SKU: CA.982000
ISBN 9790007141318. Language: Syllables/Sound. Text: Goebel, Benedict. Text: Benedict Goebel.
Singfonie is more than a hodgepodge of scat syllables, motives, patterns and riffs in a largedesigned form. rather it attempts to unite traditional forms with modern styles. The achievements of past circle song and improvisational techniques are blended with the pure feeling for rhythms and joy in the pursuit of motivic development in the four movements, which are primarily for double choir. Thus, some rhythmic and motivic germ cells are to be rediscovered in various movements, including the pulsing and unfolding tone repetitions of the first and last movements. a new journey of discovery through the world of pop-choral singing.
SKU: CA.3101813
ISBN 9790007204860. Text language: German/English.
The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and part available separately - see item CA.3101800.
SKU: CA.3101809
ISBN 9790007204839. Text language: German/English.
The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score and parts available separately - see item CA.3101800.
SKU: CA.3101814
ISBN 9790007204877. Text language: German/English.
SKU: CA.3101849
ISBN 9790007204907. Text language: German/English.
SKU: CA.3101812
ISBN 9790007204853. Text language: German/English.
SKU: CA.3101807
ISBN 9790007165680. Text language: German/English.
The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded. Score available separately - see item CA.3101800.
SKU: CA.3101815
ISBN 9790007204884. Text language: German/English.
SKU: CA.3101800
ISBN 9790007143190. Text language: German/English.
The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded.
SKU: CA.3101811
ISBN 9790007204846. Text language: German/English.
SKU: CA.3101819
ISBN 9790007204891. Text language: German/English.
SKU: MN.70-009
UPC: 688670700095. Scripture: Isaiah 53.
Passages from Isaiah 53 describe our Messiah's suffering as he restores the people of God through his willingness to bear their sins. This choral work incorporates these passages in four movements for choir, soloists, organ, and optional string quartet. This piece may be used in a variety of ways to add depth and meaning to Holy Week services. One may also add hymns or readings to make an entire Holy Week service. **Organist may play from either Full Score or Choral Score.
SKU: GH.GE-11444
ISBN 9790070114448. A4 inches. Text: Biblical.
For mixed chorus, baritone solo and organ. Lyrics from Song of Songs:3.The four movements contain both dramatic and sensitive expressions in colourful variety. The expressive baritone-solo sometimes moves independently from the choir, and is somtimes weaved tightly together with the choir. The organ part is accompanying and ornamental, but still has its own distinctive character.
SKU: CA.3912249
ISBN 9790007245092. Key: G major. Language: German/English.
As one of the three canticles from the New Testament, the Magnificat - the Canticle of Mary - has at all times held a prominent position in church music. Telemann's setting of Luther's German translation of the text bears eloquent witness both to the composer's rich imagination and to his ability to mold a variety of musical shapes into a coherent formal Baroque architecture. Four solo movements with colorfully contrasting instrumentation are juxtaposed with four emphatically homogeneous choral movements; all of the latter are in 6/8 meter and in motet setting with instruments doubling colla parte. Particularly the choral movements are characterized by lively text portrayal and a wealth of at times dramatic imagery. A work of exceptional magnetism for both listeners and choir singers! Score and part available separately - see item CA.3912200.
SKU: CA.3117405
ISBN 9790007186111. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.
SKU: CA.3117409
ISBN 9790007209636. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.
SKU: CA.3117419
ISBN 9790007187248. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117449
ISBN 9790007209711. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.
SKU: CA.3117400
ISBN 9790007171643. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata.
SKU: CA.3117417
ISBN 9790007209704. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117415
ISBN 9790007209681. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117414
ISBN 9790007209674. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117403
ISBN 9790007183554. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117412
ISBN 9790007209650. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
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