3110200.
SKU: LO.10-5722L
ISBN 9780787777593.
Herb Frombach's gentle text is meaningfully paired with the well-known hymn tune GORDON (My Jesus, I Love Thee) in this evocative anthem. Arranged in a light classical style, the part-writing is carefully written and the ranges are very manageable. The inclusion of the popular GLORIA melody adds a nice traditional touch to this moving piece.
SKU: CA.5136114
ISBN 9790007225025. Key: E flat major. Language: Latin.
Motet of an unknown arranger (ca. 1820), based on th Adagio of the Serenade KV 361 (Gran Partita). The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart's Wind Serenade K. 361, the Gran Partita. The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin and the organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. Score and part available separately - see item CA.5136100.
SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.3110219
ISBN 9790007136529. Key: G minor / c minor. Language: German/English.
In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and parts available separately - see item CA.3110200.
SKU: CA.3110211
ISBN 9790007047405. Key: G minor / c minor. Language: German/English.
SKU: CA.3110213
ISBN 9790007047429. Key: G minor / c minor. Language: German/English.
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